Category: Movie DVD Quicktakes (Page 13 of 41)

“Flipper” discs debut with The Bourne Trilogy

One of the problems that people have with the adoption of a new format (most recently, Blu-ray) is that the format in question isn’t universal, sometimes even within a single household. For example, a family might have a Blu-ray player in the living room, but still have DVD players elsewhere in the house (or in the minivan). Universal Studios Home Entertainment has addressed this problem by releasing dual-format discs that have a Blu-ray version of the movie on one side and a DVD version on the other, allowing consumers to use the disc anywhere they can play Blu-ray or DVD. Consumers that haven’t yet adopted the Blu-ray format can buy these discs knowing that their collection will be ready when they eventually do. It’s an ingenious idea for those in the process of switching over to Blu-ray.

The so-called “flipper” discs debut with the Jason Bourne series: “The Bourne Identity,” “The Bourne Supremacy,” and (the not available for review) “The Bourne Ultimatum.” [Read the Bullz-Eye review of the trilogy.]

This should go without saying, but the picture quality of the Blu-ray version is unparalleled. When watched in 1080p, the films look about as good as they can possibly look, at least at this point in time. For example, in one of the Zurich scenes in “The Bourne Identity,” little details like falling snow really jump out.

“The Bourne Identity” features a load of special features, including U-Control (allowing the viewer to examine character dossiers, location analyses and spy gadgets while watching the movie), a Bourne card strategy game, BD-Live (allowing BR and PS3 users chat with friends and family while watching the film), deleted and extended scenes, an alternate opening and ending, along with a series of featurettes: “The Bourne Mastermind: Robert Ludlum,” an interview with Tony Gilroy about the challenges of adapting Ludlum’s book for the silver screen, interviews with Matt Damon and Franka Potente, an interview with a UCLA psychologist about the Bourne’s amnesia, an interview with CIA liaison officer Chase Brandon about the real-world making of a super spy, a look into the making of a fight sequence, and feature commentary with director Doug Liman.

“The Bourne Supremacy” bonus features include U-Control (picture in picture, Bourne dossier, Bourne orientation), BD-Live, deleted scenes (including an alternate ending), and featurettes about the casting of the principal characters, how Paul Greengrass was chosen as director, the demolition of a suburban home in Munich, on location in Berlin, Moscow and Goa (India), Damon’s fight training, the Moscow chase scene, the bridge chase scene, Josh Powell and the film’s score, a profile on Robert Ludlum, and a psychological diagnosis of Jason Bourne.

“The Bourne Ultimatum” bonus features also include U-Control, BD-Live and deleted scenes, as well as featurettes about the film’s exotic locations (Berlin, Paris, London, Madrid and Tangier), the Tangier rooftop chase scene, fight training with Matt Damon and co-star Joey Ansah, Damon’s training and the shooting of the New York chase scene, and feature commentary with director Paul Greengrass.

Click to buy “The Bourne Identity”
Click to buy “The Bourne Supremacy”
Click to buy “The Bourne Ultimatum”

The Cove

I might be a liberal native Californian, but I’m no vegan and no fan of the animal rights absolutists at PETA. On the other hand, I make an exception when it comes to eating or capturing animals that might be self-aware. “The Cove,” from National Geographic photographer and first-time director Louie Psihoyos, exposes a crime that is arguably the moral equivalent of genocide, but that’s only the beginning. This likely documentary Oscar nominee chronicles the efforts of a diverse group of activists, including onetime “Flipper” trainer Rick O’Barry, to videotape the secret mass killing of dolphins by Japanese fishing interests. Much has been made of the “caper” aspects of “The Cove” in chronicling how the footage was illegally obtained. It’s strengths, however, lie in the clear line it draws between the slaughter of animals who might be our intellectual equals — there but for the lack of an opposable thumb go we — and the ecological horror behind it. The dolphins are not being killed primarily for their meat, which is so mercury laden you’d be far better off consuming Jeremy Piven, but was nevertheless criminally forced on local schoolchildren. The true motive for the crime turns out to be to eliminate a competitor for the dwindling supplies of seafood, a key source of our increasingly hungry world’s supply of protein. Despite all this, the dolphin is not yet an official endangered species, but then, neither are we.

Click to buy “The Cove”

World’s Greatest Dad

For all the buzz surrounding the film coming out of Sundance, you’d think “World’s Greatest Dad” was one of the funniest comedies of the year. Alas, it isn’t as great as many people made it out to be, but writer/director Bobcat Goldthwait’s sophomore effort is still a must-see for anyone who likes a little variety in their moviegoing diet. Robin Williams stars as Lance Clayton, a high school poetry teacher with dreams of becoming a published writer. Everything he’s ever written has been rejected up until now, so when his jackass son Kyle (Daryl Sabara) dies from auto-erotic asphyxiation, Lance is given the opportunity to exploit the tragic accident, as long as he can learn to live with himself for it. Though that may sound a little too dark to be considered a comedy, there are definitely laughs to be had – just not very many of them. In fact, the movie works better during its more dramatic moments thanks to Williams’ strong performance, and though you wouldn’t expect it to be so touching, “World’s Greatest Dad” is at its best when exploring the instictive love that a father has for his son.

Click to buy “World’s Greatest Dad”

All About Steve

Sandra Bullock may be experiencing her best year ever with box office hits like “The Proposal” and “The Blind Side” (not to mention rumors of an Oscar nomination), but that doesn’t excuse her for starring in junk like “All About Steve.” As Mary Horowitz, a blabbermouth crossword puzzler who begins stalking a TV news cameraman (the titular Steve, played by Bradley Cooper) after she’s convinced they belong together, Bullock attempts to play the character as a quirky social reject but comes off looking mildly retarded instead. There are certain things that someone of her supposed intelligence simply wouldn’t do, and though the film tries to exploit her eccentricities for comedy, there’s nothing particularly funny about it. Cooper and Thomas Hayden Church (as Steve’s news reporter-in-crime) fare a little better in their scenes without the actress, but you still can’t help but feel bad for them. “All About Steve” might have been a pretty decent dark comedy with the right script, but director Phil Traill relies so heavily on his goofy protagonist to propel the story that he shoots down any chance of that happening the minute Bullock walks on screen.

Click to buy “All About Steve”

Downhill Racer

In the mood for an inspirational sports story? You won’t get it in this hard-edged, documentary style 1969 sports film starring Robert Redford (a star but not yet a superstar) as a reckless Olympic-level skier who is utterly selfish and cold-hearted. A pre-“French Connection” Gene Hackman is his coach, probably a good guy and a bit off-put at having to deal with this grade-A douche who, like it or not, might be a champion.

As the DVD extras in this typically strong Criterion package inform us, “Downhill Racer” was originally conceived by Redford as a film to be directed by a hot new European director who shared his passion for skiing. Roman Polanski, however, was too busy with “Rosemary’s Baby,” so Redford concentrated his efforts on working with writer James Salter and first-time feature film director Michael Ritchie (“The Bad News Bears”) to craft this deliberately cold lack-of-character study. The ski footage is as exciting as you can imagine and “Racer” is often as intriguing as it is chilly. Still, it’s primarily a cerebral experience, hobbled by a protagonist who is incapable of changing and a bit dull. Redford and Ritchie inverted the formula in their next collaboration, placing a well-intentioned idealist in conflict with the morally dangerous world of electoral politics in “The Candidate.” That made for a much more engaging movie, but “Downhill Racer” remains worthwhile — and notable historically. Redford says the troubles he encountered making it ultimately led him to conceive of a project to help emerging filmmakers called “Sundance.” That’s more than a footnote.

Click to buy “Downhill Racer”

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