Category: Movie Comedies (Page 148 of 195)

15 Movies That Were Almost Turned Into TV Series

If you’re not an ABC Family aficionado like myself, then you may not be aware that the often-underrated network is preparing to launch a new series on July 7th: “10 Things I Hate About You,” based on the film of the same name. It’s hard to say whether this is a good idea or not, though the fact that Larry Miller has carried over his character from the film – patriarch Walter Stratford – is certainly a step in the right direction, but we can say one thing: there have been worse ideas. It’s been a television staple to transform motion pictures into weekly TV series, but not every attempt actually makes it to the airwaves. Here’s a list of 15 such swings and misses, many…okay, most of which deserved to fail.

1. “The African Queen” (“The African Queen,” 1962 & 1977) – It seems only appropriate to start this list out with an attempt at transforming a classic film into a TV series. The first time around was in 1962, when James Coburn took on the role of Cap’n Charlie Allnot, while Glynis Johns played the Hepburn role of missionary Rosie Sayer, but although it aired as an episode of NBC’s “The Dick Powell Theater,” it never made it any further. Fifteen years later, CBS took a stab at it, with the leads played by Warren Oates and Mariette Hartley. No dice. If the actual movie ever makes it to DVD (can you believe it’s still unavailable?), perhaps one or both of these pilots will be included as part of the bonus material.

2. “Breakfast at Tiffany’s” (“Holly Golightly,” 1969) – It sounds nuts, right? Granted, if there was anyone in the late ’60s who was the TV equivalent of Audrey Hepburn, it was probably Stefanie Powers, but Hepburn’s performance was so iconic that it’s hard to even wrap your head around the idea of anyone else playing the role of Ms. Golightly. As it turns out, the original author of “Breakfast at Tiffany’s” – Truman Capote – didn’t like the movie, either, calling it “a mawkish valentine” to Hepburn, so he was even less ecstatic about the idea of a TV series. In an interview with Time Magazine, Capote predicted that the show would be even more “jerky” than the film and that he would not stand for the TV version “if they give me all the money in Christendom.” One doubts that his position on the matter had anything to do with the series not being picked up, but the end result no doubt pleased him, anyway.

3. “Diner” (“Diner,” 1983) – This one had a lot of potential, with the film’s writer/director, Barry Levinson, doing the same duties on the pilot. There was only one original cast member willing to return, however, but, hey, at least it was Paul Reiser (Modell). Plus, Mickey Rourke (Boogie) and Kevin Bacon (Fenwick) were traded out for Michael Madsen and James Spader, respectively, which ain’t half bad, really. In an interview with Venice Magazine, Levinson said, “We had a great cast, but CBS thought otherwise. They thought it wasn’t compatible with the current programming line-up they had.” The fools!

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Robots and ancient critters fight to a draw

Let’s see if we can’t keep it simple. After a bit of seesawing over the weekend, it looks like we have a straight tie for domestic box office in the battle of the colon-ized sequels, at least in the domestic estimates. “Transformers: Revenge of the Fallen” and “Ice Age: Dawn of the Dinosaurs” both yielded a very healthy estimated $42.5 million. ” So says both Variety and The Hollywood Reporter. Of course, the tie will be broken when the b.o. “actuals” will yield a winner, Franken v. Coleman style, tomorrow night, however.

“Transformers” also continued its strong performance overseas and is nearing the $300 million mark for its cumulative total. As Nikki Finke points out, however, the $215 million that “Ice Age” took sets a new international record for an animated film. So everyone’s going to have no problem getting a good table at the restaurant of their choice this week.

Johnny Depp and Marion CotillardReturning to the domestic market, the strong numbers also continued in the #3 spot, with “Public Enemies” netting an estimated $26.2 million over the weekend and $41 million for the five days since it’s Wednesday opening. That assuages some of the fears about the film and proves that some adults will still leave the house to turn out for a movie with a bit of heft into it, even in the face of somewhat mixed reviews. Meanwhile “The Hangover” (which I really need to go see now), crossed the $200 million mark, proving that making audiences laugh will never hurt you, assuming they’re supposed to laugh.

In smaller release news, Kathryn Bigelow’s extremely well reviewed Iraq-set bomb disposal thriller, “The Hurt Locker,” really is starting to look like the possible break-out film among limited releases. It’s generating good word of mouth in my actual real life from actual real people and netting the best per-screen average of any film two weeks running. That’s in a minuscule nine theaters — about 4,223 fewer screens than “Transformers” — so we’ll see how it does when it expands to non-mega-metropolises.

Lookin’ To Get Out!

Honestly, there was nobody more excited than me by the prospect of experiencing a “lost” Hal Ashby film. He directed some of the best – “Harold and Maude,” “The Last Detail,” “Shampoo,” “Coming Home,” and “Being There” and when it was announced that Jon Voight had discovered a longer cut of this nearly forgotten Ashby offering that he felt placed it among the greats, there was reason to get one’s hopes up. Unfortunately, it is not one of the greats. It’s not terrible by any means, but it’s also not comparable in quality and vision to any of the aforementioned films. Voight stars as a fast (but not smooth) talking gambler who’s in over his head. He and his buddy, played by Burt Young, head to Vegas (where else?) to fix their situation. Once they arrive, they meet an old friend of Voight’s (Ann-Margret), and he may be the father of her child. Is it just me, or does all of this sound old hat? With some tweaking, it didn’t have to be.

The biggest problem with “Lookin’ to Get Out!” is not the hackneyed premise but, rather, the execution of it. The entire affair is dialed far too much in the direction of comedy, and the laughs either aren’t funny or just don’t work. For instance, there’s a wacky chase through a casino that kicks off the third act that’s painfully overlong and soaked with a dreadful ‘80s synth track (as is much of the film). If the whole thing had just been shifted into a slightly more dramatic direction, it likely would’ve played much better, as is evidenced by the few scenes where Voight gets to play some genuine pathos. His work is generally pretty good here, even if the material isn’t, and it’s certainly a much different Voight than we’re used to seeing. (Keep an eye out for the screen debut of a very young Angelina Jolie in the film’s final scenes.) It’s difficult to recommend to anyone who isn’t a student of Ashby, and yet, despite its problems, fans of the maverick director could do a lot worse than to at least check it out.

Click to buy “Lookin’ To Get Out!”

A 7/4 cinema civics lesson

Courtesy of Jean Arthur from “Mr. Smith Goes to Washington.”

Also, I forgot to mention it yesterday in my post about it, but “1776,” the wonderful, if flawed, and still oddly controversial musical about the writing of the Declaration of Independence, is showing tonight (10:15 est/7:15 pst) on TCM. There are worse fireworks alternatives.

Before the fireworks

A few odds and ends as we head into the big holiday weekend…

* It’s not really about the reviews (neither film was liked by critics), but as a human being who likes to watch movies about human beings (and anthropomorphic animals, too), I find it somewhat reassuring to report that, according to Variety and everyone else, “Ice Age: Dawn of the Dinosaurs” edged out “Transformers: Revenge of the Fallen” $13.8 to $10.9 million.

Christian Bale in In other mildly good news for movies that at least attempt to tell actual stories, “Public Enemies” came in an unsurprising third, but performed somewhat above expectations with $8.2 million on its first day. I’ll give you more definitive box office info on Sunday, as usual.

* The Hollywood Reporter says that the very old video game, “Asteroids,” is being turned into a movie. I guess “Pong: The Movie” was already taken. (That joke can’t be original, can it?) Begging the question: Why?????????!!!!!!! I’m not saying it couldn’t turn out to be a fun movie — miracles happen. However, in a world where we have thousand of science fiction novels, comics, and TV shows of all levels of quality to adapt, why use a game only old guys like me remember as an excuse to make a silly sci-fi flick? I don’t see even a small marketing advantage here.

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