Category: Reviews (Page 64 of 120)

Picard to engage…the TARDIS?

Earlier this week, U.K. tabloid The Sun reported a delicious “Doctor Who” rumor that will hopefully turn out to be more than scuttlebutt: Patrick Stewart taking on a guest-starring role in the series alongside his “Hamlet” co-star David Tennant. The scoop claims he will be playing the Meddling Monk, a fellow Time Lord who appeared only once in the classic series. The Sun is often correct with their “Who” rumors, but once again their report contains some dubious statements, such as the claim about the next series (season) screening next year, when it’s a well-known fact that Season Five won’t be unveiled until 2010, under the guidance of Steven Moffat. There will be four specials unveiled throughout 2009, but nothing’s been said publicly about any of them comprising a two-parter or that the Daleks will return. In any case, many a sci-fi nut will no doubt have their fingers crossed in hopes of this turning out to be true, as it would somewhat fulfill a major geek fantasy of seeing the two greatest TV sci-fi franchises crossing over (in a sense).

In the meantime, why not take a gander at ”The Time Meddler,” which was recently released on DVD? It features the one and only appearance of the Meddling Monk (played by Peter Butterworth), who isn’t quite as evil as the Master – he’s more of an intergalactic shit disturber. The story takes place in 1066, and sees the Doctor (William Hartnell) meeting another Time Lord for the first time in the series (although their race isn’t explicitly named – that didn’t happen until Patrick Troughton’s final story). The Monk is involved in an elaborate scheme which will ultimately change the outcome of the Battle of Hastings. Make no mistake, this is “Who” from 1965, which is a far cry from rapid fire adventures of Tennant, but this still makes for a weird little slice of TV history. (And if you’re really the sort of person who needs a star rating to consider something, then let’s call this one a three-star affair, shall we?)

Greetings to the New Show: “Life on Mars”

It’s time to lead off with another one in my seemingly endless series of shameful admissions, but for such an avowed Anglophile as myself, this one really hurts: I’ve never seen a single episode of the original British version of ABC’s new series, “Life on Mars.” And, frankly, I’m really, really embarrassed about it, because, boy howdy, is it a show that’s right up my alley.

Here’s the premise of the British version: Sam Tyler, Detective Chief Inspector with the Greater Manchester Police, is hit by a car in 2006…and when he wakes up, he’s in 1973. Not only that, but he’s a Detective Inspector with the Manchester and Salford Police Criminal Investigation Department. That’s right: he’s still Sam Tyler…and people in 1973 know him as such. So the question at hand is whether or not he’s traveled in time or if this is all just an elaborate fantasy concocted by his mind while he’s in a coma.

Totally awesome concept, no? I don’t know how I missed out on it, especially since it also takes its title from a David Bowie song, but on the up side, it means that I can appreciate the American version a lot more, since I won’t be constantly comparing it to the British version or complaining that it’s a word-for-word Xerox, problems which kept me from latching onto “The Office” right away.

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Jack Brooks: Monster Slayer

These days, it seems like every film buff with a camera thinks they have what it takes to make the next great cult film. What many don’t realize, however, is just how good movies like “Evil Dead” and “Shaun of the Dead” have to be in order to enjoy success beyond the late night movie marathons and festival circuits. “Jack Brooks: Monster Slayer” may not be as cheesy as it looks, but it’s still cheesy enough to ensure that it will never be part of that elite group of horror comedies. The film stars newcomer Trevor Matthews as the title character, a twentysomething loner who’s had anger management issues ever since his family was killed by a monster during a camping trip as a kid. Now, he’s a burnout plumber taking a night class at the local community college, and when he unknowingly sets free an ancient evil that transforms his professor (a sublimely funny Robert Englund) into a slimy beast from Hell, Jack must tap into his rage to save his fellow classmates and, eventually, the world. What sounds like a really cool concept at first quickly turns in to one of the least horrific, least comedic horror comedies you’ll ever see. The film’s main three monsters are an absolute joke, while Matthews himself is about as charismatic as a piece of wood. If there’s any reason to sit through this piece of low-rent garbage, then it’s for Englund’s enjoyable turn as the unlucky professor. He alone makes “Jack Brooks” worth the price of admission, but once he’s replaced with an animatronic puppet straight out of Chuck E. Cheese, you might be inclined to ask for your money back.

Click to buy “Jack Brooks: Monster Slayer”

Heroes 3.4 – In The Future When All’s Not So Well

Although most of this week’s highlights came from the future, we did get a few interesting moments in the present. Mohinder tried to get a handle on his new abilities, only to find that his control over them isn’t what he hoped it might’ve been. What the hell is he doing to his neighbor, cocooning him? Despite how it may have seemed to many of us, Tracy discovered that she’s actually a triplet, but did you notice how Herr Doktor referenced that the triplets were named Tracy, Nikki, and…Barbara? The sequences with Nathan Petrelli and Mr. Linderman are very interesting, if only because I’m now totally uncertain about whether or not the latter does indeed continue to exist in some manner that allows only the former to see him. And Matt Parkman’s new buddy sent him spiraling into a white-eyed vision, which brings us to…the future.

Even with all of the advances in special-effects technology, it’s clear that we will never successfully reach a point where an actor can perform a scene with himself and not have it feel cheesy…or maybe it’s just because the only difference in Milo Ventimiglia’s PresentPeter and FuturePeter voices was that the latter was a tiny bit more growly. Either way, while the scene of the two Peters chatting with each other worked surprisingly well when they were interacting in the crowd, as soon as they headed down the alleyway and the focus of the scene was solely on them, I was very much in “gimme a break” mode. Fortunately, FutureClaire put a couple of caps in FuturePeter before I had to worry about it too much.

I liked the way FutureMohinder was couched in shadows, hissing his words, but what I really liked was that transition from the present to the future, with Mohinder’s voice slowing down on the tape recorder as it suddenly gained a coat of dust and a cockroach running over top of it. A small moment, but an awesome one. It was also good to see Molly again (kids grow up so fast these days), and the relationship between Parkman and Daphne is an intriguing one, to be sure.

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Heroes 3.3 – You Can Dress Him Up, But You Can’t Take Him Out

I know I made this comment at the tail end of last week’s blog, but after watching the “previously on” segment at the beginning of this week’s episode, I found myself saying to myself yet again, “Thank God we’re back to just one hour of ‘Heroes’ this week.” After this week, though, it seems that the producers are trying to pack that much storytelling into every episode this season. This is going to be a very exhausting year…

The evilest Petrelli – I’m referring to Sylar, of course – is on the slab and still trying to reconcile himself with this new information about his parentage. Enter Bridget, with her awesome ability to see the history of anything she touches, and…whoops! Bye-bye, Bridget! The relationship between Mama Petrelli and her little Gabriel is a little creepy, but whether it’s true that she’s Sylar’s mother or not, he clearly believes in the possibility enough to be off-balance. Advantage: Mama.

I’m really enjoying the way HRG is playing both sides of the fence, serving as Mama Petrelli’s right-hand man even though he’s clearly got his own agenda. Granted, you know she knows he’s got his own agenda…just as surely as she knows how he’s going to react when she tells him who his new partner is. But she knows she’s got HRG over a barrel, and when he’s presented with the choice to team up with Sylar or let the psychotic run amuck without supervision, his options are limited. And, thus, Sylar puts on a spiffy new suit and enters society. Nice line from Sylar about whether or not Mama is playing them: “Maybe…but aren’t you curious to see how it all plays out?” It looks promising for a few minutes or so, with Sylar taking on the role of authority figure with ease, but despite his success at getting free coffee, things ultimately played out about like I expected they would, with Sylar succumbing to his dark urges, with the only surprise being that HRG seemed legitimately horrified about it. (I figured he’d just shrug and say, “I knew this was gonna happen.”)

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