Category: Movie Comedies (Page 167 of 195)

Bush gets Stoned in new GQ interview

Admit it: you were too busy drooling over Megan Fox on the cover of the October issue of GQ that you completely forgot to check out director Oliver Stone’s candid interview about his new film, “W.” It’s all right if you haven’t, because the brief chat can also be found online, and let me tell you, it’s well worth reading. Though it may seem like Stone is gunning for the incumbent president with his self-proclaimed political satire, the veteran director actually appears to have a good understanding of the man. In the article, Stone admits he’s cut from the same cloth as Bush, and if it weren’t for the fact that he took a completely different route growing up, he may have turned out the same way. Oh yeah, and “Vietnam drove out whatever arrogance [he] carried.”

The rest of the interview covers everything from the difficulties of making such a film to his long-running problems working within the studio system. Posted below are some excerpts, but to read it in full, click here.

On his first choice for the lead role:

“Originally I went for Christian Bale. We did some rigorous prosthetic tests and spent a lot of dough—thousands and thousands of dollars—and then Christian said, “I just don’t feel like I can do it.” I met Josh and liked him. He was more rural Americana. But man, he was scared shitless.”

On why “W” could be considered a comedy:

“Well, it has to be done with an ebullience and a certain fun, because the guy is goofy. He’s a goofball! And I think he endeared himself to people because he couldn’t get anything right. Kubrick was an idol of mine. I grew up on “Strangelove” and movies like “Network,” and they made a big impact on me. So yeah, W. is a satire.”

On the state of his Mai Lai massacre project, “Pinkville”:

It can probably only come back if UA would give us the movie without paying them the money they’ve already spent. We started to make the movie. I mean, we built a whole village in Thailand! We have tons of stuff sitting in crates! There’s $6 million against the movie. And I don’t have that kind of money. They didn’t even pay all the bills. They stuck us with a bunch of them.

First they kept cutting our budget. We had our locations, we had our actors, we had everything picked out, and it was a very reasonable plan. Then Bruce Willis walked, and they were thrilled, because that gave them the final excuse to call it, even though we got Nicholas Cage. That was three weeks before shooting and right before Christmas. Let me remind you, that’s 120 Americans and 500 Thais put out of work right before Christmas. It was a cruel, heartless decision, and it was probably made because “Lions for Lambs” was perceived as a mess, a failure, and we were linked to these Iraq movies that weren’t working.

A Chat with Naoko Mori of “Torchwood”

If you’re an Anglo-centric sci-fi fan, then I won’t be telling you anything you don’t already know when I say that “Torchwood” is one of the best shows of its type to come around in ages. Spun off from “Doctor Who,” the series focuses on the Cardiff branch of the Torchwood Institute, an organization which was founded in 1879 by Queen Victoria to research and combat alien threats to the British Empire. If you’ve never watched “Torchwood,” it’s time to start playing catch-up. Season 1 is already available on DVD, and Season 2 makes its DVD debut on September 16th.

In conjunction with the Season 2 release, we were granted the opportunity to speak to one of the show’s cast members: Naoko Mori, who plays computer specialist Toshiko Sato. Like everyone affiliated with Torchwood, Toshiko…or Tosh, as she’s more familiarly known…has gone through quite a lot in her time with the Institute, but she definitely had more than her fair shares of issues in Season 2. We spoke with Ms. Mori about how she came aboard “Torchwood” in the first place, asked what it was like working during James Masters, quizzed her on her favorites episodes of the show, and – perhaps most crucially – asked if she still gets secretly excited when she recalls how she had a role in “Spice World.”

Stay tuned for…

Naoko Mori 1

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Taking 5

There was never any reason to go into the movie “Taking 5” expecting anything other than a tweener-centric comedy with laughs on par with your average Nickelodeon sitcom, but it had one thing going for it: the inclusion of The Click Five. What can I say? I like the power pop, and those guys do it well. Plus, as a music fan, the premise of the film sounded funny enough: Devon (Alona Tal) and Gabby (Daniella Monet) desperately try to win a contest where the prize is a performance by their favorite band, 5 Leo Rise (played by The Click Five), but when things go horribly wrong, they decide to kidnap them and force them to play. I should’ve known, however, that there was something a little dodgy about this flick when I heard that the line-up of the band in the film included their original lead singer, Eric Dill, who left the band in late 2006. So why did this film sit on the shelf for so long? You’d like to think it’s because The Click Five lost some serious career momentum after Dill’s departure (and, boy, did they), but it’s more likely because the band originally come off sounding like the biggest assholes in the world. Oh, sure, eventually they come through and save the day, but why would they start the film by showing the object of the girls’ obsession acting like a bunch of complete dicks? Oh, wait, I forgot: chicks dig that. Well, in that case, maybe they’ll dig this movie more than I did.

Click to buy “Taking 5”

Bullz-Eye’s Pacino and De Niro on the QT

They’ve been linked since 1974 and “The Godfather: Part II.” Al Pacino, with only one major performance behind him, had become a major star with a perfectly modulated performance as reluctant Mafia prince Michael Corleone in “The Godfather.” Two years later, Robert De Niro‘s energetic work as the young Vito Corleone in the universally acclaimed sequel transformed the respected working actor into an almost instant superstar. The laws of time and space dictated that they could not appear together as father and son (this wasn’t “Back to the Future: Sicilian Style”), and so the two remained on separate tracks. Even in Michael Mann’s hugely successful 1993 action drama, “Heat,” the ballyhooed Pacino-De Niro collaboration was mostly limited to a single scene over a cup of coffee at a pricey Beverly Hills eatery. It was as if all that intensity could only be contained in a few minutes of caffeine-fueled conversation and posturing.

The release of the new cop thriller, “Righteous Kill,” promises more Bob-and-Al interaction, but there’s no reason these two acting powerhouses with Italian surnames can’t share the screen comfortably. There’s no taking away from the power of their most iconic non-“Godfather” roles: screwed-up vigilante-in-training Travis Bickle (“Taxi Driver”); hapless would-be bank robber Sonny Wortzik (“Dog Day Afternoon”); troubled boxer Jake LaMotta (“Raging Bull“); ultra-ambitious immigrant gangster Tony Montana (“Scarface“); or quick to kill wise guy Jimmy Conway (“Goodfellas“). And there’s a lot more to these two performers than barely concealed rage, well-wrought angst and occasional bouts of scenery munching.

Take a look at our list of 20 somewhat less well known performances showcasing the less obvious attributes of these two Italian-surnamed dynamos, and then come back and let us know what performances you might have added (or subtracted).

The Foot Fist Way

The first 30 minutes of “The Foot Fist Way” are as intolerable as anything released in the last ten years. The rest of this mercifully short movie is slightly more tolerable, yet remarkably unfunny for a comedy. Tae Kwan Do instructor Fred Simmons (Danny McBride) is the most socially retarded, immature bag of douche you will ever run across. His miserable whore of a wife (Mary Jane Bostic) eventually becomes fed up with his petty mind games and leaves him, and the only way Fred can set things right with the blow to his ego is to meet up with his hero, Tae Kwan Do master and B-movie action star Chuck “The Truck” Wallace (Ben Best), who turns out to be a drunken, lecherous jackass. The biggest laughs involve a student with anger issues knocking a senior citizen student unconscious, and Fred pounding the eight-year-old son of a man Fred suspects was having an affair with his wife. The movie clearly thinks Fred’s obliviousness to everything around him is funny – take, for example, his belief that he had a fling with a student that never actually happened – but it’s really just sad. It’s one thing to make your lead character an anti-hero, but Fred isn’t an anti-hero; he’s a loser, and there is no bigger waste of time for us than watching a loser act like a loser. That Will Ferrell and Adam McKay thought this movie was funny isn’t just puzzling; it’s disturbing.

Click to buy “The Foot Fist Way”

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