Category: TV Cartoons (Page 5 of 14)

A Chat with Christy Karacas and Stephen Warbrick (“Superjail!”)

Trying to pin down the strangest series amongst Cartoon Network’s Adult Swim line-up is a fool’s errand. This, after all, is where a show about a crime-fighting Happy Meal can thrive for seven seasons, so it’s clear that anything goes, and then some. But absurdist comedy about talking food and drink is one thing. “Superjail!” is quite another. When Bullz-Eye was offered the opportunity to chat with two of the show’s executive producers, Christy Karacas and Stephen Warbrick, we couldn’t resist taking them up on their offer, if only so we could get at least a small hint of what kind of guys would create a show as insane as this one.

Bullz-Eye: Hey, guys!

Stephen Warbrick: Hi, Will.

Christy Karacas: Hi, Will!

SW: I don’t know if there’s too much differential between our voices.

BE: I think I’ll get the hang of it after I get talking to you guys.

SW: I’ll talk in a real Brooklyn-y accent, if that’ll help.

BE: Nice. That’ll definitely help. Well, I’m definitely a fan of the show…

SW: Oh, good!

BE: Now, I understand that “Superjail!” originated – indirectly, anyway – as a result of a short you guys did called “Barfight.” Is it true that it was just a case of one of your friends passing it on to someone at Cartoon Network?

CK: Pretty much.

SW: Yeah.

CK: It was funny. We made “Barfight,” we were going to enter it into film festivals, but it got rejected from every festival we were going to enter it into. So we were, like, “Fuck!” I mean, I stopped doing animation for awhile, and…Steve, I forgot what you were doing.

SW: I don’t even remember. (Laughs)

CK: But, yeah, for a couple of years, it was just floating around, and our buddy Dave Hughes, one of the editors on it, worked at Adult Swim and showed it to them, and they got in touch with us and were, like, “Hey, why don’t you try pitching a show here?” So that was pretty awesome.

SW: Yeah. (Laughs)

BE: Well, it’s definitely the kind of show where you just absolutely do not know what’s going to come next.

SW: Well, that’s good. We try to keep you on your toes. (Laughs)

BE: But how do you approach writing an episode of the show? I mean, do you just take a general premise and then go completely apeshit from there?

SW: Yeah, we’ll definitely have one general premise, and then try to build maybe one or two smaller subplots off of that, and then just go from there and keep adding and subtracting things until it feels right. And then you’ve got to get it approved, and that’s a whole different thing. (Laughs)

BE: Given what I’ve seen in there, I have to wonder what wasn’t approved at various times.

SW: Ah, it’s usually the weirdest things. Nothing violent ever gets kicked back. It’s usually weird little things.

CK: It’s usually weird copyright things, like, “Oh, that’s a name of something,” or stuff like that, which is really surprising. We thought we were going to get really censored, but they’ve actually been pretty cool about encouraging us to push it.

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Watch “The Ricky Gervais Show”

This should go without saying for fans of the original version of “The Office” or “Extras,” but Ricky Gervais is back on HBO in “The Ricky Gervais Show.” The show is based on a series of podcasts that Gervais and Stephen Merchant (co-creator of “The Office” and “Extras”) did with Karl Pilkington, a weird little man with a round head and a bunch of strange ideas.

The show premiered on Friday, and I was laughing so hard I was literally crying during the opening segment, where Karl explains his idea for how death and birth should proceed. Check out this clip from “The Late Show.”

Happy (Fake) Presidents Day! – A Collection of U.S. Presidents from TV and Film

Once upon a time, the third Monday in February was designated as a day to celebrate George Washington’s birthday. These days, however, although it varies from state to state, it tends to be known less specifically as Presidents Day, which means that we can ostensibly celebrate everyone who’s ever been the President of the United States. Here at Premium Hollywood, we’d also like to extend that to those who’ve served as our nation’s commander-in-chief on television and the silver screen.

Now, granted, that’s a lot of people…more, in fact, than we could possibly give shout-outs to in a single piece. As such, we decided to pare it down to the same number of individuals as have held the highest office in our land since its inception. Forty-four folks is still nothing to sneeze at, but we’re betting that we’ll still end up having left out someone’s favorite son (or daughter). To paraphrase one of our real presidents, you can please some of the people all of the time, and all of the people some of the time, but you can’t please all of the people all of the time. With that said, however, we still think we did a pretty solid job of picking the best candidates for the piece.

1. President Dwayne Elizondo Mountain Dew Herbert Camacho (Terry Crews), “Idiocracy”: Why are we leading off with President Camacho? Because, really, when you’ve got a fake President on your list who’s also a porn superstar and a five-time ultimate smackdown wrestling champion, why in God’s name would you wait any longer than necessary to trumpet his inclusion? Clearly, this man is the fake President to end all fake Presidents, and he’s #1 with a bullet. It’s all going to be downhill from here.

2. President Andrew Shepherd (Michael Douglas), “The American President”: President Shepherd is a widower who pursues a relationship with an attractive lobbyist — Sydney Ellen Wade, played by Annette Bening — while at the same time attempting to win passage of a crime control bill. Although the film was mostly ignored by the Oscars, it racked up several Golden Globe nominations and has since found its way into the #75 spot on the American Film Institute’s list of America’s Greatest Love Stories. Plus, its screenwriter managed to find a good use for the excess material that he didn’t have room to fit into the script…but we’ll get to that in our next entry.

3. President Josiah Bartlet (Martin Sheen), “The West Wing”: Yes, if you hadn’t figured it out already, “The American President” was written by Aaron Sorkin, which is why you may notice a resemblance between the mannerisms of Presidents Shepherd and Bartlet. Ironically, though, Sorkin had originally envisioned the series as revolving so much around the White House senior staff that viewers would rarely, if ever, see the president. Instead, what the nation got was an idealized leader, one who – in A Novel Approach to Politics, by Douglas A. Van Belle and Kenneth M. Mash – is referred to as the “most popular Democratic president in recent memory.” The book was written pre-Obama, mind you, but we’re pretty sure the title still stands.

4. President William Harrison Mitchell (Kevin Kline), “Dave”: Given the vaguely “The Prince and the Pauper”-esque premise of the film, which involes a guy who makes a few bucks on the side as a Presidential impersonator being asked to play the part for real when the actual President suffers an incapacitating stroke, there was every reason to believe that “Dave” would’ve been a trifle at best, but between Kline’s imminent likability and a fantastic supporting cast (Sigourney Weaver as the First Lady, Ben Kingsley as the Vice President, Frank Langella as Chief of Staff, and Charles Grodin as Dave’s accountant buddy, Murray), it often comes close to – even though it doesn’t quite reach – the heights of “The American President.”

5 – 8. President Thomas J. Whitmore (Bill Pullman), “Independence Day” / President Blake (Perry King) and President Becker (Kenneth Welsh), “The Day After Tomorrow” / President Thomas Wilson (Danny Glover), “2012”: As soon as you see the credit “directed by Roland Emmerich” on a disaster flick, you just know things are going to reach a point where the President of the United States is going to be brought into the discussion about whatever imminent danger may be about to thrust itself onto our planet.

There’s also a very good possibility that the ol’ rite of succession may come into play during the course of the film, such as it did in “The Day After Tomorrow,” when we lost President Blake after the blades of his helicopter froze. Say hello, President Becker! The same thing happened in “2012,” too, but we were so in awe of President Wilson’s selfless sacrifice – he stayed behind to help survivors in need, only to meet his death when the tidal wave struck the White House – that we’ve made an executive decision not to include Wilson’s successor, President Anheuser (Oliver Platt) in the list. Why? Because he’s a dick.

The definitive Emmerich-flick president, of course, is President Whitmore. During the course of “Independence Day,” he sees the White House blown up, loses his wife, fights off a psychic attack from an alien, and flies a goddamned jet fighter into battle to help save the day. Plus, he gives the most stirring speech this side of “Patton.” Hell, I’d vote for him.

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Wes Anderson needs a shave; goodbye, Art Clokey

This video acceptance speech for a special achievement award for “Fantastic Mr. Fox” from the National Board of Review Awards has been making the rounds at a bunch of sites, so why not here, too?

Via Inside Searchlight, and thanks to Nathaniel R. for linking to this on his Facebook page. I understand an entirely human Anderson actually did show up to pick up the award as well.

By the way, we’re very late on this, but it’s probably as good a place as any to mention the passing of stop-motion animation great Art Clokey of “Gumby” fame, who died last week. As Eddie Murphy might say, RIP damnit.

Greetings to the New Show: “Archer”

archer

FX’s new comedy series, “Archer,” has a decidedly Adult Swim feel to it, and that isn’t at all coincidental. Created by Adam Reed (“Space Ghost Coast to Coast,” “Sealab 2021” and “Frisky Dingo”), “Archer” is everything you’d expect in an Adult Swim series – from its crude animation style to its adult-themed humor. Still, it might be a little too refined for Cartoon Network’s late night line-up, which is why it works so perfectly on a channel like FX. Though the basic cable network has succeeded in making several first-rate dramas over the years, they’ve yet to crack the comedy nut beyond “It’s Always Sunny in Philadelphia.” They may have finally found a worthy pairing in “The League,” but if FX hopes to create a Thursday night comedy block to compete with the big boys, “Archer” is exactly what they need.

Set at the International Secret Intelligence Service (ISIS), a spy agency where espionage and global crises are merely opportunities for its highly trained employees to confuse, undermine, betray and royally screw each other, the series stars H. Jon Benjamin as Sterling Archer, a 007 wannabe who craves the perks of the job without doing any of the work. Joining Archer at the ISIS office is his domineering mother and boss, Malory (Jessica Walter); ex-girlfriend and fellow field agent Lana Kane (Aisha Tyler); head accountant Cyril Figgis (Chris Parnell); lovesick secretary Cheryl (Judy Greer); and human resources director Pam (Amber Nash).

It’s a great cast for an animated series, but despite all the recognizable names, it’s relative unknown H. Jon Benjamin who steals the show. Anyone who’s ever watched cult classics like “Dr. Katz” and “Home Movies” are probably already familiar with Benjamin’s trademark voice, but he’s an absolute riot in “Archer” and the main reason the show works as well as it does. In fact, while I had already seen the pilot episode months before during its top secret preview on FX, it didn’t stop me from watching it again. It’s easily the strongest of the first five episodes, although “Training Day,” where Archer trains Cyril to become a field agent, and “Diversity Hire,” where Malory hires a black-Jewish agent to fill a minority quota, are good as well. There’s also an “Arrested Development” mini-reunion when Jeffrey Tambor guest stars as an U.N. intelligence officer in “Killing Utne.”

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