Category: News (Page 138 of 401)

Lifelike Yogi

yogi-bear

Sometimes a news story falls through the cracks and, since I don’t have Lewis Black working for me, they just kind of stay there until someone points them out. In this case, the fine cinephile blogger Peter Nellhaus of the well-named Coffee, Coffee and More Coffee alerted me via Facebook that I’d missed this item on the possible casting of Anna Faris, Dan Aykroyd, and Justin Timberlake for an upcoming CGI/live-action adaptation of the really not all that classic Hanna-Barbera cartoon adventures of Yogi Bear. (Any fond childhood memories I had left were quickly erased by actually trying to watch one.)

Admittedly, this idea for a film kind of sets my teeth on edge, but at the same time, that’s how I reacted when I heard they were doing a new “Battlestar Galactica” TV show. The first was so horrible, why revive it? “To make it really good this time” turned out to be the answer. Ideas are just ideas, the execution is where it’s at, and this could be brilliant for all any of us know, though the immutable laws of the entertainment universe — and a seemingly less than inspired choice for the director — indicates that it has at least a 90% chance of stinking. I have to say that the idea of Justin Timberlake doing the voice of Boo-Boo does kind of make me smile, however.

Only time will truly tell, but I’m using this opportunity to present an ancient video for “Life Like Yogi,” the anthem of the long defunct, highly ironic Hanna-Barbara obsessed punk bank, Stukas Over Bedrock — a group whose mid-Wilshire home I used to sometimes hang out at a long, long ago — led by my esteemed fellow cinephile John P. Garry III. A real walk down Punksville’s memory lane.

Ursine bonus videos after the flip.

*****

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Friday night news dump (updated)

Time for our usual week-ending grab bag of left over and end-of-week movie stories…

* Two executive deaths today. First was 76 year-old nearly lifelong Paramount executive Gino Campagnola. That was followed by Nick Counter of the Alliance of Motion Picture and Television Producers. As Nikki Finke recounts, he was the guy whose job it was to negotiate with unions in the recent negotiations and strikes with the guilds. Not surprisingly, there are some hard feelings, as evidenced by some of her commenters who really crossed the line in terms of simply being mean about the man’s death.

As a liberal, I’m always going to tend to side with unions, but the man is dead and making the best deal for the bosses was kind of his job. You don’t have to like him, but calling him a “scum bag” or talking about karma on the day of his death is not cool. I wonder if Finke, who is known for zealously controlling her comments and once removed an entirely innocuous, on topic, comment about “Mad Men” by me after an unrelated exchange with me here, will leave those comments up. She has also posted official reactions from SAG which are, of course, much nicer.

* As “This Is It” passed the $100 million mark domestically and is at $144 million worldwide, the Jacksons as a whole make a mark at AFM (American Film Market) with some intriguing sounding seventies footage. [Update: I obviously got confused a bit by the headlines on this piece. As of Sunday 11/8/09, the music doc is estimated to have made “only” $57, 855 in the U.S. market.]

This-is-it-Film-Michael-Jackson-small

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A “Kick-Ass” marketing campaign?

What’s looking to be almost certainly the most controversial comic book movie of 2010 is starting to take its marketing campaign into high gear with the release of posters for “Kick-Ass.” For those of you not in the know, it’s Mathew Vaughn’s adaptation of Mark Millar and John Romita, Jr.’s comic book about a teen (Aaron Johnson, who’ll also be playing the young John Lennon in “Nowhere Boy”) who decides out of the blue to be a superhero — only he doesn’t get bitten by a radioactive animal, nor does he spend 10 years turning himself into the ultimate ninja. Following his lead, a few presumably less than stable “heroes,” to be played by Christopher Mintz-Plasse (“Superbad“), Chloe Moretz (“(500) Days of Summer“), and Nicolas Cage, get into the act. Ultra-violent hijinks ensue.

KickAss_WildPost_4UP_NoURL

As you can see, we have four separate posters here that might be together on large billboards (those of us who live in L.A. may well see some huge version of this on the Sunset strip) and can also be displayed separately.

I don’t know the comic book, but as mentioned here before, there’s been definite buzz around this project based on some clips that showed this year at Comi-Con. Moreover, director Matthew Vaughn was once best known as Guy Ritchie’s producer, but he stepped confidently out of his shadow and emerged, in my opinion, the less showy and better director with the 2003 crime thriller, “Layer Cake.” As with 2007’s underrated/underseen romantic fantasy-comedy, “Stardust” the screenplay is credited to Vaughn and English TV presenter Jane Goldman. I also like the fact that so far Vaughan has made three very different movies in three different genres.

According to Peter Sciretta of /Film, comparisons are flying with this one, particularly to “The Matrix” and also, according to a unnamed friend who saw it, “Shaun of the Dead” — presumably in terms of the sense of humor. Still, considering the possibility for social satire and the touchy spectacle of young people and ultra-violence, my mind is going towards Kinji Fukasaku’s film of “Battle Royale.”

I understand a trailer is coming next week. Also, according to Rick Marshall of MTV, there is a web site (iamkick-ass.com), but what I’m seeing there right now is just pure whiteness. Not terribly kick-ass. Stay on the lookout, I guess.

Cartoon Network continues to push live-action content

Cartoon Network

Back in 2007, Cartoon Network made its first venture into live-action television with “Tim and Eric Awesome Show, Great Job!” The show finished up its fourth season in March and should return next year. Still, “Tim and Eric” is a sketch program at heart and very different than a scripted series with continuous story lines. Well, they’ve decided to take a risk by greenlighting “Tower Prep” and “Unnatural History.”

“These new series will offer our viewers a type of action-packed event entertainment not found anywhere else,” said Rob Sorcher, chief content officer of Cartoon Network. “We are looking forward to working with all of the great talent involved in these exciting new ventures, which we believe will be a powerful complement to our diverse and expanding array of original programming.”

“History” and “Prep” were both on Cartoon’s development roster announced last May at its upfront presentation to advertisers.

Here’s how Cartoon Network describes the two shows:

“Unnatural History” is an action-packed mystery series centering on Henry Griffin (Kevin G. Schmidt), a teenager with exceptional skills acquired through years of globe-trotting with his anthropologist parents. Shipped off to a high school in Washington D.C., Henry and his smooth-talking cousin Jasper (Jordan Gavaris) find themselves wrapped up in mysteries revolving around the national museum. The pilot was created and written by Mike Werb (“Face/Off,” “The Mask”), who will be executive producer of the series. Emmy-winner Mikael Salomon (“Band of Brothers,” “The Andromeda Strain”) directed the pilot. The series will be produced by Warner Horizon Television.

“Tower Prep” is an action thriller telling the story of a rebellious teen, Ian (Drew Van Acker), who wakes up one morning to find himself trapped at a mysterious prep school focused on tapping into the “unique potential” of its students. Ian forms a secret group with fellow students CJ (Elise Gatien), Gabe (Ryan Pinkston) and Suki (Dyana Liu) as they search for answers to where they are and how to get home. The pilot was executive produced and written by Paul Dini (“Lost,” “Batman: Arkham Asylum”), with Terry McDonough (“Breaking Bad”) directing. The series will be produced out of Cartoon Network Studios in association with Dolphin Entertainment.

Both are an hour in length, which should test the endurance of the network’s fans. Most of the network’s shows are only 10 minutes long, followed by a few commercials.

Xmas ghosts, a dead popster, goat starers, aliens, a box, and some demons

Yes, it’s a real mishmash this weekend at the box office and I’ve got less time than usual — but let’s just see how it goes.

A Christmas Carol

Anyhow, the clear winner over the next few days will almost certainly be yet another version of Charles Dicken’s constantly remade and revisited holiday perennial, this time from Disney, “A Christmas Carol.” Jim Carrey stars as Scrooge, who won’t hurt at the box office and Robert Zemeckis, in his “Polar Express” mode, is at the helm. Personally, while I found the earlier motion-capture movie a fun visceral thrill ride in Imax 3-D, despite a story that was the very definition of treacle, I personally find this style of animation extremely ugly; it’s as if it’s always stuck in the armpit of the Uncanny Valley. Moreover critics, including our own David Medsker, complain that Zemeckis gets carried away with the effects and makes things a bit too visceral and scary for the film’s own good. Still, if it worked even for Mr. Magoo, there’s no reason to think it won’t work well enough for some fiscal redemption. THR‘s Carl DiOrio, whose nearly as jolly as an way-too-early St. Nick, is guessing it’ll grab about $40 million in premature yuletide cheer. A split decision by critics is, I suppose, neither here nor there.

After that, we have four films that will be duking it out with two extant strong releases, Michael Jackson’s ghostly final bow, “This Is It,” which may benefit from better than expected word of mouth and, of course, the horrifyingly profitable “Paranormal Activity.” Intriguingly, all these new major releases have a slightly spooky and/or “paranormal” spin and trying to guess which will do best is probably about as wise as playing with a Ouija board at a demon-infested San Diego townhome.

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