Category: Movies (Page 313 of 498)

Hollywood manages its baser instincts (updated)

Yes, it seems to be a day when we’re avoiding the worst that the film biz has to offer. Take that Sammy Glick! Maybe.

* Notorious screenwriter Joe Eszterhas, who brought the world such morality plays as “Basic Instinct” and “Showgirls,” is handling the kind of character/person you’d never expect him to write about, or meet. A virgin. Apparently the once severely overpaid, self-aggrandizing writer not exactly known for any particular virtues of any particular sort became a born-again Catholic following a bout with cancer. Naturally, a recent memoir tells of his conversion.

* I’ve never watched the most recent iteration of “At the Movies,” but I’m happy to say that the next version will be hosted by the New York Times‘ A.O. “Tony” Scott and the Chicago Tribune‘s Michael Phillips. They had both been my favorite subs for the still-going-strong but voiceless Roger Ebert during the final days of the old show’s run, and having them both return gives me a small but solid happy. These guys know movies and should be worthy successors to Mr. Ebert and the late Gene Siskel. I’ll be tuning in.

UPDATE: Glenn Kenny weighs in on “when good things happen to good film critics.” He also has something to say about the predecessors…and one of their daddies. It’s critical go-time. A humorous must for fans of critic-on-critic pugilism and praise.

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Cinephile blogs don’t care if I ignore them

But it’s still high time I take a look around the online petri dish that has nurtured me for so long…

* Jesus of film geek cool Dennis Cozzalio has a nifty conversation with director Joe Dante (“Gremlins,” “Piranha,” “Rock ‘n Roll High School,” “The Howling,” etc.) whose doing some ultra film-geek stuff in L.A. while finishing up his lowish budget 3-D horror film, “The Hole.”

* Kimberly Lindbergs reviews the new biography of Hal Ashby (“Harold and Maude,” “Being There”) whose fandom is definitely growing.

* There’ll be more posts like this to come, but I’ll wrap up with the amazing Self Styled Siren‘s discovery a couple of week’s back of a truly great YouTube clip featuring Fred Astaire dancing and singing a song now practically owned by Frank Sinatra. If Frank was the ultimate saloon singer, Fred was the ultimate urbane hoofer. And he was an underrated singer and actor as well.

Though the Siren has problems embedding, I can present it to you directly here. Even if you think you hate or have no interest in musicals, check this one out, by the time Fred starts dancing at 2:45, I promise you won’t be sorry. (The video, by the way, runs a bit long. Feel free to click away after Fred finally ambles out of the bar. Also, note that he tells humorist-turned-actor Robert Benchley that he plans to walk, not drive, home — which is not the way the song’s usually interpreted. That’s Astaire: class through and through.)

One born every minute

Let’s face it, the movie business is all about roping in the suckers, but I mean that in the nicest possible way.

* Several Comic-Cons ago, a rumor was about that Marvel was going to stop publishing comic books entirely and concentrate strictly on making movies and generally just marketing the hell out of their characters. This struck me as patently absurd because, even if the tail is wagging the dog, you still need the dog. Nevertheless, fiscally speaking at least, Marvel’s waggable rear is definitely stronger than its canine according to Variety‘s Marc Graser:

….Licensing is expected to generate the most coin for the company during the year, with up to $215 million, followed by movies and TV shows at up to $150 million, and comic books with $120 million.

* “G.I Joe” is a chicken-hearted pantywaist when it comes to critics. It’s kind of funny because “Team America” got really good reviews overall and from all appearances this is pretty much exactly the same movie.

* Why is Anne Thompson so much cooler than other film journos? We’ll, she’ll go to see Bollywood movies in unfashionable Artesia, relatively close to my highly uncool zip code, for starters. She also has three great trailers, including one for the Coen Brother’s next film. “The rabbi is busy.”

* Apparently piggybacking somewhat on his Oscar night success, Hugh Jackman is going to star in “an original contemporary musical” for Fox based on the life of P.T. Barnum, the circus impresario perhaps most famous today for opining that a sucker is born every minute. (I’d go for each second, myself.) I’m not sure what they mean by “contemporary” given that Phineas T. Barnum died in 1891, but I take it that “original” is meant to differentiate the film from the 1980 Broadway musical which starred Jim Dale and Glenn Close. Apparently Anne Hathaway, who had also had a bit of success in the Oscar’s opening number, will be joining him as singer Jenny Lind (and there’s talk of a new version of Rodgers & Hammerstein’s “Carousel” also to pair Jackman with Hathaway).

The music will be by some guy named Mika, who I had never heard of until just now but whose opera background and overall approach reminds me of a more classic R&B/funk and T-Rex/Bowie influenced Rupert Wainwright. After watching the video below, I’m largely sold though I hope he tries to avoid anything too obviously anachronistic. (I’m not sure Barnum should be getting funky on us, though I love the funk.) The high quality of the music and Mika’s way around various types of retro sounds makes me think he might be just right for the project. Also, naming your song “Grace Kelly” won’t ever hurt your standing with me.

The Mutant Chronicles

Movies like “The Mutant Chronicles” are difficult to critique, because even though they may not be very good, you still have to respect their ability to create something from nothing. Shot on a shoestring budget with some of the best B-movie actors in the business, the film takes place in 2707 as corporations wage battle over the planet’s dwindling resources. When a mutant army is accidentally released during the heat of battle, however, a monk named Brother Samuel (Ron Perlman) enlists the help of seven soldiers (including Thomas Jane and Devon Aoki) to travel into the core of the Earth and destroy the machine responsible for creating the mutants. It’s essentially “Lord of the Rings” for the steampunk set, right down to the fellowship of nine and the orc-like mutants they battle along the way. Unfortunately, though the story sets up some cool action sequences, the experience is marred by D-grade special effects. You can almost always tell when the actors are working in front of a green screen, and the CG blood looks like it was added using Paint Shop Pro. Fans of campy sci-movies will no doubt appreciate the low production values and so-cheesy-it’s-funny dialogue (“I don’t get paid to believe. I get paid to fuck shit up.”), but for everyone else, “The Mutant Chronicles” is probably best ignored.

Click to buy “The Mutant Chronicles”

Speaking of remakes and originals….

I’m not sure if this is often done, but as a fan of Brandon “The Reenactment Kid” Hardesty and in light of Steven Spielberg’s planned remake of “Harvey,” I thought it would be fun to place one of his recreations back to back with an original scene.

Here we see young Hardesty beating Spielberg to the punch and doing his own version of a key scene from the first movie version of Mary Chase’s sweet-natured comedy. (Especially if you’ve never seen the original, you may want to reverse the order of these clips for yourself. I keep changing my mind about which I should place first.)

And now the original. (Note: This clip is on the long side. The part that young Mr. Hardesty recreates starts at about 2:29, but you may want to watch all of it, because Stewart is kind of great.)

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