Category: Movies (Page 387 of 498)

Summer of ’04

Mirjam (Martina Geddick) and André (Peter Davor) aren’t the kind of parents who worry that their typically sullen fifteen year-old son (Lucas Kotaranin) is likely having sex during their summer trip with his mature-for-her-age but nevertheless not yet thirteen year-old girlfriend, Livia (Svea Lohde). On the other hand, mother Mirjam starts playing the responsibility card when Livia, who has some disconcerting ideas about relationships, strikes up a sudden close friendship with a handsome grown-up (Canadian television actor Robert Seeliger, speaking fluent German). Before you can say WTF, Mirjam finds herself acting on her own attraction to the stranger. If nothing else, events play out believably and the upper middle class European milieu feels right-on (including some ironic U.S.A.-bashing) – up to an ending that’s supposed to be an emotional sucker-punch, but which plays more like an earnest attempt to imbue 97 minutes of well-realized, though apparently pointless, über-realistic banality with something like meaning.

A lot of critics use the word “thriller” to describe this meticulously achieved slice of upscale life from director Stefan Krohmer and writer Daniel Nocke. That’s stretching the definition, but “Summer of ’04” mostly fails without regard to genre. A moment of suspense, some hot but relatively discrete onscreen sex between consenting adults, and an unexpected revelation aside, the problem with this well-acted, character-driven film is that these five people feel very real, but they’re still lousy company. It’s not that they’re largely unsympathetic, it’s that they’re mostly uninteresting. See “The Ice Storm” instead.

Click to buy “Summer of ‘04”

The Sword in the Stone

“The Sword in the Stone” is one of Disney’s lesser-known animated features, and probably with good reason. It’s just not a very interesting or charming film, and pales in comparison to fare like “The Jungle Book” and “Alice in Wonderland.” It tells the tale of Wart, a young boy living in merry old England. He is, of course, an unnamed young King Arthur, and the movie purports to tell of his first meetings with Merlin, and how he came to pull the sword from the stone. Problem being is that it’s all something of a washout. The bulk of the film is spent with Merlin turning Wart into various critters – a fish, a squirrel, and finally a bird – in order to teach him something about survival. Each sequence takes up a good ten minutes of the 80-minute film, and there’s a song to go along with each transformation. Most of the music isn’t very good and the film didn’t produce even a single classic Disney tune that we all still hum to this day. Further, Wart never has a British accent, and indeed most of the voices in the film border on the unconvincing. Merlin is really the lead, but he’s such a goofy old fuddy-duddy it’s tough to take any interest in what he’s trying to accomplish with the boy. Really the only reason to watch “The Sword in the Stone” is for the animation, which is up to the usual high standard of the era (the film was released in 1963), and one sequence in the third act in which Merlin battles a witch named Madam Mim is probably the only highlight of the otherwise bland tale – but even that can only be admired for the animation, because, unsurprisingly, the entire scene consists of the two characters turning into various critters. By the time Wart/Arthur pulls the sword from the stone, you’ll be pulling out that dusty old disc of “Excalibur” that you haven’t watched in several years.

Click to buy “The Sword in the Stone”

Jekyll and Hyde…Together Again

Here’s a little piece of nostalgia that’s got a small but rabid cult following, due mostly to repeated airings on “Night Flight,” an ‘80s variety show responsible for unleashing all manner of depravity on late night TV viewers back in the day. “Jekyll and Hyde…Together Again” is not your typical retelling of the Robert Louis Stevenson classic. No, instead it’s basically one big cocaine joke. Dr. Jekyll (Mark Blankfield) is so devoted to the world of science and surgery that he barely even notices his society girlfriend Mary (Bess Armstrong). One wonders if they’ve ever even had sex. Late one night in his lab, as he tries in vain to perfect a miracle drug that will benefit mankind, two of his powders inadvertently mix together. In a sequence that must be seen to be believed, he falls asleep and accidentally snorts the new chemical (through a straw, no less), Mr. Hyde is unleashed, and Blankfield gives his real performance in the film. He sprouts hair in new places, a leisure suit, gaudy jewelry and even grows a coke nail. Instant swinger! Hyde goes out on the town to find Ivy (Krista Errickson), a hooker and former patient who briefly transfixed Jekyll earlier in the film. They have an insane night before he reverts back to the good doctor, and of course the cycle repeats itself several times before it’s all over. The third act, set in England and featuring an extensive sequence shot in black and white, is far more inventive than it probably needed to be. But the same can be said for much of the film: It’s a one-joke movie with dozens of priceless gags. Before the final credits roll, the camera pans down into Stevenson’s grave to catch his corpse spinning round and round.

“Jekyll and Hyde…Together Again” is by no means great cinema, but it is a hell of a tasteless good time, and I laughed out loud more times than I can count on two hands. It’s a relic of another era, and much of its success is due to Blankfield’s dual (dueling?) performances. Here’s a guy who’s all but fallen off the map, although his last IMDB credit is as Dr. Miller in the first season “Arrested Development” episode, “My Mother the Car.” A subtle nod to his doctor in this underground classic? If so, props to Mitch Hurwitz and Co. There’s a place for Blankfield in the movies of today, it just hasn’t yet been carved. The movie is an easy recommendation to anyone looking for laughs off the beaten path. If it still seems like a backhanded compliment, then there’s the added bonus of Tim Thomerson playing a closeted homosexual…in a totally non-P.C. manner, of course. Those wacky ‘80s!

Click to buy “Jekyll and Hyde…Together Again”

Prairie Fever

Any movie that earnestly harks back to classic westerns and tries to strike a blow for human liberty at the same time can’t be all bad. Sadly, a single star is all I can justify for this direct-to-DVD oater. “Prairie Fever” brings us onetime TV Hercules Kevin Sorbo as Preston Biggs, a former small town sheriff turned town drunk. When several mail order brides start to exhibit signs of pretend-insanity – incessantly quoting Bible verses, miming playing the piano, and generally exhibiting signs of really bad acting – the woman are assumed to have fallen to a sort of female hysteria apparently brought on by living on a pretend-Western hamlet, i.e., “prairie fever.” The cure, such as it is, is to have Biggs take the women, and a tidy sum of money, to the nearest train station hundreds of miles away. Along the way, our not-so-anti-hero encounters the feisty and beautiful Abigail (Dominique Swain), who is on the run from an occasionally villainous gambler (Lance Henrickson). While this set-up initially appears lamely misogynist, rest assured that it is actually lamely feminist. These women are suffering from old West PTSD caused by frontier cruelty, but in true old school TV style, they will all fully recover within less than 81 minutes.

Written and directed by a triumvirate of TV veterans, “Prairie Fever” effectively evokes the bad television of yore. For all the attempts at characterization, it’s often possible to recite the dialogue in advance of the characters. Moreover, action sequences are badly muffed, though the three stars are, for the most part, able to keep their heads above water. The less said about the supporting cast, however, the better.

Click to buy “Prairie Fever”

TCA Press Tour, Day 1: HDNet

If you’re not familiar with HDNet, it’s time for you to get informed. Mark Cuban, chairman of HDNet (not to mention owner of the Dallas Mavericks), came out and gave the assembled audience a brief summary of the network’s “Sneak Preview” program and Ultra Video On Demand program, which provides a unique opportunity for indie films to be seen both theatrically and on cable simultaneously.

“We’re particularly proud of this not only because of the great movies that we’re showing and the opportunity to really take on independent film and create a home for them when the market for independent film is so bad,” said Cuban, “but more importantly because it’s unique. We also own Magnolia Pictures Distribution and Landmark Theatres, (which) puts us in a very unique position. We’re the only organization that can do this, and the reason is that the big movie chains, AMC and Regal, will not play a movie once it’s appeared on TV or once it’s appeared on a cable channel of any sort. So despite the fact that people want to be able to see movies where they want them, when they want them, how they want them, the big chains aren’t going along with it, but Landmark Theatres and Magnolia and HDNet Movies are.”

HDNET’s big-ticket flick at the moment is “Humboldt County,” co-directed by Darren Grodsky and Danny Jacobs and starring Fairuza Balk, Brad Dourif, Madison Davenport, Francis Conroy, and – perhaps most awesomely – Peter Bogdanovich as Professor Hadley. IMDb’s description of the film reads thusly: “A disillusioned medical student is stranded for a summer in a remote community of counterculture pot farmers, the last place in the world he imagined he would discover himself.”

Said Grodsky, “Danny and I have long been influenced by our favorite era of filmmaking, which is Hollywood filmmaking from the ’70s, so for us to be able to work with Peter, whose films we have long admired was, A) sort of a dream come true, and B), a great link for us to have to the era of filmmaking and the era that we really tried to emulate in terms of tone of making a film.”

“And,” added Bogdanovich, “they paid us in pot. I have no memory of the entire thing.” He was probably just kidding…but I’m pretty sure I saw him wink when he said it.

Well, with that being the case, let’s jump back to Cuban, who’s clearly quite happy about the way HDNet’s plans have been working out, based on the fact that their film “Flawless,” which starred Michael Caine and Demi Moore, did more than a million at the box office but actually did more than that via Ultra VOD. Nowadays, an Ultra VOD film has the potential to pull even bigger numbers.

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