Category: Movie Comedies (Page 115 of 195)

Friday night movie news dump…

And, for a change, it’s barely even night here on west coast as I begin.

*  We’re seeing some major league “New Moon” girl-power at the box office, already. $26.3 million, to be specific. That’s just for midnight shows.

* Just a few days back I noted the casting of Japanese star Tadanobu Asano as Hogun in Kenneth Branagh’s upcoming “Mighty Thor” flick. As a part of Norse (i.e., Viking) mythology, Asgard is, by definition, a pretty strictly Nordic place, so I thought this casting was interesting.  Visually, the Marvel comics Hogun was based on Charles Bronson, whose face had a definite Asiatic/Mongolian-by-way-of-Lithuania cast, so going with the star of “Mongol” was a stretch worth noting, but maybe not a definite sign of completely race blind nontraditional  casting.

However, Branagh has now cast the very fine African-English actor Idris Elba of “The Wire” and several great episodes of “The Office” in the part of Heimdall, guardian of Asgard. As a commentor at the Heat Vision blog that spread the news mentioned, Branagh did something very similar when he cast Denzel Washington as an Italian warrior-prince in his version of “Much Ado About Nothing.” I’ll quote myself from the Bullz-Eye piece I did on less well known Denzel Washington performances:

As a major production featuring truly race-blind “nontraditional” casting in a key role, “Much Ado About Nothing” is something of an onscreen first. In fact, audiences and critics had no more problem accepting Washington as an Italian prince than they did accepting the extremely British, pasty-faced Branagh as a Mediterranean nobleman.

Especially in films set far away from a realistic context and where the actor has as much authority as both Washington and Elba have, I think we’re sophisticated enough about the nature of movies that this will not be a problem, even for viewers who know a little about mythology. And here’s the best part: it will piss off some white supremacists. I’ve personally heard about young Neo-Nazis who dig the comic book “Mighty Thor” and apparently are too stupid and ignorant to realize that the series was created by Stan Lee and Jack Kirby, a.k.a., Stanley Leiber and Jacob Kurtzberg, two rather brilliant New York Jews. As always, the joke is on the hate fetishists.

Like I said before, this is not your father’s Asgard, and I’m fine with that.

800px-Asgard

* It’s thirty days before the release of “Avatar,” the movie isn’t quite done yet, and some of us insist on going about our business as if life as we have always known it was not about to be forever altered. Quick, send out Sigourney Weaver and Giovanni Ribisi to say nice things about James Cameron!

* He’s brought us everything from “School of Rock” to “Chuck and Buck”, but very talented quirk/comedy writer/actor Mike White’s next film is about Santa war, but I doubt it’ll be very violent. On the other hand, he appeared in the comically mega-violent “Zombieland,” so perhaps his thinking has evolved some. I pretty violently disagreed with his op-ed, but he gets credit for even thinking about stuff like this.

* And, now for something completely different, from OC Weekly restaurant critic Edwin Goei comes his list of the five greatest food movies. I’d steal some of his YouTube clips, but I’m starving and I’m supposed to go to the gym later, dammit. Just go see for yourselves.

“New Moon” to rise over the box office

The Twilight Saga: New Moon

Jolly Carl DiOrio, my favorite box office prognosticator, appears to be taking the weekend off, and Variety isn’t getting specific. However, it’s not like even someone as bad at guessing these things as I am really needs a guru to figure out that, barring the sudden disappearance of all females between the ages of 10 and 40 from our nation, “The Twilight Saga: New Moon” is about a certain a bet as ever exists to win the weekend for Summit Entertainment. And, judging from the boffo early worldwide receipts as reported by Nikki Finke, it’s likely to be a very big win domestically.

Now, this is usually the point where I discuss the reviews of the week’s most high profile new release, but I’m not sure what the point is because this series was proven review proof long before the first movie. In fact, it seems to be impossible to find an adult of either gender who will admit to reading the books, except as a guilty pleasure. Vampire-human intra-species love might be a critical favorite when it comes via author Charlaine Harris and Alan Ball in HBO’s “True Blood,” or Joss Whedon’s “Buffy, the Vampire Slayer,” but not so with the “Twilight” series.

Our own David Medsker is fairly tolerant of this inevitably PG-13 entry, but “New Moon” at this point has nearly halved the lukewarm 49% “fresh” rating of the first film with a 27% RT rating. It’s doing somewhat better with the usually slightly tougher “top” critics for whatever reason — interestingly that was also the case with the prior film. On the other hand, the usually generous Roger Ebert gifted this with a single star and the requisite derogatory one-liners, putting it in the running to be included in the inevitable sequel to his “Your Movie Sucks” collection.

Next up is an intriguing bit of counter-programming, Warner’s PG-13 “The Blind Side” starring Sandra Bullock in a somewhat Oscar-buzzed performance as a wealthy woman who takes in a homeless African-American youth (newcomer Quinton Aaron) who eventually emerges as real-life NFL player Michael Oher. The role strikes me as the flipside of Bullock’s racist upscale homemaker in “Crash” and people always seem to like it when a critical non-favorite like Bullock starts to get some positive attention for her acting. The movie itself is getting okay, but not spectacular, reviews at this point. Once again, as I write this the “Cream of the Crop” critics are a bit more generous than the ink-stained hoi polloi. As for the film’s commercial prospects, my hunch is that it should be profitable. It’s a movie with a little something for largely, but not entirely, male sports fans and largely, but not entirely, female schmaltz fans.

Planet 51
The weeks’s third major release is “Planet 51,” which on the surface looks like a return to “Monster vs. Aliens” territory with a PG-rated CGI animated role reversal tale in which a human astronaut, voiced by Dwayne Johnson, finds himself an alien invader on a planet full of wholesome humanoids. The consensus here seems to be that the potential for clever social satire, or just the mildly adult-friendly comedy of the Dreamworks hit, is pretty much squandered and the feature from a Spanish animation house bankrolled by Sony is strictly for the little ones. Still, to a casual onlooker, it looks like it might have a dash of interest for grown-ups, so this one might have a nice enough opening weekend.

As for limited releases, this weekend brings the kind of movie that gets cinephile pulses racing. Apparition’s R-rated “Bad Lieutenant: Port of Call New Orleans” is apparently a somewhat comedic not-really-remake of the Abel Ferrara mega-downer policier “Bad Lieutenant” starring Harvey Keitel, as reinterpreted by cinema living-legend Werner Herzog. In the Keitel role this time around is Nicolas Cage and critics seem delighted to have something nice to say about their one-time favorite again, which I guess could also be the start of some Oscar potential.

The oddball police tale will be in 27 theaters, which is only a fraction of the 83 theaters that the Bollywood hit, “Kurbaan” will play according to Box Office Mojo. It’s a  controversial, sexually charged (by Indian standards) thriller about a woman who falls for a terrorist and find herself a prisoner in New York City. It’s got music but doesn’t really appear to be a traditional Bollywood musical. You can’t have everything.

Blu Tuesday: Star Trek, Fight Club and Rome

The Blu-rays keep on rolling this week with more great titles making their debut. It’s actually gotten to the point where I wish I had more time to write, because there’s too much stuff coming out, especially compared to the last few months. That’s the domino effect of the holidays in full swing, but just because you don’t want to break your bank on all these Blu-rays doesn’t mean you can’t add them to your Christmas wish list.

“Star Trek” (Paramount)

If you were to ask any “Star Trek” fan a few years ago if they thought there would be another movie so soon, they’d probably laugh in your face. That’s because the film franchise was practically DOA until Paramount managed to lure J.J. Abrams into directing an origin story reboot. By introducing a time-traveling villain that allowed him to explore alternate storylines without tainting “Trek” canon, Abrams was able to create a film that appealed to longtime fans and newcomers alike. To say it was a success would be a major understatement, and that carries over to the film’s Blu-ray release as well, which is jam-packed with so many special features you’d swear they were Tribbles. The three-disc set includes everything from an audio commentary and deleted scenes to a whopping ten production featurettes on just about every aspect of the moviemaking process. It’s a great bang for your buck, although Trekkies will no doubt be tempted by Amazon’s limited edition gift set, which includes a replica U.S.S. Enterprise.

“Fight Club” (20th Century Fox)

It’s hard to believe that it’s already been ten years since David Fincher’s “Fight Club” was released, but Fox has made sure that you won’t forget about it any time soon with one of the best Blu-rays of the year. That may sound like a pretty bold statement, but between the new 1080p video transfer and the hours upon hours of special features, it’s one that would be pretty hard to argue against. Not only has Fox included all of the bonus material from the previous DVD releases (including four audio commentaries, deleted scenes, and several production featurettes), but they’ve also added some new extras as well. “A Hit in the Ear” is a cool featurette that allows you to remix four different scenes with the help of sound designer Ren Klyce, while “Flogging Fight Club” offers a behind-the-scenes look at Brad Pitt, Edward Norton and David Fincher’s acceptance speech for the film’s induction into the Guy Movie Hall of Fame. The piece de resistance, however, is “Insomniac Mode: I Am Jack’s Search Index,” an interactive database that allows you to search any part of the disc from a large glossary. This is truly a game-changing addition – especially for movies with as much bonus material as this one.

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It’s the end of the world as we know it; Sony feels fine

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I’m sure Roland Emmerich who, according to Nikki Finke, is receiving 25 percent of the grosses for his $200 million budgeted “2012,” is also feeling pretty good. Of course, now he has to figure out if he about to earn enough money for his own end-of-world-blocking fortress of solitude in case all those prophesies he used to come up with his critically dismissed thriller come true.

Emmerich’s latest multi-star epic earned an estimated $65 million, at the very highest end of the most optimistic projections put forth by Jolly Carl DiOrio that I mentioned on Thursday night. If you throw in the worldwide figures going back to the film’s international release last Wednesday, then you get to a figure of around $225 million so far. As per Variety‘s Pamela McClintock, assuming there are no surprises, this puts Sony’s PG-13 epic in the #9 spot on the top 10 for international opening weekends.

Disney's At #2 spot this weekend is the Disney/Jim Carrey/Robert Zemeckis CGI-3D revisit of “A Christmas Carol,” which, despite character designs that embody the unpleasant after effects of a visit to the uncanny valley, is holding up extremely well after what was deemed a disappointing opening last weekend. Charles Dickens’ unkillable holiday perennial only dropped about 25-26% or so, about half of what many films do, and collected a very respectable estimated $22.3 million. After it’s a truly steep fiscal drop all the way down to an estimated $6.2 million for “The Men Who Stare at Goats.” It seems to me there’s nothing more problematic at the box office than a prestige picture with a critical/online buzz response that amounts to “meh” — or in this case “meeeahhhh.” That’s an apparent 52% “many films” drop from last week.

Indeed, this week brings us the spectacle of a goat herd of A-listers being upstaged by an abused, severely overweight teen as the critically lauded by overtitled “Precious: Based on the Novel ‘Push’ by Sapphire” shot up to #4 spot despite being in only 174 theaters. That means it earned it roughly $6.1 million on 2,279 less screens that “Goats” needed to earn an additional $0.1 million.

However, as good as the $35,000 per screen average for “Precious” was, taking a look at the Box Office Mojo weekend chart, the highest per screen went to Fox’s “Fantastic Mr. Fox.” The old-school puppet animation comedy earned a very nice estimated average of $65,000 on four screens and is, weeks before its wide release, already going a long way toward burnishing the reputation of writer-director Wes Anderson who, as far as this writer is concerned, has never shot an uninteresting foot of film.

Still, it wasn’t all hearts and flowers for the indies this weekend. Despite some outstanding coverage by Mr. Will Harris at our fabulous sister site, “Pirate Radio” failed to receive the Bullz-Eye bump. The ensemble comedy, inspired by illegal British broadcasting outfits of the sixties and seventies that competed with the BBC by blasting out the latest in rowdy beat music, earned a very non-rocking  estimated $2.9 million, slipping just below Richard Kelly’s $3.2 million 10th place thriller, “The Box.”  On the other hand, that does mean that “Pirate Radio” went to 11.

Late Friday night news dump

A few more items than usual may be slipping through the cracks this week as my iMac has let me know in no uncertain terms that it’s hard drive is ready to be sent off to the digital happy hunting grounds and has been temporarily mothballed.  In the meantime, I am writing to you now, dear reader, via my trusty, if Vista-laden lap top and minus a few links I’ve been saving up over the last couple of days.

But enough about me and my choice of blogging weapon, what’s going on as Hollywood’s denizens ready for the weekend by hit the bars and/or gyms?

* MGM is officially on the auction block, and the secret word to protect against bankruptcy, writes Sharon Waxman, is “forebearance.”

* I’ve never watched “Nip/Tuck” and I couldn’t get past the first twenty minutes or so of “Fantastic Four,” so Julian McMahon is a new name/face to me. Nevertheless, Heat Vision blog wants us to know that he’s in negotiations alongside Richard Dreyfuss and 92 year-old Ernest Borgnine to join an already very impressive cast on the action-espionage comic book adaptation, “Red,” which includes Bruce Willis, Morgan Freeman, Helen Mirren, John C. Reilly, and Mary Louise Parker. Considering whose on board, director Robert Schwentke of “The Time Traveler’s Wife” really needs to step up his game. (H/t CHUD.)

* “Paranormal Activity” has past $100 million in grosses. I think Anne Thompson is correct that there are lessons here for other films. It’s true the movie is a one-off creatively speaking, but the slow roll-out and “by popular demand” tactics can definitely be transferred to all kinds of movies. It’s also silly to argue that the success of the movie was all the result of some kind of wide belief that it was “real.” In general, I’m a proponent of slow releases, except that there’s a problem — it works better with movies that are actually entertaining.

On a different note entirely, be sure to check out Ms. Thompson’s three part video interview with Michael Stuhlberg, the heretofore unknown star of  “A Serious Man.”

*Word has it that Nicolas Cage’s crappy streak appears to be ending in a big way with Werner Herzog’s “Bad Lieutanent: Port of Call New Orleans” which I’m really starting to looking forward to despite, or perhaps because, I was not a fan of the original film, much as I love Harvey Keitel. Via The Auteurs Daily, Manohla Dargis considers Cage’s career ups and downs. Good stuff, but, well, since Ms. Dargis mentions it, I can’t resist indulging in, well, you know….

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