Category: News (Page 164 of 401)

Surviving

* It’s playing in relatively few theaters in the U.S., but the acclaimed documentary “The Cove” may have already saved the lives of many dolphins in Japan. The film documents a clandestine attempt to expose a regular slaughter of the highly intelligent animals thought by many to be sentient. (As in, self-aware, like humans.) H/t to Christopher Campbell who documents the blogger reaction.

* Are you excited about the Oscars already? Me neither, but those who really want to get into the weeds about the changes in the awards and possibly the ceremony will want to read Steve Pond’s interview of MPAA Executive Director Bruce Davis. It seems the Academy is worried about cash. Who isn’t?

* YouTube is reportedly negotiating with Lionsgate, Warners, and Sony for a possible pay-per-view movie service. You can already see movies on YouTube for free, in chunks of ten minutes. Even in more user-friendly form, I wouldn’t call it an ideal way to watch movies, but having more options is never a bad thing, I suppose.

* If ever there was a guy who’d love David Lynch-influenced musical comedy space westerns, I’d be that guy. But Cory McAlbee’s first entry in that sub-sub- genre, “The American Astronaut” didn’t do a whole lot for me, though he’ knows how to make things look interesting and I liked one of the numbers. Still, give indie filmmaker/musician Cory McAlbee credit for sticking to his musical comedy space western guns while also playing around with formats and self-distributing. As Anne Thompson reminds me, his new entry is a six part serial, “Stingray Sam,” which will be showing in a downtown L.A. movie theater this week and will also be viewable on cell phones.

Here’s the trailer I stole from Ms. Thompson. It works hard to be clever and funny but, except for the part about “I’m not David Hyde Pierce,” I barely cracked a smile as I watched it. Still, McAlbee knows how to create memorable imagery. Maybe you’ll like it better.

The ultimate price

Though the people involved are not household names, this is easily the saddest post I’ve had to write here. I was going to try to blend with less somber stories, but that just seems tasteless. So, without the usual pictures or videos, here’s just the facts as I know them.

* French documentarian Christian Poveda was shot by suspected Salvadoran gang members with links running right here to Southern California. Poveda joins the very small group of directors who have been murdered because of their filmmaking and/or writings. You’ll remember the case of abrasive, iconoclastic Dutch filmmaker, Theo van Gough, murdered by an Islamic extremist with alleged ties to terrorist groups. Also, journalist Doug Ireland has pointed to a possible fascist connection to the 1975 murder of openly gay “Catholic Marxist” writer-director Pier Paolo Pasolini.

* Variety reports that Filipino-Canadian critic Alexis Tioseco and his partner, Slovenian writer Nika Bohinc, were murdered Wednesday when they surprised burglars at their home in Manila. Though I wasn’t acquainted with their work, this nevertheless hits a little closer to home for me. Fellow critic and cinephile blogger Noel Vera has a remembrance of Tioseco, who was only 28.

The calm after the storm

Thanks to some unusually humid weather, greater L.A. — and its air quality — is just beginning to recover from the still ongoing Station Fire. Hollywood is similarly recovering from the news of the Disney/Marvel merger. Still, there are a few items.

*  If you’re a member of the cult around 1999’s “The Boondock Saints,” you’ll be happy to hear that Troy Duffy and company are back and that “The Boondock Saints: All Saints Day” has been picked up for distribution. I missed both the original film and “Overnight,” the documentary about misbehavior and rank miscalculations of its director. Now, maybe, I should see both.

The movie has a lot of fans  of the young and male variety, and I’m one of those two things. Still, I’ve always had a sneaking suspicion I’d hate the movie and love the documentary, but we’ll see. The cast for the sequel looks very good, however. Two favorites of mine are included, stand-up genius and highly underrated thesp Billy Connolly is back from the original and the excellent Julie Benz of “Dexter” and “Angel” is featured as well.

* Guy Ritchie is apparently recreating himself as a franchise film director these days, and in the wake of his upcoming “Sherlock Holmes,” he’s been signed to do an adaptation of DC’s “Lobo,” which I take it will be some form of violent space opera. Nothing wrong with that.

* Presumably with inglourious cash in its pocket, The Weinstein Company has made an acquisition. Colin Firth will be taking the lead in an upcoming film about England’s King George IV VI, “The King’s Speech.”  Back in 1994, the very good stage adaptation, “The Madness of King George” dealt with the mental issues of George IV’s dad ancestor, George III. According to legend, the title was changed from “The Madness of George III” because of a fear that prospective filmgoers might assume it was a third sequel. They might as well re-title this one “The Speech Impediment of King George.”

HBO officially greenlights Martin Scorcese and Terrance Winter’s “Boardwalk Empire”

Boardwalk

“Boardwalk Empire” is a new series created by Terrance Winter, a very talented writer who blossomed on “The Sopranos.” Steve Buscemi stars as Nucky Thompson, an Atlantic City magnate wheeling and dealing during Prohibition. Not only does the show tout Martin Scorcese as an executive producer, but the Academy Award-winning filmmaker also directed the pilot. Obviously, HBO has decided to greenlight the show.

Production is expected to begin in the fall in Gotham, with the preem targeted for next year.

“Boardwalk Empire” was created by “Sopranos” alum Terence Winter. The pilot seg was helmed by Scorsese, who will remain a hands-on exec producer on the series. Skein hails from Mark Wahlberg’s Closest to the Hole and Stephen Levinson’s Leverage production banners. Winter, Scorsese, Wahlberg, Levinson and Tim Van Patten are exec producers.

Co-stars include Michael Pitt, Kelly Macdonald, Michael Shannon, Shea Whigham, Dabney Coleman and Stephen Graham.

Along with David Simon’s “Treme,” season 2 of “Eastbound and Down,” and season 7 of “Curb Your Enthusiasm,” I plan on allowing HBO and “Boardwalk Empire” to renew my faith in scripted television. Hopefully the show succeeds as the heir apparent to “The Sopranos” and “The Wire.”

“The Skeleton Dance”

The Marvel purchase, like the $7.4-billion deal Iger negotiated in 2006 to bring Pixar into the Disney fold, is another sign that Disney’s top brass realizes that the company’s reign as an original creative engine for mass entertainment is over. Once an idea factory full of brilliant animators and imagineers, Disney is now a mass merchandising machine in search of exploitable product, whether it comes from Marvel, Pixar or DreamWorks, which will be releasing its upcoming slate through Disney as well.

— Patrick Goldstein (via Anne Thompson), August 31, 2009

Released August 29, 1929

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