Category: Movies (Page 345 of 498)

Weekend Box Office: “Up” Surprises; “Drag Me to Hell” in Limbo

May 31, 2009 /

Everyone expected a big weekend for the latest from the seemingly unstoppable Pixar/Disney creative team, but who knew that an elderly human could outperform an immature robot?

Yes, despite apparently being a bit intense for the very small ones, “Up” benefited from its widely noted ability to make adults cry and then laugh a lot as well — and perhaps more pointedly from being shown in what Nikki Finke reports is a record number (over 1,500) of 3-D digital screens. It raised $68.2 million, beating “WALL-E” by about $5 million, making it the third highest grosser in Pixar’s illustrious history. (Though, as always, one should remember that ticket prices keep getting higher.) But for those who think pristine visuals and high tech sound are the only attractions, I also have reason to believe it did well at the few remaining drive-in theaters as well…but more about that in a bit.

Overall, “Family” was apparently the watchword as “Night at the Museum: The Battle of the Smithsonian,” as Brandon Gray points out, dropped what is now considered a very respectable 53.5% to net $25.5 million smackers, buoyed by those premiums for IMAX theaters, both legit and “Liemax.”

Meanwhile, there was just a slight whiff of disappointment in horrorland as the ethically fascinating creepfest “Drag Me to Hell” netted a mere $16.6 million, but Sam Raimi’s presumably lowish budget flick is not quite in the movie toilet. Variety‘s Dave McNary cites a Universal bigwig thusly:

“It was a solid start,” [distribution chief Nikki] Rocco said, who asserted that “Drag Me to Hell” should benefit in coming weeks from a slew of positive reviews.

And, word of mouth of course. Like me, right here. As mentioned in my pre-weekend b.o. post, I really did head down to the Mission Tiki Drive-In in otherwise scenically challenged Montclair, CA. Alongside seeing hordes and hordes and hordes and hordes of families scrambling to see “Up” and meeting some very, very cool fellow cinenerds (some famed far and wide, relatively speaking), I can also say that “Drag Me to Hell” is a genuine hoot. You serious horror fans should be aware that, while it has laughs, they are mostly of the nervous and ironic variety, if that makes you feel any better. I mean, God forbid if a horror movie should actually be, you know, fun — and I don’t mean Dick Cheney’s idea of fun.

Meanwhile, “Terminator Salvation” did a lackluster $16.1 million in its second weekend, meaning that McG, Christian Bale and company likely feel like they’ve been dragged to the unhappy place themselves.

Action Movies, Actors, Actresses, External Entertainment, External Movies, Horror Movies, Movie Comedies, Movie Dramas, Movies, News, Sci-Fi Movies

Spring Breakdown

May 29, 2009 /

“Spring Breakdown” has been circling the movie release schedule for what seems like years now. After numerous date changes, though, the Ryan Shiraki-directed comedy finally appeared set for release following its premiere at Sundance, only to be dumped on to DVD a few months later. Though it didn’t get rave reviews in Park City, it wasn’t too harshly criticized either, which makes me wonder why Warner Bros. didn’t at least give the movie a limited run in theaters. After all, the film stars two of the best comediennes in the business and features a plot that, while not very original, offers plenty of opportunities for its leading ladies to shine.

Indie darling Parker Posey stars as Becky St. Germaine, the homely office manager of Texas senator “Kay Bee” Hartman (Jane Lynch), who’s heavily favored to replace the current Vice President after a scandal forces him to resign. Afraid that her daughter, Ashley (Amber Tamblyn), will attract negative press while partying on South Padre Island for spring break, Hartman assigns Becky to go undercover and keep Ashley out of trouble. Along for the ride are Becky’s childhood friends, Gayle and Judi (Amy Poehler and Rachel Dratch, respectively), both of whom are looking for a second chance at reliving their college years. What follows is your standard series of comedy shenanigans, and while many of them aren’t funny, the movie is still harmless fun. It’s not nearly as good as the quality of its cast suggests, but “Spring Breakdown” still deserves kudos for making what’s essentially a mild-mannered frat boy comedy with women as the stars.

Click to buy “Spring Breakdown”

External Movie DVDs, Movie Comedies, Movie DVD Quicktakes, Movie DVDs, Movies

A Chat with “Harper’s Island” Victim #7

May 29, 2009 /

Yes, this week’s interview with the “Harper’s Island” Victim of the Week is late, and I apologize wholeheartedly for that. I’d had the best of intentions to do the interview on Tuesday while in Columbus for a Bullz-Eye editorial meeting, but due to a combination of equipment malfunction, poor reception, and general bad timing, it was pushed back to Thursday, so I could be in the comfort of my own office to hold the conversation. Fear not, however: I’ll be talking to Victim #8 bright and early on Monday, so expect to see that conversation in a timely fashion.

For now, however, you’ve clearly waited long enough to read this week’s chat, so let’s dive right in, shall we?

Continue reading »

External Entertainment, External Movies, External TV, Harper's Island, Interviews, Movie Comedies, Movies, Prison Break, TV, TV Comedies, TV Dramas

Pete Docter looks back, ahead, and “Up”

May 28, 2009 /

Pete Docter header

Pixar’s 10th full-length feature, “Up” — which critics have, unsurprisingly, dubbed another in the studio’s long line of critical winners — lands in theaters this weekend, and to celebrate the occasion, “Up” director Pete Docter set aside a few minutes for a chat with Bullz-Eye’s David Medsker.

What’s on the Pixar vet’s mind these days? Of course, there was much discussion of “Up,” but the conversation covered plenty of other ground, from the studio’s overall philosophy to Docter’s thoughts on other companies’ animated output, and what makes a good movie:

“You have to think about good storytelling and characters first. Then hopefully, the rest of that stuff will follow, some more than others. But if you don’t have a good film and strong characters, then you don’t have anything down the road.”

To read more of the interview — and to find out why Medsker kicked things off by addressing Docter as “you bastard” — just click here. And don’t forget to follow Bullz-Eye’s coverage of “Up”!

Interviews, Movies

Weekend at the Multiplex, Pt. II: The Power of Family Defeats Robot Rehash + the Palm Goes to…. (Updated)

May 24, 2009 /

The long holiday weekend is barely halfway through here on the west coast, but the numbers gurus have already spoken. Both Variety and megablogger Nikki Finke report that “Night at the Museum: Battle of the Smithsonian” outgrossed “Terminator Salavation” by 53.5 to 43 million smackers, proving once again the power of family films and that I am, at best, a very mediocre prognosticator. It also indicates that McG’s name and talents may not be pure box office gold.

In other news, in what turned out to be a battle of movie bad boys of various types, the coveted Palme D’Or (that’s Golden Palm to you and moi), has been awarded at Cannes after a week of some very divided audience and critical responses. Quentin Tarantino’s “Inglourious Basterds” elicited reactions ranging from reasonably positive to angrily disappointed. “Antichrist,” the new horror film/domestic drama from the personally disliked but often genius-level brilliant Lars von Trier (“Breaking the Waves,” “Dancer in the Dark”) crossed some deep psychological lines in terms of graphic violence and human genitals, leading to a raucous screening and deeply appalling many while eliciting some truly unusual, often more positive, reactions from writers. (Roger Ebert’s take, for one, is certainly worth a look.)

Not too surprisingly, the winner was another overage enfant terrible entirely. Ironically enough, he himself has been simultaneously applauded and despised for the first version of “Funny Games.” The second, English-language, version was mostly just despised for its manipulations and made Bullz-Eyer David Medskar talk of punching its maker in the face, which I’m sure he intended as a metaphor.

That winner would be Austria’s 67 year-old Michael Haneke — often regarded as the world class director most in need of a hug, as well as a punch. He picked up the Palm for “The White Ribbon” a dark (of course!) black and white pre-World War I drama. Haneke has had some out-and-out success apart from “Funny Games” with 2005’s genuinely compelling and thoughtfully upsetting “Caché,” which Ron Howard once considered remaking but, perhaps fearing David’s reaction, choose to make the movie version of “Arrested Development” instead. Probably a wise move, in any case.


UPDATE: Brandon Grey of Box Office Mojo has the final figures “Night at the Museum: Battle of the Smithinsonian” raked in $70 million on 7,000 screens and “Terminator Salvation” earned $53.8 million on about six-hundred fewer screens. Also, NPR’s hourly newscast this morning suggested that some of T4’s weakness, especially here in Southern Cal, might be related to the ongoing NBA play-offs. Could be, I suppose. That’s what I get for being a guy who writes for an online men’s mag who’s also a complete ignoramus about sports.

Action Movies, External Movies, Movie Comedies, Movie Dramas, Movies, News, Terminator: The Sarah Connor Chronicles

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders Noren — Up ↑