Category: Movies (Page 307 of 498)

More megabucks, more superheroes, and the opposite.

The news earlier in the day was just the start. It’s been a busy Monday in Hollywood.

* Different publications are offering a slightly different ways of putting it, but a new version of Dreamworks is being launched by Steven Spielberg, who is ending his relationship with Paramount, and executive Stacey Snider. They’re doing so with the help of $825 million in financing (that’s enough for 4.85 “G.I. Joe” movies) including a big chunk from India’s Reliance Entertainment. U.S. distribution of the new Dreamworks’ films will be handled by Disney, so we guess they’re no longer competitors. (Remember those pokes at Disney in “Shrek”?)

Everyone’s reporting on this but the most lucid version is being offered by Anne Thompson, even if I’d need a glossary to fully understand phrases like “J.P. Morgan’s syndication of approximately $325 million of senior debt”…something about a fancy way of retiring old debt? I’m going to have to work on that. Carl DiOrio also offers a fairly readable version.

* Speaking of Dreamworks, Brad Pitt is stepping in for a mysteriously departing Robert Downey, Jr. in the animated superhero/supervillian comedy “Oobermind.” I say mysterious because, as the Hitfix staff points out, the reason cited for Downey’s departure is a scheduling conflict, which is odd as it’s usually not very hard to reschedule someone for a solo taping session. It’s not like he would have had to spend six weeks on location in the Sahara dessert.

Brad Pitt’s comedic side has been seriously underutilized, but maybe not after what I take it is a fairly off-kilter and funny performance in “Inglourious Basterds.” (Lee Marvin was also kind of hilarious in “The Dirty Dozen,” come to think of it.) The cast of “Oobermind” will also include the suddenly-in-everything Jonah Hill and Tina Fey.

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Remake of “Straw Dogs” begins filming

Sam Peckinpah’s 1971 classic “Straw Dogs” stars Dustin Hoffman as a Hollywood screenwriter who moves with his wife Amy to her hometown. As Hoffman’s character, David, buries himself in work, Amy becomes annoyed and begins to flirt with the men in the town. Among them is her former boyfriend, Charlie, who begins to romantically pursue Amy. When he is unsuccessful, he rapes Amy while David is out of town. The scene was incredibly controversial at the time as Amy at one point appears to enjoy the rape.

The film offers a challenging take on males as carnivores. As the townspeople descend on the couple’s home, the previously mild-mannered David shifts into a homicidal rage. “Straw Dogs” is intriguing, thrilling, eerie, and raw.

So, I don’t know why anyone would want to remake it. I can’t see how an update would be relevant in the slightest. Rod Lurie, a former movie critic, will be directing. In the past, Lurie’s directed such films as “The Contender,” “The Last Castle,” and “Resurrecting the Champ.” The remake, which begins filming today, stars James Marsden as David and Kate Bosworth as Amy. Alexander Skarsgard, James Woods, and Dominic Purcell will play some of the town’s ruthless citizens. The movie is set for release sometime in 2011.

Alien nation movie moments #4

With “District 9” having made a pleasantly surprising $37 million, it seems fitting to wrap this theme up with a couple of trailers from the grand-daddy of all alien invasion stories with a political subtext. H.G. Wells’ “The War of the Worlds,” was pretty clearly intended as a metaphor about British colonialism. Certainly, any decent version of the story gives us an idea of what it must be like to have a vastly powerful nation suddenly invade for some reason of their own (not that that ever happens anymore).

We’re going to travel backwards in time with trailers for both the 2005 Steven Spielberg and the 1951 George Pal film versions.

“The Tasmanians, in spite of their human likeness, were entirely swept out of existence in a war of extermination waged by European immigrants, in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?” — H.G. Wells, The War of the Worlds, 1898

Below the flip, I’ve got a special audio bonus.

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“District 9” inspires some box office awe (updated)

Shout it from the rooftops. The trades have revealed that an essentially South African film with a previously unknown, first-time feature director, a cast of complete unknowns, and an R-rating is not only #1 at this week’s highly competitive box office, it significantly over-performed even the highest expectations I mentioned last time. Forget those more optimistic numbers of $25 million+, it has earned an extra-profitable estimated $37 million.

As Nikki Finke points out, the outstanding showing of “District 9” is especially mighty considering that the film’s budget was only an extremely modest by sci-fi action standards $30 million, not including its no doubt pricey viral and not-so-viral marketing campaign. Oh, and it got excellent reviews, too and that’s supposed to be box office poison because movie goers hate writers or something. Weird. I don’t think Peter Jackson’s name in the credits alone can do that alone, though I’m sure it didn’t hurt.

Meanwhile, wither “G.I. Joe: The Rise of Cobra“? Stephen Sommers PG-13 sci-fi actioner with a budget of $170 million, not including its no doubt expensive damage-control oriented marketing campaign, met its expectations with an estimated $22.5 million, dropping 59% — fairly typical for this kind of Hollywood product. It should be noted, however that “Joe” was on 4,007 screens, while “District 9” was at 3,049. In terms of per screen averages, it amounts to a real trouncing with Blomkamp’s film netting a huge $12,135 per screen as compared to the unofficial “Team America” remake’s merely solid $5,615 average. (Okay, I admit it. It’s not right, but I haven’t even seen this movie and I really have it in for it; I was provoked.)

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Alien Nation Movie Moment #3

Whether Don Siegel’s great 1956 film version of Jack Finney’s “Invasion of the Body Snatchers” was really intended as a metaphor about communist infiltration or bourgeois conformity is almost beside the point, it’s about the near impossibility of fighting dehumanizing forces, which can come from anywhere. And so it was with the equally terrific, or maybe even better, 1978 version directed by Phillip Kaufman. The latter film is one of my favorite remakes of a film classic, in that you could watch back to back with the original and have a great night at the movies. The plots might be similar, but they are in no way the same movie at all.

Below are trailers for both. Remember — you’re next!

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