Category: News (Page 146 of 401)

Good wolf, bad wolf

Or rather there is good film effects werewolves  — and what looks to be good, old school filmmaking — and bad sfx lycanthropes. Both have been making the rounds today as chronicled by Christopher Campbell. First the very good computer-aided vision of “The Wolfman,” as shown off in the second trailer from the apparently fairly loose new Joe Johnston remake of the 1941 Universal monster classic and with old wolf hand Rick Baker masterminding the monster make-up work. The effects here have some real weight and detail to them and remind me of the great work of the WETA crew for the “Lord of the Rings” cycle. I’m not crazy about the Marilyn Manson music, but otherwise I’m more or less sold. I can be a baby about horror movies, but this look like my kind of monster flick. Strong on atmosphere and, if we’re a lucky, a bit of thought behind it as well as some first-rate actors in front of the camera.

And this clip I actually saw over the weekend at the Spike TV Scream awards, which I’ll discussing here next week. Let’s just say it didn’t make me feel that I’ve missed the boat on this whole “Twilight” business having skipped the first, hugely lucrative, film in the series.

Aside from the fact that these werewolves lack any sense of weight or heft or look about as menacing as Alaskan sled dogs, what’s with their human forms? I know it’s all about the romantic fantasies and preferences of contemporary teenage girls, but if you’re going to have perpetually shirtless lycanthropes running around — and it looks kind of cold wherever they are — a bit of token chest hair might be appropriate. They’re supposed to be a tribe of beast men, not a collective of pampered Tiger Beat pin-ups. Except, obviously, that’s exactly what they’re supposed to be. Of well, it’s not like adolescent boys don’t get their proclivities catered to enough.

If you missed the first, also very good, trailer for “The Wolfman,” you may click here. And if monster soap is your thing — and, as a “Buffy” fan it’s not as if I’m innately opposed — here’s the trailer for “The Twilight Saga: New Moon.”

Shouldn’t it actually be “9 1/2”?

I guess 2009 is as good a year as any for a movie called “District 9” to be followed by one called “9” and another called “Nine.”

This is the film version of a Broadway musical based on the non-literally autobiographical quasi-surrealist 1963 sensation, “8 1/2,” so named because it’s writer-director, Federico Fellini, had made seven films and a featurette prior. Anyhow, this pretty marvelous new trailer has been circulating for about a day now and it’s time to feature it here.

Combining somewhat staged looking “behind the scenes” footage with clips from the movie, the idea here seems to be to reach out a bit both to putatively musical hating males with some of the most beautiful women in the world including Kate Hudson, Marion Cotillard, Penelope Cruz and Nicole Kidman. Lest director Rob Marshall be seen as in any way sexist or ageist, we also have seventy-something Judy Dench showing she’s still got the stuff for musicals — she played the role of Sally Bowles in the original 1968 London production of “Cabaret” (though her Sally was closer to the original stories in that she wasn’t a great singer) — and none other than Sophia Loren, still glamorous as heck at 75 (she’s got just a few months on Dame Judi). No bubbi in my family every looked like that.

“Nine” kinda sorta fills up a hole in Ms. Loren’s resume as, rather amazingly, the world-wide superstar and reigning Italian screen queen of almost the entire fifties and sixties never worked with Fellini, her nation’s most influential and arguably greatest director of the same period, though she did present him with his honorary Oscar in 1993.

Anyhow, my nominee for possibly the sexiest trailer of the year or maybe this entire, rapidly ending, decade…

H/t Culture Monster. If you missed the earlier trailer for “Nine,” see it here.

If it’s Tuesday night, it must be movie odds and ends

* This year’s Oscar producers have been named: choreographer turned critically-hated film director turned “Hairspray” wunderkind Adam Shankman and industry mainstay Bill Mechanic. Nikki Finke is happy and, really, isn’t that all that matters? That’s not the only gig for Shankman, who will also be directing the film version of the eighties-centric hair-band musical “Rock of Ages.” I’ve run across one or two hair bands I don’t completely hate, but this does not excite me. The period juke box musical I’m waiting for features Elvis Costello, the Clash, X, and maybe some early Ben Folds. I’ll call mine “Clubland.”

* Anne Thompson rakes the muck on the Hollywood Film Festival. Fascinating. I have my doubts about L.A. ever getting a really world-class festival, and this one sure doesn’t seem to be helping.

Zombieland with Jesse Eisenberg* I caught up with “Zombieland” last night and managed not to become overly upset at the gore. (I have this whole issue with excess blood and ick, yet also like the kind of stuff that sometimes features excess blood and ick — it’s a conflict.) Still, I don’t know if I’ll ever truly understand why people enjoy being disgusted. I find being disgusted disgusting.

Otherwise, it was nicely paced, slightly poignant, and very funny, thanks to a nice and cleverly profane dialogue, decent writing, and a good cast. Unlike Bullz-Eye’s David Medsker, however, I found the movie enjoyable but a little thin, especially during the second half. Some of the most ballyhooed aspects (the superstar cameo, which Dave didn’t love either) were less hilarious than I expected, however. I’m surprised we haven’t heard about a sequel yet as in some ways plays more like a well-produced TV pilot than anything else.

* Not that he hasn’t earned the right to be astonishingly wealthy as much as any human can, but how rich must Steven Spielberg be? I mean, if someone owed you a few hundred million bucks would you be all, like, “ah, that’s okay — you can wait until 2017. Just give me a 5.25% share of your income. I’ll be cool.” And, according to La Finke, the language of the contract refers to him as “Steven.” I know Hollywood loves first names, but it’s a contract. Aren’t those supposed to be formal?

* It’s not really movie news at this point, but speaking of musicals this musical lover never asked for, the Bono/Edge Spiderman musical directed by Julie Taymor continues to gasp. Personally, I’ve had my curiosity about a “Spiderman” musical sated already. Much as I love cocktail lounges and the song “Fever,” this was not a high point.

Farewell, Dr. No

Joseph Wiseman, the very fine Montreal-born character actor who played the first cinematic James Bond supervillain, Dr. Julius No, has passed on at the age of 91. A highly accomplished stage performer, he apparently had little idea he was going to be involved in the launch of a major global phenomenon and didn’t have a huge amount of respect for the property at first, but he certainly carried off the role with aplomb.

Alongside his stage work he had a strangely coincidental 91 film and TV acting credits including Elia Kazan’s “Viva Zapata!” and William Wyler’s “Detective Story.” Still, the role that makes an actor just a little bit more immortal than others isn’t always the one he might expect.

Below, as beautiful Honey Rider (legendary Bond-girl #1, Ursula Andress) looks on, we have the first of many strangely civilized social encounters between Bond (Sean Connery, who else?) and an ultra-evil would-be world dominator.

H/t the always invaluable Twitter feed of The Auteur’s Daily.

(Late) Monday morning movie memes

It’s a typical, hazy late morning in Southern California and, as I start this, some folks in Hollywood are still rolling into work, Don Draper style, but there is already some news.

tintin

* If you’re curious about what’s been going on the set of the motion-capture Tintin movie being co-directed by Steven Spielberg and Peter Jackson, and you’re a fan of Nick Frost, Screencrave has an absolute must read interview where he candidly discusses the working methods and how incredibly nervous he was having to do “real” acting. Mr. Frost seems like an easy guy to like.

* I never got into this particular geek thing, but it appears that the new “Monster Squad” remake is not a “Monster Squad” remake.

* Blu-Ray sales are good. I guess I’m eventually going to have to get that player and high-def TV to go with it. Maybe I should start a new charity, akin to Toys for Tots. “High End Home Electronics for Underpaid Critics in Need”?

* Dan Glickman, successor to the late Jack Valenti at the lobbying arm of the movie industry, the MPAA, will be leaving the gig at the end of his contract next September. As described by Variety‘s Ted Johnson, names in the running to replace Glickman include San Fernando Valley Democratic congressman Howard Berman, Disney lobbyist Richard Bates, former Tennessee rep. Harold Ford, and this guy who’s our state’s governor right now.

Not to speak ill of the dead (which is the kind of thing you say just before you do just that), but the late Mr. Valenti was an avuncular but oily character who you instinctively knew you couldn’t trust. He also drove me batty with his inane defenses of the obviously corrupt and unfair rating system. In any case, Arnold would in some ways be a step up if they want someone super high-profile, much as I would never vote for the guy for any public office and not only because he’s a Republican. Ford, who has become a frequent TV talking head since losing his state’s senate race after some arguably racist ads is someone I trust even less than Valenti or the S man and not just because he’s an outspoken conservadem…well, mostly. He’s perhaps too obviously a slick character, even for Hollywood.

Berman I don’t really know well though looking at his Wikipedia page I’m reminded of why he’s not a particular favorite of California progressives, even while claiming to be one, but he’s probably a good choice if they want to fly under the radar. Being a fairly political guy and living in Southern California for almost my entire life, I still know next to nothing about the guy except he looks to be a direct descendent of the 3 Stooges’ Larry Fine. Not many guys over sixty still sporting the Jewfro.

* As reported by the L.A. Times (via Anne Thompson), veteran producer, high flying studio executive, and long-time UCLA Film School fixture Peter Guber — noted in the 1980s as the more sane half of Guber/Peters — is getting together with digital media entrepreneur Peter Levin and Wizard magazine owner Gareb Shamus to create GeekChic Daily, an e-newsletter whose title pretty much says it all. I just signed up here and was informed that I “rock.”

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