Category: News (Page 39 of 401)

Trailer for a Sunday — “Hereafter”

I would very much like to believe in an afterlife. I fear, however, that for me the evidence is simply not there. I’d go into it further, but I don’t want to bum you and myself out. That’s why I find even the scariest ghost story or after-life derived thriller an inherently reassuring experience in some sense. If any extant writer and director pair could persuade me for a couple of hours to forget my disagreements and just go with the supernatural flow, Clint Eastwood and the increasingly busy Peter Morgan (“Frost/Nixon,” “The Damned United”) would seem to have a decent shot at it.

Not that it really matters to me for a movie like this, but I have seen more believable and/or impressive effects.  Otherwise, well, I’m not sure what to think from this trailer which looks rather trite, but I’ve come to export more from Eastwood and Morgan. I hope I get it.

H/t Movieweb.

“13 Assassins” walk into a film festival

And they get pretty good reviews. The newest international fave from Japan’s insanely prolific Takashi Miike looks plenty bloody but still a lot less extreme and a lot more classical than the ultra-gorefests that made his reputation as an action and horror director. In fact, it’s more in the vein of a traditional samurai flick and is actually a remake of a 1963 film. It already screened at Venice and will be playing next week in Toronto, which has introduced more than a few great Asian action fests to North America.

This trailer isn’t subtitled, but trust me, it’s worth watching.

Regular readers won’t be surprised to see that I’ve assiduously avoided Miike’s notorious “Audition” and “Ichii the Killer” but did see, and very much enjoyed his insane but actually rather restrained musical horror-comedy, “The Happiness of the Katakuris.” I think this might be my second Miike.

It’s another end of week movie news dump

It’s oh so tempting to slack off with more trailers and videos, but a few items too interesting to ignore…

* Regular readers, both of you, may remember a number of interview pieces here and elsewhere by me dealing with a film called “Middle Men.” Well, my interview with the film’s producer and presumed model for the lead character, Christopher Mallick, has become a lot more interesting over the last few days. It has drawn some unusually strong comments from netizens, and not for no reason. The Wrap’s Johnnie L. Roberts sums up how funds deposited by Mallick’s current company, ePassporte, have been effectively frozen — leaving some people truly in the lurch — and also that this isn’t the first arguably suspicious crisis that Mallick has weathered.

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I will say that if you have over $240,000 pre-loaded on a card which I gather is mainly for use on porn sites these days (not online poker as I once assumed) — I’m no one to judge on this matter, but I think you’ve got a bit of a problem.

* A much more positive story, especially for hardcore movie fans, is Roger Ebert’s announcement that he is returning the format he and Gene Siskel perfected back to its original PBS home, with a few interesting new twists including the presence of the one of the universe’s more photogenic of cinephile bloggers, Kim Morgan of Sunset Gun, alongside headliners Christy Lemire and Elvis Mitchell, Omar Moore and Ebert himself.  Nikki Finke, via TV Deadliner Nellie Andreeva, provides the turd in the punchbowl. (Please, Mr. Mitchell — don’t give Ms. Finke the pleasure of a “Toldja!” here.)

* Speaking of the amazing Mr. Ebert, be sure to check out his TIFF swag.

* William Monahan, who did such a great job turning the engaging-but-slender Hong Kong thriller, “Infernal Affairs,” into a full-bodied near masterpiece for Martin Scorsese in “The Departedwill be working with “Tron: Legacy” director Joseph Kosinski on something called “Oblivion” for Disney.

* Alamo Drafthouse will be getting into the film distribution game with a bang in more senses than one with their release of the ingenious, ultra-dark British comedy, “Four Lions,” which really does do for terrorism what “In the Loop” did for needless wars. A parking snafu created by the organizers of the Los Angeles Film Festival caused me to be 20 minutes later for the screening but, even so, I can’t imagine that the film will be anything less than one of the year’s best, even if its premise scares many away.

Weekend box office preview: “Resident Evil: Afterlife” moves in

We’re in a bit of a post-summer season lull here until the more adult oriented award season films kick in, and so this week sees only one new major release. The fourth entry in the series of video game-based science-fiction-horror-action films starring Milla Jovovich,  Screen Gems’ “Resident Evil: Afterlife,” is the first 3D entry in the increasingly successful and 100% critic proof series and marks the return of geek whipping boy Paul W.S. Anderson to the helm. This one isn’t being screened for critics, not that it matters either way.

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My go-to prognosticators Ben Fritz of the Los Angeles Times and Jolly Carl DiOrio of THR, both expect the film to easily top the weekend with about $25 million or so, bolstered by those high 3D ticket prices. Fritz also reminds us that the post-Labor Day weekend is traditionally the weakest movie going weekend of the year. If you hate crowds, here’s your chance.

Of course, that leaves a lot of room for jockeying between last weekend’s somewhat successful new releases, the #1 “The American” and the #2 “Machete.” Both films are quite modestly budgeted at $20 million according to Box Office Mojo’s chart, so they’ll both be profitable. Both also have issues with legs — “Machete” because it’s in a heavy-duty genre film and they are noted for huge second-weekend drop-offs and “The American” because it got truly terrible ratings from the people who answered the Cinemascore survey. Jolly Carl believes the way the film, which opened two days early last week, performed indicates that the word of mouth on the film isn’t nearly as bad as that D- would indicate. If the film proves as leggy as most adult-oriented film tend to be, that will a pretty serious black-eye for the polling firm.

Otherwise, there is a major reissue this week of “The Twilight Saga: Eclipse” to give Twi-hards one last chance to route for their favorite monster boy-toys. Also there’s going to be a series of what amounts to sneak previews of the upcoming horny teenager mockumentary, ‘The Virginity Hit.” And, finally, the much discussed Joaquin Phoenix documentary that might not be a documentary, “I’m Still Here,” will be opening in about 19 theaters.  More about that a couple of posts down.

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The CW: What’s New for Fall 2010

WEDNESDAY

Hellcats (Wed., Sept. 8 @ 9:00 PM, The CW)

* The competition: “Modern Family” and “Cougar Town” (ABC), “Criminal Minds” (CBS), “Law & Order: Special Victims Unit” (NBC), “Hell’s Kitchen” (Fox)

Starring: Aly Michalka, Ashley Tisdale, Gail O’Grady, Heather Hemmens, Robbie Jones, Matt Barr, Sharon Leal, Jeff Hephner, D.B. Woodside, Elena Esovolova

Producers: Tom Welling (“Smallville”), Kevin Murphy (“Desperate Housewives”), Allan Arkush (“Heroes”)

Network’s Description: a pumped-up drama about a young pre-law student whose world is turned upside-down when she loses her scholarship and has to join the college’s competitive cheerleading squad. This fun, energetic series is a behind-the-scenes look at the drama, politics and pressure surrounding the football program at a Southern university.

The Buzz: This isn’t a show for critics. It’s a show for CW viewers. Rarely do these two demographics meet. Granted, the slot behind “America’s Next Top Model” has killed many a newcomer, but they’ve got a lot of spirit, these Hellcats, so you never know what stunts they might be able to pull off.

Pilot Highlight: It’s a tie between Marti’s audition for the cheering squad and – spoiler alert! – her first practice after making the squad. Both offer awesome choreography and, yes, you lechers, lots of sexy cheerleaders dancing their asses off.

Bottom Line: At the very least, there’s more to it than the average non-female viewer will probably want to admit – yes, that’s right, sir, I’m speaking to you – but your appreciation of it will depend heavily on how you approach the material. This ain’t Shakespeare, people. It’s an hourlong TV series about cheerleaders. Set your standards appropriately, and you might just enjoy it…and if you don’t, then you almost certainly know someone who will.

THURSDAY

Nikita (Thurs., Sept. 9 @ 9:00 PM, The CW)

* The competition: “Grey’s Anatomy” (ABC), “CSI: Crime Scene Investigations” (CBS), “The Office” and “Outsourced” (NBC), “Fringe” (Fox)

Starring: Maggie Q, Lyndsy Fonseca, Shane West, Aaron Stanford, Ashton Holmes, Tiffany Hines, Melinda Clarke, Xander Berkeley

Producers: Craig Silverstein (“Bones”), Danny Cannon (“CSI,” “The Forgotten,” “Dark Blue”), McG and Peter Johnson (“Human Target”)

Network’s Description: a spy and assassin for a top secret U.S. government agency rebels against the system that created her and will stop at nothing to bring their powerful operation to an end.

The Buzz: There are a lot of folks muttering about how it hasn’t been all that long since the USA Network’s “La Femme Nikita” series, but a lot of them have walked away surprisingly impressed with the action delivered by the pilot.

Pilot Highlight: The sequence where Nikita sports a very impressive red bathing suit, slips into a hot tub with her target, and takes him down.

Bottom Line: It’s not the perfect pairing for “The Vampire Diaries,” but when you consider the fact that the women who swoon over the undead might also enjoy seeing other members of their gender doing a little well-choreographed ass-kicking, it’s not the craziest match-up in the world. Given the relatively low ratings standards of The CW, the established fans of the “Nikita” franchise might manage to make it into a success for the network.

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