Category: News (Page 38 of 401)

Trailer: “The Tourist” — because you can only watch “North by Northwest” and “Charade” so many times

Not much time for long and newsy posts this week, but there’s always time for a cool trailer. “The Tourist,” this is one megastar vehicle I think I may already be sold on seeing. A remake of a French thriller starring Sophie Marceau that flew completely under most American radars, myself definitely included, “Anthony Zimmer,” “The Tourist” appears to be a rather jolly tale of intrigue along the lines of the more lighthearted Hitchcock and Hitchcockian international spy and crime tales like the ones alluded to above. Check it out.

In a movie world where acting modes lean to grim seriousness, leavened by the occasional out-and-out parody, it’s nice to see Angelina Jolie and Johnny Depp channeling the gently tongue-in-cheek approach of folks like Audrey Hepburn and Cary Grant. What’s more impressive is that the director is the multisyllabic German director Florian Henckel von Donnersmarck. His first-rate Oscar winner, “The Lives of Others” had its humorous moments, but it was heavy-duty stuff, pretty much the opposite of this kind of cinema souffle. Very interesting. The script is credited to a trio of writers, including Julian Fellowes (“Gosford Park”) and Christopher McQuarrie (“The Usual Suspects”).

RIP Harold Gould

The ultra-reliable, seemingly born middle-aged character actor, who earned a doctorate in theater and appeared in a film notable movies and countless TV shows (he has over 191 credits on IMDb), passed on this weekend at age 86.

Such is the lot of the supporting performer that the only clips I could find from Harold Gould’s best known role are bits and pieces of longer clips from “The Sting.” However, if you watch the first couple of minutes of this embed, you’ll get a nice glimpse of the underplayed authority and compassionate humor Gould brought to  all of his roles as highly skilled confidence professional Kid Twist chats with a low-achieving grifter.

As a very young person, “The Sting” was one of the movies that really hooked me on the movies. Nevertheless, as an older person who’s now seen a lot of movies, I have to admit that, “You’ve got moxie, Erie” isn’t exactly the freshest dialogue. (Sorry, David S. Ward.) Even so, Gould made it mean something.

Sadly, embeddable clips of Gould as the kindly father of Mary Tyler Moore spin-off protagonist Rhoda (Valerie Harper) or the conniving but kindly dad (if I’m remembering right) of Richie  Brockleman or as the kindly and very Jewish hospital roommate of Billy Crystal’s character in “Soap” are just as hard to come by as good movie clips of Gould. Never mind, the man lives forever in the memory of those of us who’ve spent way too much time in front of illuminated screens.

It’s a brand new week and never too early for movie news!

* Sofia Coppola’s latest, “Somewhere,” won the highly prized Golden Lion award at the Venice Film Festival. The problem, if there is one, is that she is a current friend and former flame of Jury President Quentin Tarantino. I have to admit that I had forgotten they’d ever been a “thing,” but many do remember and there’s been some grumbling to the effect that the movie isn’t all that “fucking great.” It ain’t the crime of the century, but I guess Tarantino should have recused himself. Speaking for myself only, I find that I tend to be either more harsh or more enthusiastic about friends’ work.  As for Monte Hellman, Tarantino’s hardly alone in praising the maverick writer and director.

* Someone took Stanley Kubrick’s ultimate trip with way too much chemical enhancement over the weekend at the American Cinematheque’s Egyptian Theater in Hollywood. I have a story about that I’ll tell you sometime. In the meantime, protective measures may be in order.

2001-a-space-odyssey-ape

* So, if Al Pacino, Joe Pesci, and Robert DeNiro are going to be in a film by Martin Scorsese, naturally it’s called “The Irishman.” Daniel Day Lewis, Brendan Gleeson, and Pierce Brosnan need to make a film called “The Italian” with Neil Jordan directing.

* Good. L.A. needs all the love letters, cinematic and otherwise, it can get. Naturally, all the lead actors are from foreign lands (Christopher Plummer is Canadian, but he feels like he’s from actual overseas), though I’m not sure about the characters. One of the things I loved about “A Single Man” was the way it depicted the European’s love affair with a town that U.S. natives mostly don’t seem to get.

* Woody Allen has stepped in to a long-running rumor-created fracas. France’s acting first lady, Carla Bruni Sarkozy, apparently did just fine in “Midnight in Paris.”

Mickey Rourke scares small children * Mickey Rourke’s latest gig appears to be playing notorious mob killer Richard “the Ice Man” Kuklinski. I think this is a close to making a true family film as Rourke may ever get, next to “Iron Man 2.” The man’s face doesn’t only scare small children, it scares me.

RIP Claude Chabrol and Kevin McCarthy

Two notables passed away yesterday, each of whom deserves more than a mention.

Claude Chabrol was the member of the French New Wave most commonly compared to Alfred Hitchcock, though he arguably influenced most of the directors in the movement to a greater or lesser extent. I’m not sure how this happened, but I can barely remember seeing anything by Chabrol, though I know I’ve seen at least one or two of his acclaimed movies at some point, even if I can’t name them specifically.

Anyhow, if the embed below doesn’t cure my cine-amnesia, it does make me want to cure my shameful filmic omission. Yes, this trailer is entirely in French but, believe me, this is the kind of work where you don’t need to understand a single word (and I barely do).

The web’s master Chabrolian, Ray Young, has a great remembrance up and MUBI has a lot more.

Kevin McCarthy was a highly reliable, stage and movie actor with some notable film credits, including playing Biff in the film version of Arthur Miller’s “Death of a Salesman,” and scads of TV work — he has over 200 credits on IMDb. Still, as this very short E! obituary indicates, he’ll forever be associated with one particular film classic which, at the time, didn’t appear to be much more than another B science fiction flick. How little we know.

“Resident Evil: Afterlife” reaps goodness at box office

It’s been a hard day and I’m going going to keep it short and sweet. And how sweet it is for the husband-and-wife team of star Milla Jovovich and director Paul W.S. Anderson. Aided by those premium ticket prices for 3D movies and — as pointed out by Nikki Finke — using footage actually shot in 3D, the film easily won the weekend as indicated earlier and sailed to a record gross for the action-horror franchise. Specifically, the estimate for the weekend was $27.7 million for Screen Gems/Sony according to Box Office Mojo. It’ll likely drop off in significantly next week, but the damage is already done.

Elsewhere, there wasn’t that much box office love going around on this traditionally weak weekend. “Takers” came in at #2 and showed some relative legs with $6.1 million, again for Screen Gems/Sony, which is having a decent month. Meanwhile, both of last week’s toppers suffered significant second week declines. “The American,” from Focus Features, really did seem to suffer from some poor word of mouth and netted only a bit under $5.9 million.

Last week’s silver medalist, “Machete,” with two sequels announced in its end credits, suffered the geek second week curse and dropped by over 63% netting only 4.2% million. On the other hand, after seeing the film myself this weekend I heard some highly informal Hollywood scuttlebutt indicating the budget was significantly lower than $20 million figure we’ve heard for the very funny, but awfully slack, straight-faced tongue-in-cheek homage. So, it’s still possible Danny Trejo as Machete may kill again, if so, I’m guessing Fox will keep him on a tight budget.

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