Category: Fall TV Preview (Page 27 of 27)

TCA Press Tour: Live from Los Angeles, it’s “Saturday Night”!

The “Saturday Night Live” panel was a pleasant enough panel, but it’s funny how you can fill a stage with hilarious people and have the laughs be relatively sporadic. Then again, I guess that’s been a problem that’s plagued “SNL” for years, hasn’t it?

* A reporter had been quizzing Andy Samberg, and her second question was, “How do you feel about being in the hot new male demo, with guys like Seth Rogen?” Before Andy could answer, however, Fred Armisen piped up and acted as though he’d been asked the question, saying, “It’s weird, because…I mean, I’m just a person, you know?” It was a beautiful moment of comedic timing.

* Kristen Wiig on the development of the “Couple of Assholes” sketch: “It was a 5 a.m. sketch that we started writing very late at night, and we were both tired. And I know Jason and I have said this before. We just were chewing gum literally to stay awake, and I was in kind of a bad mood because I wanted to go home. So, yeah, but — just the characters just sort of came out of joking around and just wanting to write those kind of people.”

* Christopher Walken as a possible host next season? Lorne Michaels says he’s “very much on the list. He works all the time, but whenever he’s available, we want him.”

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TCA Press Tour: Thursday = Comedy

One of the greatest mysteries amongst the critics here at the TCA Press Tour is why NBC’s completely kick-ass Thursday night comedy line-up – “My Name Is Earl,” “The Office,” “Scrubs,” and “30 Rock” – isn’t one of the highest-rated line-ups on any network. I mean, seriously, that’s about as solid a two-hour block as has come around in years; every single one of those four shows is must-see TV for me, so it’s nice to know that Bill Lawrence, producer of “Scrubs,” agrees with me.

“Zach flew here from New York, and I came here all the way from my house, because I could not be more proud than to be up here with these four shows,” said Lawrence. “Everybody’s saying comedy sucks right now. These are three other comedies that I actually watch regularly. So screw the ratings, man, and I’ll have it out with you outside afterwards.”

Here are a few more revelations from NBC’s Thursday night comedy line-up:

* What lessons did Tina Fey walk away with after surviving her freshman season at “30 Rock”? “I think we learned a lot about the tone of the show throughout the year and whether — you know, we want the characters to be believable enough that you still care about them but still be able to do crazy jokes with them. So I think we learned that as the year went. And think we, this year, are going to try to maybe — try to maybe do a little less, because the shows were so dense that sometimes we worried that it was almost going by too quickly for the audience. So we’re hoping to let things breathe a little bit.”

* The ever-sarcastic Lawrence got a big laugh when he said of his show’s upcoming final season, “I think this is the year that ‘Scrubs’ really becomes a big hit. We had always kind of geared our plan towards peaking in the seventh year. And now’s when we really roll out the promotional stops. You’re not going to believe some of the things we’ll be doing!”

* Braff, however, was decidedly less sarcastic when speaking of his last year as J.D.: “I think there’s something really cool about knowing it’s your last season. I mean, so many times, you know, by the time you get to the seventh season or the last, what could be the last season, you don’t know, and there’s something really invigorating about going, ‘All right. We’ve got 18 more.’ I think it’s really going to excite the crew and the cast. We’ve had almost the exact same entire crew for the entire run of the show, and you know, it’s cheesy to say, but it is a total family because we have grown up with these people essentially. I think to go in for the final 18 with knowing it’s we’re going out with a bang, we’re going out with the way Bill wants to end the show, I think, I’m really, really excited to do it.”

* Greg Garcia on the change in Earl on “My Name Is Earl”: “We were always worried about him changing too fast, the character, and so we tried to spoon it out a little at a time. But knowing where we were going to end last season with him going to prison, we weren’t afraid to go ahead and start giving him a lot of things that he wanted in life, and we did a little, you know, arc of three or four at the end where he actually started getting his life together. And the whole time, we knew we were going to take it all away from him and send him to prison, so that was kind of by design.”

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TCA Press Tour: That’s “Life”

I gotta tell ya, I’m not exactly enamored of this new show, “Life.” There’s definitely an interesting concept at hand: cop gets thrown into jail for a crime he didn’t commit, gets cleared and earns a tidy settlement sum from the department as a result, then returns to the force, where he has to play catch-up with technology while trying to figure who actually did the crime for which he’d been accused. My problem with it is that the lead character is walking that line between eccentric and obnoxious, and he’s constantly teetering. I was quite glad, then, when someone else made the observation to the cast and creators…

…and, even more so, I was glad that the show’s creator, Rand Ravich, was aware of the concern.

“Well, we are aware of that,” he admitted. “There are some quirky shows and certain quirky characters. I don’t like to think of them as quirky. I think he’s been through an experience that has made him different. I read this great movie story about when the astronauts came back from the moon, everything was different about the world, everything they saw, everything they touched, everything they tasted. It was a completely unique experience that only they could touch, and that’s how I think of the Charlie Crews character. He’s been through something so unique that he experiences the world in a completely different way, but it is relatable. I want to feel when I watch him that if I had come through this, I would like to be able to react like he’s reacting. I would be able to understand what he’s understanding and all of the traits, as opposed to being quirks, are based in relatable characteristics.”

* Star Damian Lewis, who’s not unfamiliar with replacing his English accent with an American one (he utilized the latter when he starred in HBO’s “Band of Brothers”), says it’s pretty easy to “go American,” as it were. “I like to have a couple of dialect lessons just before I start each show, but after that, I find it’s very easy. I just stay in it. I feel confident. I stay in my American accent when I’m surrounded by American people, and it’s easier for me to do that then go back and forth from English to American…” At this moment, Lewis switched back to his native accent and closed, “So, no. I find it pretty easy.” (Co-star Adam Arkin offered mock awe at the transition, saying, “I have to say that was absolutely extraordinary.”)

* Why did Lewis finally decide the time was right to make the commitment to do an American TV series? “I love this script. It always starts with the script. I met Rand, find him to be an intelligent, witty, talented, intensely annoying individual. And I trust the scripts will remain that way, will continue in that vein. I think he and Far have a great partnership going. I think it really can be an extremely interesting series. I think you can do things in longform that you often can’t do or cannot do at all in two hours of feature-film making. And I read a lot of unbelievably crappy film scripts. So it was just nice to get a decent script.” And why are there a lot of Brits over here? “Because you keep asking us. Thank you very much.”

* When someone suggested that, with all the sci-fi shows on the various networks this season, Lewis might need a power other than to change accents at will, Ravich said, “He does fly.” Arkin added, “But only five feet up. We’re keeping it gritty. Real.”

A few one-liner newsflashes from NBC to get you started.

* Isaiah Washington will be appearing in a 5-episode stint on “The Bionic Woman.” (Co-chairman Marc Graboff said, “He’s a wonderful actor, and he became available…” Naturally, the audience burst into laughter. “…and, just to address that laughter, we did start talking to him about appearing before he ‘became available.’ He met the writers, the role was thought of for Isaiah, but it’s now been more specifically tailored to him.”)

* Norman Lear is returning to TV, overseeing a new, as-yet-uncast sitcom. (Graboff: “His belief in telling great stories and drawing attention to issues that are real inside American society through emotion and comedy are what inspired me to go into television. Potentially, Norman would write as the show gets going.”)

* The network’s upcoming new reality series: “Phenomenon,” starring Uri Geller and Criss Angel.

* The network is forging a new association with Charlie Corwin, executive producer of “The Squid and the Whale.”

* Donald Trump will indeed be returning with another season of “The Apprentice,” but it’s going to be done with celebrities this time, with all challenges and winnings being done for charity. (Graboff: “Donald has personally asked me to extend an invite to Rosie (O’Donnell).”)

* Both Alec Baldwin and Tracy Morgan are committed to “30 Rock” and will be back.

* It sounds like “Friday Night Lights” was saved partially because the network execs liked it, but mostly because it’s a fiscally solid show, i.e. it’s a hell of a lot cheaper to produce than, say, “Heroes”; as such, they could afford to believe in the show a little longer. (Hey, whatever. As long as it’s still on, right?)

* NBC’s adaptation of the Australian series, “Kath & Kim,” is on the fast track, and both Graboff and his fellow chairman, Ben Silverman, are both aware that it’s gonna depend on the casting as far as whether it’ll be another “Office” or another “Coupling.”

* NBC is definitely looking to keep Jay Leno within the network after his departure from “The Tonight Show.” (Silverman: “We love Jay, and we’d love him to stay with NBC forever.”)

“Cavemen” to evolve?

Looks like the sketchy buzz on “Cavemen,” the new ABC sitcom based on those Geico ads, has gotten the producers of the show a little antsy.

They’re doing a bit of retooling, bringing in a new character named Andy (played by Sam Huntington, a.k.a. Jimmy Olsen in “Superman Returns”) who’s going to replace the character of Jamie that appeared in the pilot. Andy, apparently, is going to be the brother of the show’s main character, Joel (Bill English), arriving to stay with his brother after a bad break-up with his girlfriend.

Okay, fair enough…except that the problems with the pilot can’t be fixed by switching out characters. The issue with the show is that it’s ridiculously heavy-handed with the premise that cavemen are societal minorities. I said this in a comment to one of the TCA discussions, but, honestly, the NAACP is going to be tearing this show a new one, and I don’t blame them; playing the characters up as minorities is one thing, but making comments that are clearly trying to compare them to African-Americans is just insulting.

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