Category: News (Page 48 of 401)

“Enter the Void” for all your psychedelic trailer needs

In April, I wrote a bit about one of the most divisive love it/hate it/love-it-and-hate-it films from last January’s Sundance, Gasper Noe’s “Enter the Void.” Noe is the French director of the extremely controversial and reputedly ultra-disturbing/harrowing/violent “Irreversible”  — which I wonder if I’ll be able to motivate myself to see or even if I should try — and the earlier almost-as-controversial “I Stand Alone.” His new production, a sort of fantasy film inspired by The Tibetan Book of the Dead about a deceased drug dealer wandering around Tokyo called “Enter the Void,” has divided critics. This time there’s apparently a lot more sex than violence (and I gather it’s mostly consensual — yay!) and the controversy is mainly about whether it’s a visionary work of art comparable to “2001: A Spacey Odyssey” (but with sex instead of space ships) or an extremely annoying psychedelic bore (which is what some people still think about “2001”). All I know is some of the strobe effects seem like they could really give me a headache if they go on for as long as fear they might, but there is also something very compelling and kind of enchanting here also.

Anyhow, you can read more about it via that earlier piece, and see an older French “adults only” trailer,” but first here’s the brand new  looped-into-American general audiences trailer via waggish Lane Brown at the Vulture, who has dubbed it “Things to Screw in Tokyo When You’re Dead.” If you live in the right cities, it’ll be playing at an art-house relatively near you in late September.

I’m just enough of a 6 year-old to dig this

Regular readers will know that, between by phobia of extreme gore and trepidation/complete lack of interest regarding the idea of watching torture scenes lasting for more than a few minutes, I’m not only not a booster of the “Saw” franchise, I’ve never seen any of the films. I understand, however, that the first one might not be saw bad and there may be some cleverness in some of the other earlier entrees despite burying ticking timebombs in people’s eyeballs and other concepts I really don’t wish to see cinematically explored.

Even so, when I got an e-mail from what I guess is a Lionsgate contracted PR firm this morning boasting of a “New SAW 3D motion poster in heart pounding 3D!” I had to take a look — I mean 3D in 3D…that must be, you know like 6D…or possibly 9D. Well, let’s take a look.

Okay, it’s probably not true 3-D at all and I’m sure I must have seen something like this before, but a nice effect and, hey, no glasses to give me a slight headache or darken the image. Neato-keeno, as the other first and second graders used to say. However, isn’t it a rule, first developed by “Jaws 3D” that any movie with “3D” in the title has to be the third film in the series, and haven’t there already been about 75 “Saw” movies?

“Scott Pilgrim vs. the World” — the non-motion picture

Talking about “Scott Pilgrim” shortly before Comic-Con with someone I know whose work straddles the world of comic books and show biz and who I think has a very good understanding of both mediums, the person commented that the trailer for Edgar Wright’s highly anticipated film version really captured the comic book it’s based on in some rather specific ways.

I was slightly surprised. Wasn’t Bryan Lee O’Malley’s comic book manga-style and aren’t actors like Michael Cera and Mary Elizabeth Winstead blessed with normal sized heads and eyeballs? Isn’t the book in black and white and the movie in rather vivid color?

I was surprised but also being semi-facetiously silly and superficial, there’s obviously a lot more to visuals than color and the shape of people’s eyeballs and heads. Now, here to prove that point is this very nice reconstruction of the trailer using panels from O’Malley’s comics together with audio from the trailer.

H/t /Film.

Why can’t all “Star Wars” prequels be this bad? (Note: by “bad” I mean “good”)

Boy, wading through a cinematic news landscape of non-news news is getting to me. Somebody is thinking about something. An unlikely rumor that was printed somewhere this morning is definitely not happening now; regurgitations of stuff we already knew or that really doesn’t matter to anyone but the filmmakers themselves (hey “Film X is playing in a festival someplace!”). So, it’s nice to see something new under the sun. Or, in this case, something old that’s new to us. Or, actually, something new pretending to be something old, but in a very amusing way.

Back in May I posted two videos featuring the very cool blaxspoitation historian David Walker of the lovely zine Bad Azz Mofo, which has just recently gone on line via Mr. Walker’s new blog, talking about a possible lost, Afrocentric, low-budget “Star Wars” sequel featuring an early version of Lando Calrissian. Since then a third documentary video has emerged (h/t Patrick Sauriol) Well, today, via the significantly less cool Jeffrey Welles, comes an actual lost trailer for this lost film which reportedly already screened at some nook or cranny (Hall H???) of Comic-Con.

Got all that? Good. Now get this: Watch out “Black Dynamite” here comes “Blackstar Warrior.”

Dy-n0-mite. I am now officially begging George Lucas not to shut this thing down.

RIP Patricia Neal

Patricia Neal circa 1963One of the finest, most beautiful and purely believable of film actresses has past on at age 84 of lung cancer. She had survived numerous personal tragedies and hardships including the loss of a child, a horrifying accident involving another, a beyond problematic marriage to author Roald Dahl (Charlie and the Chocolate Factory, James and the Giant Peach, etc.) and multiple strokes suffered when she was only 39 years old and pregnant.  Despite all of it, she has been consistently outstanding in numerous films and television shows, including three classics that likely wouldn’t have been classics without her, so much depth and believability did she bring to her roles in the “The Day the Earth Stood Still,” “A Face in the Crowd,” and “Hud.”

You could reach much more about her amazing life and her even more amazing skill as an actress via two first-rate remembrances by The Self Styled Siren and Sheila O’Malley, and I really think you should. In the meantime, her’s an example of what I think is probably her finest portrayal, from “Hud,” made only about a year after the death of her daughter. For some reason, her three greatest roles have her being involved in some way with men who were just no good, and this is the most vivid example. Her scene starts at about 5:00 or so.

Mubi has a lot more. Joe Leydon, in particular, is worth a read.

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