Category: Movies (Page 369 of 498)

Resident Evil: Degeneration

Considering the downgrade in quality that the “Resident Evil” film franchise has experienced with each successive installment, it isn’t entirely surprising that the latest movie based on the popular survival horror game has been given the direct-to-DVD treatment. Granted, “Resident Evil: Degeneration” isn’t associated with the live-action films, so it’s probably better not to compare the two. For starters, this “Resident Evil” adventure could very well be considered official canon, as it reunites series favorites Leon S. Kennedy and Claire Redfield to fight back against a terrorist-controlled zombie attack at the Harvardville Airport. When the leader of the terrorist group injects himself with the unstable G-Virus, however, a new monster is unleashed that must be stopped before the infection spreads any more. Filmed entirely in CG with the same methods used for “Final Fantasy: The Spirit Within,” “Resident Evil: Degeneration” looks like one, long video game cutscene – which is fitting, since it’s intended more for fans of the game than the movies. Those same fans will no doubt love “Degeneration” for the same reason they love the games, but while watching Leon and Claire blast through waves of zombies is a nice distraction until the release of “Resident Evil 5,” it’s still not as fun as doing it yourself.

Click to buy “Resident Evil: Degeneration”

Ludwig

Heavy hangs the head of the repressed homosexual and opera fanboy that wears the crown in the final major work from director Luchino Visconti. Featuring an all-star international cast (who, following the usual practice, are all painstakingly dubbed into Italian), this 1973 biopic of the so-called “mad king of Bavaria” successfully mixes 19th century European history and perhaps more than a touch of autobiography from Visconti — himself an openly gay aristocrat with a lifelong attachment to opera. “Ludwig” stars the aging director’s final companion, 28 year-old Helmut Berger, as the sympathetic, self-involved king who winds up spending way too much of his time and his nation’s wealth on an unrequited fantasy female love object (Romy Schneider, “What’s New Pussycat?”), his passion for the music and poetry of Richard Wagner (Trevor Howard), and ridiculously opulent castles to house what may or may not be all-male orgies. Naturally, his reign doesn’t exactly end on a high note.

Considering that Visconti was considered the founder of the real-time loving neorealist movement, and that this director’s cut clocks in at just under four hours, it’s no surprise that “Ludwig” feels at least an hour too long, particularly in the opening and closing sections. Nevertheless, the middle portions amply reward our patience, once Ludwig’s problems begin in earnest as Berger gradually devolves from the perfection of youth to a sadly seedy monarch cursed with teeth that would frighten the most inbred of English nobility. This somber extravaganza requires some patience, but its tragedy, horror, and beauty makes it worth the investment.

Click to buy “Ludwig”

Clint Eastwood is still a badass

Clint Eastwood is getting rave reviews for his recent tough guy performance in “Gran Torino.” Clint offers up some great quotes in a recent interview in Esquire which will only add to his badass reputation.

We live in more of a pussy generation now, where everybody’s become used to saying, “Well, how do we handle it psychologically?” In those days, you just punched the bully back and duked it out. Even if the guy was older and could push you around, at least you were respected for fighting back, and you’d be left alone from then on.

I don’t know if I can tell you exactly when the pussy generation started. Maybe when people started asking about the meaning of life.

Classic stuff.

Babylon A.D

Vin Diesel is one of those guys that wants to be a more prestigious actor than he has the ability to be, but while an Oscar will probably forever remain out his grasp, he’s still one helluva action star, and it’s in fare like “Babylon A.D.” where he shines the brightest. Taking place in a not-too-distant future, the film stars Diesel as Toorop, a mercenary who accepts a job escorting a young woman (a less-than-impressive Melanie Thierry) from Russia to America with the promise of his freedom in exchange. What Toorop doesn’t realize is that the girl in question is a little special, and in order to protect her from those looking to exploit her abilities, he must safely transport the girl to New York City before anyone gets in the way.

Babylon A.D.

For all of the noise surrounding the release of “Babylon A.D.” – which was fueled by director Matheiu Kassovitz’s public disownment of the film after 20th Century Fox went all Harvey Scissorhands on it – it’s really not as terrible as you’d expect. Still, nearly 50 minutes of footage was excised from Kassovitz’s cut, and from the looks of things, a lot of it came from the final act. The ending is one of the worst I’ve seen in a long time, and apart from the fact that it doesn’t really make any sense, it feels incredibly rushed, as if the cast and crew had more important places to be. There’s really no telling how much better the film might have been had the studio let the director make the film he wanted to make, but it couldn’t have been any worse. As it stands, “Babylon A.D.” is still a mediocre sci-fi actioneer with similarities to recent entries in the genre like “Children of Men” and “Serenity.” Unfortunately, you’d be better off just watching those instead.

Click to buy “Babylon A.D.”

My Most Memorable Interviews of 2008

I recently went back and counted up how many interviews I’ve done for Bullz-Eye since I first came aboard the site, and I was astounded to find that – counting both one-on-one conversations as well as teleconferences – the number tops 200. Wow. Anyone who thinks that I don’t work hard for my money, I say to you that the figures speak for themselves. Looking back at the list of folks with whom I’ve chatted during the course of the past year, I find myself thinking the same thing I think every day of every year: it might’ve sucked to do all of that unpaid freelance writing for all those years, but it was totally fucking worth it. And with that bold statement, allow me to present a list of the interviews from 2008 that still remain fresh in my mind…for a variety of reasons.

* Best-received interview of the year:

Tom Smothers. I’m used to hearing from my friends when I do an interview that they enjoy, but I heard from several complete strangers that really loved the conversation Tom and I had about everything from the censorship of “The Smothers Brothers Comedy Hour” to the night John Lennon and Harry Nilsson were thrown out of the Brothers’ show at the Troubadour.

“Harry comes in with John Lennon. Well, he told John Lennon, ‘Tom likes hecklers. It helps him. It gets him through his show.’ And every time there was a silence, they were hollering out things like, ‘God fucks pigs!’ I mean, it was really filthy! Blows were thrown, and it just got wild. The next day, I got flowers and all kinds of apologies from Lennon and from Harry Nilsson.”

* Most politically-incorrect interview of the year:

Tony Clifton, the former alter ego of Andy Kaufman that’s now being performed by Bob Zmuda. To say that Clifton works a little blue is the understatement of the century, but it’s more than just dirty jokes; his whole act is one where he unabashedly says things that he knows will piss people off…and if you don’t know it’s an act, then it’s really gonna piss you off.

“Some people say that, with the repertoire I’ve got and with the rapport between the band and me, a few people have quoted it as being like Buddy Rich. I call ‘em like I see ‘em, just like Buddy. But Buddy was coked up most of the time, and I don’t do that. I prefer the Jack Daniel’s. I’m fucked up most of the time during the show. I have fun with the band. I call ‘em niggers. And I got a few Japs in there, I call ‘em Nips. I got everything mixed up in that band, like I say. I call ‘em the way I see ‘em. Listen, lemme tell ya this: you know why I get away with it? ‘Cause I got black people in my family. Yeah. And I’ve got the rope to prove it. Look, the blackies are good. They’re good for the sports and for the music. See, the Jews are good at making the money…or at taking the money from you.”

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