Category: Interviews (Page 22 of 69)

TCA: Life Unexpected

When The CW held a preliminary panel during the summer 2009 TCA tour for its yet-to-be-scheduled series, “Life UneXpected” (the “X” has since been de-capitalized), one of the critics posed this question to the show’s creator, Liz Tigelaar:

“Is there any concern that you may have made this pilot for a network than doesn’t exactly exist? Because this is sort of a warm, fuzzy, family, everybody-together pilot, and if you look at The CW’s shows for the Fall, they’re less that.”

It’s true: when compared to shows like “Melrose Place” and the late, apparently-not-all-that-great “The Beautiful Life,” “Life Unexpected” stands out in a big way simply by offering some semblance of a proper family dynamic. It’s the story of 15-year-old Lux (Britt Robertson), who, after spending her life bouncing from one foster family to another, has decided it’s time to become an emancipated minor. Her journey through the legal maze leads Lux to her biological parents, Nate “Baze” Bazile (Kristoffer Polaha) and Cate Cassidy (Shiri Appleby). When a judge unexpectedly grants temporary joint custody to Baze and Cate, they agree to make a belated attempt to give Lux the family she deserves. A series on The CW that not only doesn’t immediately make parents flip out at the effect it might have on their children…? Talk about unconventional.

When The CW held the panel for “Life Unexpected” during the winter 2010 TCA tour, things once again kicked off with a question for Ms. Tigelaar, but it was a bit of a left-field query this time around…or, at least, it was to me, as I’d ever heard the rumor that her birth mother was Nancy Reagan. She’s not, as it turns out, and the question was a bit tongue-in-cheek to begin with, but the story of its origins was certainly a funny one.

“I’m adopted,” she explained, “and there’s a big kind of fantasy element of the show of being an adopted kid: you imagine who your birth mom, especially, might be. When I was little, I didn’t know that much, but I knew I was born in D.C., so I was always, like, ‘I think Nancy Reagan’s my birth mom, and this really sucks. I should be living in the White House, and I should have a $100-a-month allowance.’ It started when I was little and, weirdly, it lasted for a long time, until finally, when I was eight, my mom was, like, ‘You’re an idiot. You’re not doing basic math. There’s no way that Nancy Reagan could be your birth mom.’ But the idea of it was definitely what I brought into the series, which is, again, that fantasy of who your parents might be. I think when you have no idea and you really have nothing to go on, you really create something in your head, so this story is very much a story of Lux having this fantasy and in some ways it really coming true: her mom is this super successful, glamorous radio DJ, and her dad is this pretty cool guy who owns a bar and lives with friends and lives in a sweet loft. The idea is that just because people are kind of cool fantasy people doesn’t actually make them fantasy parents.”

On the flip side of the coin, however, “Life Unexpected” also explore how different things are today for individuals in their thirties than they were when, say, “thirtysomething” was on.

“In our parents’ generation, maybe thirtysomething means maybe 401(k) plans and mortgages and suburbs and dogs,” Tigelaar said. “And for me – and maybe some other people – thirtysomething can mean a person who really has prioritized their professional life over relationships or whatever. Or a guy who still lives like a frat guy and lives with his buddies and plays video games and drinks Coors Light. So what happens when you make it a coming-of-age story, instead of the one person who is the age of a person that would need to grow up, the grownups are the people that need to come of age, and Lux is the catalyst for them to do that. I think that was the impetus of the idea.”

The thing that I love about the show so much – and the CW has been so great and really believing in these characters – is that all these characters get to be flawed, damaged, real people who grapple and struggle, and things aren’t easy and they don’t do things right,” she explained. “They often do the right things for the wrong reasons and the wrong things for the right reasons…and it’s kind of fun to live in that world every day.”

EXCLUSIVE: Warren the Ape speaks with Premium Hollywood!

Although my interview with “Greg the Bunny” creators Sean S. Baker, Spencer Chinoy and Dan Milano will be appearing on Bullz-Eye at a future juncture, I was able to get a few minutes with the star of their new MTV “reality” series, “Warren the Ape.”

I’d clearly won over Warren earlier in the day, when I asked him during the TCA panel for the series if his ex-wife Maggie would feature in the series (“You really know your stuff, I appreciate that”), and my question apparently had the same effect on Milano as well, who said that it was a perfect way of showing MTV that there really are people out there who remember their earlier series. While I hope to be able to speak with Warren further at a later date, I hope you’ll enjoy these two brief one-on-one moments that I shared with him for the time being.

First up, Warren picks his favorite addiction and discusses the status of his screenplay:

Then, Warren talks about a possible reissue of a classic album and reveals his hopes and expectations for his new series:

TCA: Human Target

If you’re finding yourself concerned that Fox’s “Human Target” might tarnish your memory of Rick Springfield’s interpretation of the DC Comics character, then it means 1) you’ve got a really long memory, and 2) your memory is perhaps a little faulty, because Springfield’s version really wasn’t that good. Fortunately, what I’ve seen of the new “Human Target” actually is pretty good…if you like action-packed spectaculars, that is.

“Yeah, the show is a lot about action,” admits McG, one of the series’ executive producers. “But, truthfully, what I respond to mostly about the show is indeed the writing and the ability for these three guys to entertain. My favorite moments in the show are the character moments between what I think is an interesting triangle where you have three characters that occupy very different space. There’s nothing about each that would step on the other’s toes, and that, for me, makes it very entertaining to watch.”

The first episode takes place on a train, the second on a plane, and, yes, there’ll be an episode set on a boat coming up in due course. (Chi McBride claims there’s also one on a tractor, but we’re pretty sure he’s kidding.) Yes, set-piece stuff has been done to death via just about every mode of transportation there is, but McG’s fellow executive producer, Jonathan E. Steinberg, swears that they’re trying to expand beyond the predictable.

“We’re trying to do something you’ve never seen before in every one of them,” he says. “That’s the challenge for us: to kind of wade into a genre that’s been trod over for a long time and find a way to turn it on to you every week.”

Taking the original comic book character and making him into a TV series wasn’t quite as easy in 2009 as it was back when Springfield was playing the part, owing to the reinvention of the Human Target through DC’s Vertigo line of comics. “When I tell people that I was doing research for the character, I was reading the DC Comics,” said Valley. “Then I started reading the Vertigo Comics, and there seems to be a fairly significant departure when it goes into Vertigo. The characters seem to become a little bit thinner, a little more introverted, and a little more obsessed with his own existentialism. And the original DC character seemed like a little more like what Jon has on the page, actually. So in terms of kind of sticking with what the original character was, I think we are right in line.”

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TCA Tour: 24

Having already seen the first four hours of the new season of “24,” I can tell you without hesitation that it’s absolutely going to be worth your while to tune in when Jack Bauer’s latest day kicks off on January 17th, but, then, if you’re a fan of the show, you’ve probably already had your Sunday night planned out for quite some time now. What you’re likely more interested in knowing is if this will be the last season of “24.” Fortunately, that was the first question posed of Kiefer Sutherland and his fellow executive producer, Howard Gordon, during Fox’s panel for the series.

“We’ve always approached each season, just the task of doing it, as so great that, literally, from the very first season on, we’ve completed that season, and it was really FOX’s decision to pick us up,” said Sutherland. “There’s never been one specific season that the next season was guaranteed or ensured. This has been one of the greatest gifts of my life, the ability to do ’24.’ So for me, yeah, it’s something that is absolutely open. I’ve always said that as long as people wanted us to make it, and people were really interested in watching it, I would be interested. There’s a lot of components involved. The task of writing it is far greater than the task of acting in it, so Howard can talk about that for a moment, but certainly, it’s always open to continue on doing it.”

“I sort of second Kiefer’s thoughts about it,” said Gordon. “It’s always been a very year-to-year, minute-to-minute, day-to-day experience. There’s the intellectual and sort of emotional and creative curiosity. The writers sit around, and in the margins of the time when we aren’t working on Season 8 we do ask ourselves, ‘What if…?’ So it certainly is a possibility.”

So there you go: now you can safely enjoy the new season without feeling a sense of dread that they’re entering it with feelings of finality. We’ll get back to Messrs. Sutherland and Howard in a bit, but with that bit of pressing information out of the way, let’s check in to see what some of the other “24” folks are thinking about as they prepare for the premiere…

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TCA Tour: Lost

Let us begin our coverage of ABC’s “Lost” panel by giving all due props to Jonathan Storm, TV critic for the Philadelphia Inquirer, who kicked things off with the following statement: “Hello, I’d like to ask each one of you to tell exactly what happens in the final season.”

Nice try, Mr. Storm.

Fortunately, Storm had a back-up question ready to ask of the panel – which consisted of Emilie de Ravin (Claire), Daniel Dae Kim (Jin), Josh Holloway (Sawyer), Evangeline Lilly (Kate), executive producers Damon Lindelof and Carlton Cuse, Terry O’Quinn (Locke), Michael Emerson (Ben), and Jorge Garcia (Hurley) – once the laughter stopped: how are you feeling as this comes to an end?

“As we were walking out onto the stage and this montage was playing, I was whispering to my cast members, ‘I am going to cry like a baby when this show ends,'” said Lilly. “It’s become so nostalgic for us to look back over six years and have grown up together and grown up in front of all of you together. It’s been so intense that for it to come to an end is going to be life-changing.”

Garcia instantly agreed. “Certain places that we shoot, it’s, like, ‘Wow, I haven’t been here since season three,'” he said. “Right now, it’s very appreciative and precious.”

“There’s a lot of camaraderie on set now,” acknowledged Holloway. “It feels…a lot of magic, like the first season. It was an incredibly magical year, and the whole experience, of course, has been incredible, but this last year, everyone’s really getting that sense of camaraderie and nostalgia, and it’s just been fabulous.”

“You know, personally, I’m just feeling a tremendous amount of gratitude,” said Lindelof, “and the idea that we’re getting to end something while anybody still cares and while we still kind of love each other, as opposed to everybody saying, ‘It’s about time.’ This is sort of a once-in-a-lifetime or once-in-a-career experience, for a show that’s still performing, for the network to allow us to end it, is a tremendous gift. As Evangeline was saying, as I was walking onto the stage, I was sort of experiencing a sense of, ‘I can’t believe they’re going to actually let us get away with this.'”

When asked how long the conclusion of “Lost” had been determined, Cuse acknowledged that there really wasn’t a definitive answer to that question. “We came up with the final image of the show a long time ago back when we were first plotting out the mythology in the first season, then we started adding elements to that as we went along…and, really, between the first and the second season is when we cooked the mythology,” he said. “We kind of knew what the end point was, but as you move towards the end point, you add elements. Obviously, the end is not yet written, and there are certain sort of mythological, architectural elements that are intact for that ending, but a lot of character stuff will get worked out as we go along. I mean, that’s part of the discovery process of writing. For instance, Michael Emerson wasn’t on the show at that point. It’s a fun process because we sort of have a concept of where we’re going to end the show, but there is still the process of actually executing it and there still is the process of discovery, particularly on a character level, that will come into play as we finish the show.”

“So if you guys have any ideas,” said Lindelof, “we’re open-minded.”

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