Category: Sci-Fi Movies (Page 24 of 93)

Midweek movie news

You’d think Jewish New Year and Labor Day coming so close together would slow down the pace of movie news a little, but leisure is for suckers and Yahweh is just another bit player in this hard luck town.

* The talk of the geek-o-sphere for some time is going to be the announcement of a massive and potentially trendsetting film/television cross-over adaptation of Stephen King’s multi-volume “The Dark Tower” mega-epic. Universal, which has had some very tough times lately, is taking what I’m guessing could be a make-it-or-break-it gamble on the project, the news of which was broken by Mike Fleming earlier.  I’m not a King reader, but I am intrigued by the fact that it’s a western-science fiction-horror cross-breed. In any case apparently the plan is to start with a movie, go to a 22 episode not-so-mini-series, and then onto another movie, another series, then wrapping it all up with movie. The idea being to provide fans with both the grandeur of theatrical films and the detail and time of a television series.

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It’s intriguing but laden with potential pitfalls. One is that it demands an awful lot of time and people who aren’t following the series may feel shut out of the latter two movies. The other is that, quite frankly, I feel the “A Dangerous Mind” creative team of director Ron Howard and writer Akiva Goldsman — who I gather will be writing and directing the first two films and the entire first series at least, which could be some kind of record if that’s what’s really going to happen — simply haven’t indicated they’re up to this kind of material. I hate to say it but winning Oscars can be negative indicator sometimes.

It’s not that I doubt their ability to crank it all out. Howard is obviously a very competent director who knows how to make highly professional material and I have tremendous respect for him as an individual and one of the more positive forces in Big Moviedom. However, he’s always shown a tendency to play it safe and often a bit dull when the chips are really down creatively as a director and none of Goldsman’s movies have been all that inspiring to me either. All I’m saying is that I had a good feeling about Peter Jackson taking on “The Lord of the Rings” and I have a bad feeling about it, though I’d seriously love to be wrong.  Something tells me this project needs a real lunatic and Ron Howard is one of the sanest guys in show business. Huge King fan Quint at AICN has similar misgivings. He has a more riding on this than I.

* Simon Abrams is right re: “Kick-Ass” doing a lot better than people assumed. Even though I cover the weekend grosses here, we all make way too much of those openings and fail to look at the overall picture. Calling a movie a bomb that makes nearly half its budget in its opening weekend is just idiotic anyhow. The actual success of the film may have figured in the ongoing financial struggles between Lionsgate and Carl Icahn.

Aaron Johnson is

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Another “Monsters” trailer

I’ve already posted more than one trailer and my reaction to this beautiful and impressive and also, I fear, vastly overrated and overhyped indie monster flick/love story.  On the other hand, the imagery is really nice here, so consider this a chance to see what’s best in the movie early.

H/t Cinematical, which reminds us that Hulu videos are not viewable outside North America, so my apologies to any overseas readers.

“Midichlorian Rhapsody”

Freddie Mercury of Queen very sadly passed on back in 1991. On the plus side, that meant he never had got to miss the second “Star Wars” trilogy. Ironically, however, some very talented but so far nameless musical types have married Mercury’s most famous composition to those misbegotten prequels. The result is, needless to say, a lot more entertaining than their source material.

H/t Pajiba.

It’s your pre-Labor Day end-of-week movie news dump. Yay.

As the madcap summer movie series ends, just a few items to wrap up the silly season.

* Not silly at all and quite possibly tragic. It appears there was a very serious stunt-related accident on the set of “Transformers 3,” or perhaps it was a not so stunt-related “freak accident,” says Nikki Finke.

* L’affaire Depardieu et Binoche est tres bizarre. (If my French is incorrect and it almost certainly is, please send complaints to the UCLA languages department.)

* The concept art from the canned Pixar film, “Newt,” is beautiful. Maybe someday we’ll get to see the abandoned footage. Their discards are probably at least twice as good as most finished films.

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* I have a feeling we’re going to hear a lot about “The Black Swan” through Oscar season. It apparently wowed them in Venice though the thoughtful and quirky cinephile critic emeritus J. Hoberman of Village Voice finds it “borderline risible.” To me, remaking “The Red Shoes” with a dash of Dario Argento and even DePalma (not my favorite) sure sounds pretty cool.

* Christopher Rosen may be a doubter, but I say keep hope alive, Kristen Bell!

* Director Tomas Alfredson, who did such a great job on “Let the Right One In,” is shifting genres from very young vampires to depressive real-world style spooks like George Smiley (Gary Oldman this time ’round) in “Tinker, Tailor, Soldier, Spy.” Michael Fassbender, however, left to be a superhero so now Tom Hardy of “Inception” is stepping in. That should work okay, too. (I finally saw “Inception,” by the way, and…I’m too tired to talk about it now, which is sort of how I felt as I was watching it, actually.)

* Is “Hunger Games” really “The Running Man” with teens or more like “Battle Royale” made safe for an American audience? Sam Mendes, Gary Ross and David Slade duke it out to see who’ll realize whatever it is. Interesting to see the name of the talented writer Billy Ray involved here.

* Crocodile Dundee may now roam free in the Outback — I mean the branch of the steakhouse chain in Burbank.

Slightly early midweek movie news

Just a few items that have been swirling about the movie media news/blogosphere…

Ving Rhames in * I know conservative Hollywood-bashers think all we film people both love and fear James Cameron and will leap to his defense with the ferocity of an intimidated momma grizzly on principle. They should take a look at the hub-bub the man has kicked up with some remarks in Vanity Fair that are perhaps best described as 3D snobbery run amok. To use his own terminology, he threw “Piranha 3D” under the bus — presumably with the resulting exploding innards heading directly at the audience’s face. I’m sure the fact that, as per Hollywood legend, Cameron was fired after a week directing “Piranha 2” decades ago, has nothing to do with this.

Anyhow, here’s the oft-quoted choice bit:

…that is exactly an example of what we should not be doing in 3-D. Because it just cheapens the medium and reminds you of the bad 3-D horror films from the 70s and 80s, like Friday the 13th 3-D. When movies got to the bottom of the barrel of their creativity and at the last gasp of their financial lifespan, they did a 3-D version to get the last few drops of blood out of the turnip. And that’s not what’s happening now with 3-D. It is a renaissance—right now the biggest and the best films are being made in 3-D. Martin Scorsese is making a film in 3-D. Disney’s biggest film of the year—Tron: Legacy—is coming out in 3-D. So it’s a whole new ballgame.”

One of the first to get in on the attack — and with the ferocity of a poppa grizzly, I might add — was our pal (and “Piranha” guest reviewer) Dennis Cozzalio. Numerous others have joined Dennis in the good fight for low-budget 3D horror. Apparently not one bit concerned about being able to work in this town again, producer Mark Canton has joined the fray with a sharp counter-attack.

* John Woo directing a movie about the American trained Chinese WWII aces the Flying Tigers in Imax? Where do we send our $15.00? Remakes of his long-time favorite, Jean-Pierre Melville’s “Le Samurai,” and his own international breakthrough hit, “The Killer”? Not my absolute first choice for Woo projects, but I’ll pay to see those too. I just hope he really has something new he wants to say with those stories.

* RIP director Alain Corneau.

* A truly intelligent man like Martin Scorsese knows it’s never time to stop learning. The Onion has the scoop.

*Via an e-mail from the elusive BKS: Cecil B. DeMille rewriting Billy Wilder? Sort of like James Cameron trying to rewrite Quentin Tarantino (and he would too, I bet), but anything is possible in this crazy town.

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