Category: Movies (Page 189 of 498)

Family friendly “Dragon” grazes the keister of “Kick-Ass”

We have another apparent photo-finish at the box office this weekend. Despite my confidence Thursday night that “Kick-Ass” would be the top film this weekend and probably come out in the middle-to-high end of the $20-30 million range suggested by all the prognosticators, the film appears to have come just shy of doing either.  For now.
Aaron Johnson and Chloe Moretz in
The “actuals” that will come out sometime tomorrow could change this. However, with an estimate of $19.75 million, the somewhat controversial hyperviolent “hard R” superhero action-black-comedy  is currently within $250,000 of being beaten by the $20 million estimate for the crowd-pleasing, PG-rated 3-D family film “How to Train Your Dragon”. That’s actually still good, if  you can ignore the expectations game.

However much the schadenfreude brigade plays up the gap between expectations and box office reality, the $30 million film from director Matthew Vaughn (a producer earlier in his career) is clearly going to be very profitable for Lionsgate. The man who started his career as Guy Ritchie’s producer and who since has proven himself to be, in my estimation, the vastly better filmmaker (I haven’t seen “Kick-Ass” yet), should be applauded for bringing an action film like this on what is, by Hollywood standards, a very low budget for an action film. I think that is especially so in the home video long haul as the “Kick-Ass” cult will undoubtedly grow, at least among fanboys of all ages. It’ll also be interesting to see if the film develops legs or sinks-like a stone theatrically, as many genre films do. Next weekend will tell that tale.

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44 Inch Chest


It’s been 10 years since the release of Jonathan Glazer’s “Sexy Beast,” and yet the movie remains one of the most unforgettable crime thrillers ever made. Much of the film’s success was thanks to Sir Ben Kingsley’s electrifying performance as the venomous Don Logan, so it’s not surprising that the latest expletive-laced thriller from writers Louis Mellis and David Scinto is highlighted by the same kind of scene-chewing roles. “44 Inch Chest” assembles a cast of some of the best British actors working today, including Ray Winstone as Colin Diamond, a gangster contemplating murder after his wife informs him that she’s fallen in love with another man. After his friends kidnap her secret lover and take him back to their secret hideout to exact revenge, the heartbroken Colin must decide between killing in the name of love and walking away the better man.

Though “44 Inch Chest” is filled with lots of clever dialogue between Colin and his friends (an entertaining Tom Wilkinson, Ian McShane, John Hurt and Stephen Dillane), the story leaves much to be desired. There simply isn’t enough going on to fill an entire movie, and the fact that it’s structured more like a play (with a majority of the action taking place in a single room) only makes you wonder why it wasn’t conceived as one. If you can make it through the sluggish 95-minute runtime, “44 Inch Chest” is worth watching for the performances. Just don’t expect to be blown away.

Click to buy “44 Inch Chest”

Maximum Miramax

If you’ve been reading the various hard-news entertainment blogs and sites over the last few days, you’ve no doubt noticed the continuing drama of the sale by Disney of Miramax, the “mini-major” studio which once bridged the gap between indie and mainstream filmmaking. The studio was pretty much the creation of mogul brothers Harvey and  Bob Weinstein, who famous named it after their parents (Mira and Max Weinstein). Now, they may well be poised to reclaim the studio they once sold to Disney and ran for them, before leaving to start The Weinstein Company in 2005.

You also may have noticed Nikki Finke’s attempts to lay claim to the latest on the story and crudely and not very convincingly bash her competitors. THR writers Elizabeth Guilder and the man I always call “Jolly Carl DiOrio” may have been guilty of jumping the gun or overstating the case a bit since the negotiations do appear to be ongoing. Also, I didn’t get the e-mail alert of which she speaks and can only see the story I linked to, which duly notes Disney’s denial of the apparent scoop. However, right now it sure looks to me like they got the story essentially right  and it’s not like La Finke has never slightly overstated things on a news story herself — though she does get some very good, detailed inside dope, there’s no doubt of that. To Finke’s credit, she has left up the offending piece and not tried to hide the evidence of her being the mean girl much of her audience, but not me, wants her to be.

Anyhow, at a time like this, it might be appropriate to consider the compelling admixture of quality, marketing, and occasional appeals to a certain kind of middle-brow film snobbery that highlighted Miramax, courtesy of Mad TV, who bring you the ultimate Miramax trailer from the day.

Well, maybe this will tide you over, Tolkien-adaptation wise. No, probably not.

I was really hoping to have time for a decent Friday night/end of week movie news dump, but the truth of the matter is that I’ve no time to do one of my usual semi-comprehensive end of week looks at movie news tonight. Fortunately, outside of continuing discussions of how the receipts of “Kick-Ass” will turn out over the weekend, not a huge amount that’s too earth shattering is going on.

However, I do have time for one item that will definitely put a mild damper on the days of hobbit-heads of all shapes and sizes, and aren’t almost all of us at least slightly hobbit-headed. We have word — really more in the nature of a reminder — from none other than producer Peter Jackson that the all-but promised twin film adaptations of J.R.R. Tolkien‘s unintended prelude to The Lord of the Rings books, The Hobbit, to be directed by Guillermo del Toro aren’t exactly a 100% completely done deal yet, though I’d be beyond shocked if they somehow didn’t happen considering the talent involved and the success of the earlier films.

Nevertheless, the films have not been greenlit and, therefore, no start date has been set. For the same reason, no actual casting has been done. Oh, and by the way, the script was only finished last week. (Well, some movies don’t have a script when shooting starts. Some good ones, too — but not too many that weren’t made by Billy Wilder and none that requires this level of technical preparation.)

Of course, considering everything, doing the films should be a slam dunk but, as previously mentioned in many places the ongoing disaster and ensuing sale of MGM has simply gotten in the way. The Playlist has the details and the, er, gentle reminders to be cool, though most of the actual news is contained in this brief interview with Moviefone.

In the meantime, well, any excuse to run this great musical moment from “Flight of the Chonchords.” How often can you summarize over 10 hours worth of movie in under two minutes, and with such a good collection of beats?

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