Category: Movie Dramas (Page 35 of 188)

RIP Arthur Penn

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He wasn’t a young man, though he always seemed a lot younger than his age. So, it’s still a bit of a sad surprise to read that Arthur Penn, one of the most notable American directors of the sixties and seventies, has died at age 88.

There aren’t a lot of clear dividing lines in life, but as close as you can probably get to that in film history is that American movies made after 1967’s “Bonnie and Clyde” were most definitely different in any number of ways from movies made before it. Sure, there was the increased freedom with sexuality and violence, but there was also a looser and more European-inspired feeling in U.S. movies, for a time anyway. That’s not to say Penn was anything like a cinematic one-hit wonder. “The Miracle Worker,” “Little Big Man,” “Night Moves,” and “Mickey One,” at least were all remarkable and important films in their way. He was also, by the way, a major figure in the American theater and in the history of television as well.

I learned the sad news via the terrific blog, The Sheila Variations, and Sheila in turn led me to the very good and detailed obituary at the New York Times.

As always when a cinema great passes, there’s more from MUBI’s David Hudson. Also, I’ve got just a few videos after the flip.

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A Chat with Robert Carlyle of “Stargate Universe”

To the world at large, Robert Carlyle is best known for his roles in “The Full Monty” and “Trainspotting,” though James Bond aficionados likely remember him more fondly for his villainous turn as Renard in “The World Is Not Enough.” Since 2009, however, sci-fi buffs have been thrilling to Carlyle’s work on “Stargate Universe,” where he plays the ever-scheming Dr. Nicholas Rush. Premium Hollywood had a chance to chat with Carlyle just as the series returns for its second season, and in addition to offering up a few ideas of what we can expect to see from Rush in the near future, he discussed his opportunity to direct an “SGU” episode, which actor on the show he’d like to work with more often, and what led him to venture away from motion pictures and take this gig in the first place.

Stay tuned for…

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Premium Hollywood: Hello, Robert, how are you?

Robert Carlyle: Very well, thanks.

PH: It’s good to speak with you again. You and I chatted briefly a few years ago when you were at the TCA tour.

RC: Oh, right, okay!

PH: Well, you’ve been talking up Season 2 of “Stargate Universe” since Comic-Con in late July. You’ve got to be glad it’s finally here!

RC: Yeah! You know, it’s one of these things where suddenly it’s upon you! You get in the middle of it up there in Vancouver, and then it’s, like, “Okay, we’re on!” (Laughs)

PH: I’ve read some of the reports about your panel there. It sounded like you guys had a good time.

RC: Yes, absolutely! But, I mean, I enjoy everything about this. I really, really do love everything about this job. There’s nothing at all that’s upset me so far, or else I’d be gone. I wouldn’t be here. (Laughs) I’d be off doing something else. But this is all good .

PH: Do you enjoy the Comic-Con experience?

RC: Well, you know, you’re supposed to say that you don’t. Actors are supposed to say, “Nah, I hated it.” To be honest with ye, the first time ‘round, the first year, was a wee bit strange. It’s a strange, strange world. This time, I really enjoyed it. I really began to understand it a little bit more, what the convention’s about, and understanding that a lot of these people, the fans that come to these things, they meet each other at other conventions, and there’s kind of like a little community…and I felt kind of honored to be part of that this time. So I enjoyed it. I sat beside my wife one night, and the zombie parade came past…like, a thousand zombies came past the table. That’s not something you’re going to see every day, you know? (Laughs)

PH: Plus, you’ve got zombie street cred, thanks to “28 Weeks Later.”

RC: Well, you know something? I’m sitting there, I’ve got my shades on and my beard, but there were still zombies who stopped to shake my hand as they walked past. (Laughs) I thought, “My God, you’re real fans of that genre, aren’t ye?”

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“Retribution this Christmas”

The Coen Brothers certainly have been no strangers to the American West or movie Western iconography. Still, there’s a difference between borrowing Western tropes for such more or less contemporary tales as “Raising Arizona” or “Fargo” or “No Country for Old Men” and making an actual western with six-shooters and cowboys and all of that. Hence, this teaser for “True Grit” makes me very, very happy.

H/t the Film Drunk, who very correctly reminds us that this may perhaps be more fairly described as a new adaptation of Charles Portis’s novel. I haven’t read the book yet — at least I don’t remember ever reading it — and its been decades since I’ve seen the hit John Wayne/Henry Hathaway version from the sixties, but I understand from people in the know that, surprisingly, that version was mostly very faithful to the book.

“It’s amazing how much a person can cry”

It’s a Monday morning, so a lot of you probably feel like crying anyway. Now, thanks to Pajiba’s Harry Hanrahan, you could let the crying expert, Ms. Julianne Moore do it for you. It doesn’t matter whether the flick is great, bad, or indifferent, she never fails to be effective.

The crying hall of fame has just too members in my view and, oddly enough, both of them are named “Moore.”

Weekend box office: greed is still pretty good

Things turned out at this weekend’s box office more or less as predicted on Thursday. “Wall Street: Money Never Sleeps” came in on top at an estimated $19 million for Fox, according to the Box Office Mojo chart, about a million or two shy of the figures being bandied about, but close enough for an adult skewing film expected to have decent legs. Nikki Finke thinks it may have missed it’s moment in terms of being a topical must-see and also avoiding some bad press provided by the mouthy Oliver Stone. Maybe. She also points out that Fox hasn’t exactly been on a hot streak this summer. Still, this is actually a career high, raw cash wise, for Stone and not too bad a showing for the longest break between an original and a sequel since Martin Scorsese and Paul Newman dared to follow-up the genuine classic, “The Hustler,” with his underrated non-classic, “The Color of Money,” a quarter century after the fact.

Following not so far behind, really, is Warners’ “Legend of the Guardians: The Owls of Ga’Hoole” which earned an estimated $16.3 million. Anthony D’Allesandro is calling the film a “bomb” along the lines of the recent “Cats and Dogs” sequel. That may be accurate compared to what family films like this usually make and in light an as yet unspecified large budget but it’s still within a couple of million of this weekend’s $50-70 million live-action hit.

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While the books might have had an audience, something just seemed generally awry and the film lacked a clear premise for non-fans other than “owls fighting.” Whether or not Zack Snyder, whose early hits are receding in the memory of Hollywood, no doubt, gets to remain in the high end movie big leagues may now be largely dependent on what happens when his strange and zany looking action fantasy, “Sucker Punch,” comes out on 3/25/11.

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