Category: The Sopranos (Page 3 of 9)

TCA Press Tour: A few random photos from the HBO party

James Gandolfini seemed like a nice enough guy, but after several seasons of “The Sopranos,” you can’t help but feel like he might slug you if you ask him the wrong question.

Larry David was extremely approachable…so approachable, in fact, that he was constantly surrounded by reporters with tape recorders, trying to get a good sound bite out of him.

For the boys back home: I had a nice “Entourage” moment with Kevin Dillon, who was a very cool guy, but, sorry, I had to yank the pic because I didn’t realize it’s frowned upon for TCA members to take shots with the celebs. It’s probably something to do with maintaining distance between professional writer and professional fanboy, and I get that. But, anyway, a shout-out to my new friend, Steven Chupnick, managing editor of JewReview.net; he and I stood around and talked w/ Kevin about the show, how it’s progressed, and what it’s like with Matt Dillon as your brother. (No way I’m transcribing that now. You’ll have to wait ’til I’m back and can get more caught up!)

TCA Press Tour: HBO, Pt. 2

Okay, it’s still 6:54 AM here, but, damn, I feel a hell of a lot better after just a few hours sleep. As such, let’s go ahead and take a look at those HBO panels from yesterday:

As You Like It, Kenneth Branaugh’s latest Shakespearean adaptation:

Branaugh found it very easy to cast Kevin Kline in the role of Jacques, it seems. “(He has) vast Shakespearean experience, as you know, a brilliant dramatic actor, a very, very funny man, and is, in life, intellectually curious. And as with all funny men, I would say – without trying to tell my friend who he is – a kind of disposition to a certain kind of melancholy and philosophical introspection. But I just thought he was a great actor.”

Kline’s response? “I disagree.”

Kline isn’t the only American in the production; he shares that honor with Bryce Dallas Howard…even if she doesn’t see it that way. “I would have to say that Kevin Kline is almost like an honorary Brit when it comes to Shakespeare, (whereas) I felt like a little bit of a cowboy,” said Howard. “Like, it’s, you know, a little rough with the language, and I didn’t really have a lot of confidence with it, initially. But under the guidance of Ken, and everyone else that was involved, I allowed myself to just enjoy the experience and do my best. But it was definitely initially intimidating, perhaps being an American, but even more than that, just being someone who is literally at the start of my career. I haven’t had as much experience as I would like to.”

The role of Orlando is taken by relative newcomer David Oyelowo, who had a serious attack of nerves when he discovered that A) he had to go to Branaugh’s house to audition, and B) he had to audition with Branaugh. “You were reading the other lines,” he said, turning to Branaugh, “and my saliva just turned to sand. I mean, there I was, auditioning with Henry V, Iago, Benedict, Coriolanus…and it just…I mean, you probably won’t remember this, but the lines…they just completely went out of my head. You were so gracious; you just went, ‘Okay, let’s do that again…'”

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“Try and remember the times that were good” — Series Finale

The Sopranos finale

I don’t even know what to say right now. I really don’t. Maybe I missed something. Maybe I just didn’t appreciate what David Chase was trying to accomplish. Or maybe my expectations were simply too high. I don’t know.

People have been saying for years that “The Sopranos” peaked too early. I’m not sure if I agree with that or not, but I will say that this final season peaked too early. Last week’s episode was brilliant, maybe one of the finest hours of television you’ll ever see. Seemed the stage was set for a fantastic finale for a series so many of us have been following for so many years.

Instead, we got this. Look, I wasn’t expecting a 65-minute bloodbath tonight. That’s not even what I was hoping for. But I sure wanted some resolution, and I wanted some conflict. Instead, we get AJ telling his parents he wants to go into the Army so he can fulfill his dream of being a private helicopter pilot for Donald Trump, Meadow trying to parallel park her car for 20 minutes, Carm starting the plans for her next spec house, Janice trying to swindle Junior by telling him he was her daughter, Paulie bitching about a stray cat, and Tony shuffling through a tabletop jukebox.

What, the, hell?

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“We decapitate and do business with whatever’s left”

The Sopranos Sil

There’s a part of me that doesn’t even want to blog about this episode. I don’t want to ruin it. I don’t want to overanalyze it. I don’t want to pick it apart. It was a brilliant 50-plus minutes of television, setting things up for what looks to be one helluva memorable finale next week, and that’s really all that needs to be said. The episode speaks for itself.

But what kind of blog would this be if we didn’t actually blog? So let’s start by saying: Here we go. Seems the bloody, shoot-em-up ending that so many viewers wanted has come to be. That early scene with Phil and his two cronies was one of the best scenes of the season, maybe the series. “The Sopranos are nothing more than a glorified crew,” Phil says, quoting Carmine. “We decapitate and do business with whatever’s left.” Seems Phil doesn’t think all that much of his NJ counterparts, or at least, that’s what I gathered when he called them a “Pigmy tribe.” He wants the top three guys gone: Sil, Bobby and, of course, Tony.

A couple of interesting notes here, the first coming from one of the guys from the NY group. Bobby is Tony’s #3. We’ve kinda known it for a while but, as the NY guy pointed out, Bobby used to be Junior’s driver. Then he marries Janice and a couple years later he’s T’s #3? That always seemed strange to me. Turns out they promote everybody, as Phil says, and Bobby’s a very large piece of evidence. But would Bobby be in that position if Chris had still been around? Probably not. Or, at least, you can bet Phil would’ve made Chris a priority over Bobby because he understood that Chris would’ve hurt T more. But Tony gives Chris a friendly push toward his dirt nap a few episodes ago and poor Bobby pays for it. In a hobby store buying an $8,000 train, no less.

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