Category: External TV (Page 358 of 419)

Bullz-Eye’s Favorite TV Finales

All good things must end and, certainly, our favorite television series are no exceptions to this longstanding rule. It’s really been on our mind a lot lately, given that one of the most important shows in recent memory is drawing to a close. Of course, we’re speaking of “Gilmore Girls.”

Um, we mean “The Sopranos.”

Sorry, our bad. We don’t watch “Gilmore Girls.” And we definitely don’t own the six seasons of the show that are currently available on DVD. Or the soundtrack.

Where were we?

Oh, right: “The Sopranos” is departing the airwaves, and like most diehard TV addicts, we here at Bullz-Eye are down on our knees, hoping and praying that the series finale lives up to the legacy that David Chase has created for the show over the course of these six seasons. It’s also gotten us to reminiscing about other departed series…in particular, which ones met the challenge of providing just the right amount of closure to leave their fans happy, and which ones failed miserably at the task. Your mileage may vary when you’re presented with our selections, but, hey, we can’t watch everything!

By the way, we shouldn’t have to tell you that there are major spoilers ahead, but better safe than sorry, no? And now that we’ve officially absolved of any guilt, click here to read on!

Jericho, Episode 21: Bombs dropping down, please forgive our hometown in our insignificance…

(Anyone recognize the subject line…? Without Googling the lyrics, I mean…)

Again with a great episode? Wow, you’d think the producers of “Jericho” wanted to come back next season or something…

So, basically, Phil Constantine is a dick. He sends over a lackey (was he actually his son, or did he just use “son” as a generic term?) with a walkie talkie, so that there’s a line of communication between Jericho and New Bern, then says, “Turn over this, this, and this, or we’re kicking the living hell out of your town.” And when Mayor Anderson refuses, it’s Mortar Time! So Mr. Mayor sends Stanley and a bunch of dudes over to New Bern to ambush ’em…and, whoops, Stanley’s basically the only one who makes it back. As if the bombs weren’t bad enough, given that Gail Green was caught in one of the explosions, this was really rough stuff. Suddenly, Grey Anderson begins to have a major emotional freak-out…and, frankly, who can blame him? He’s just sent a bunch of townfolk to their death…! The Mexican stand-off was a great, tense moment; I don’t care how many times you see it done in movies and on TV, you just can’t beat a Mexican stand-off for tension…

So Hawkins reunited with his family and, at last, he’s decided that Jericho is officially his new stomping grounds. That was a great moment when Jake was incredulous that Hawkins hadn’t offered up any of his guns before, and Hawkins said, “I didn’t think I was going to make Jericho my home.” Now that he has, look out! I was a little uncertain about Dale’s move to invite the refugees into co-ownership of his farm – I had visions of Jonestown, for some reason – but it looks like it’s gonna pay off for Jericho as a whole. The disgusted expression on Emily’s face when she watched her dad kill the grounded New Bern guy in cold blood was also a good, if sad, moment.

The use of the acoustic version of the Foo Fighters’ “Times Like These” served as a final way of proving how far “Jericho” has come this season. Remember all of my complaints about their god-awful music selections for the episode-ending montages? (My personal favorite: “The choice of pop songs for the soundtrack sucks ASS.”) Well, this one was an absolutely perfect choice. Watching the entire town arm themselves for the coming battle against New Bern definitely left you wondering: when the new day is rising, who’ll be left standing to greet the dawn?

I have to say, though, that despite the sight of Heather resulting a slight eyebrow raising, the phrasing sure sounded ominous in that voiceover during the preview for next week’s season finale; I have a bad feeling about the chances of that second season…but, by God, I’m not giving up hope. (If you thought I was going to add something cheesy like, “If the people of Jericho aren’t giving up, I’m not, either,” well, I admit, I was sorely tempted…but I’m restraining myself.) With each passing episode, “Jericho” proceeds to get better and better. As I’ve said before, if the show doesn’t get picked up for a second season, it has no-one to blame but itself for the slow start and rocky middle of Season 1…but, damn, you can’t say they haven’t been trying a Hail Mary pass with these last several episodes. I mean, you have to hate the fact that it’s beating “Friday Night Lights” in the ratings, given that that show’s pretty damned good, too, but surely we can all agree that it’s a public embarrassment that both series are being stomped by…”The George Lopez Show”?

Come on, America, give us a break

So does that count as a double redemption?

If there was ever a moment when that crazy Purgatory theory actually held some weight in the long run of the series, it was tonight. I still don’t believe it’s a credible theory (since the writers already came out and said so), but we’ve all been duped before, and I’m not prepared to cross it off my list of possibilities any time soon.

Tonight’s episode featured less of a conventional flashback, dating back only five days when Locke was last shown the contests of the magical box. It was his father, Anthony Cooper, of course, and as a gesture of good faith to The Others, Ben orders Locke to kill him. When faced with the chance to do so, however, Locke backs down, and Ben exclaims that he’s “not who [they] thought he was.” When another Other suggests that Locke convince someone else to do the dirty deed, he finds the perfect man for the job.

Enter Sawyer. He’s just cashed in on a late-night booty call with Kate, and though he’d much rather spend the night with her, he sets off on a late night stroll instead. It’s there that Locke confronts him about the opportunity to kill Ben (who he says he’s just kidnapped), and while Sawyer would rather just bring him back to camp alive, Locke assures him that he’ll a change of heart after listening to what Ben has to say.

It wasn’t the least surprising to discover Cooper there instead of Ben, except perhaps for Sawyer, who’s never seen this man before in his life. As soon as Locke mentioned that little tidbit about reading Sawyer’s file (not the killing part, but the family history part) and then mentioned his possible change of heart, I just knew that Cooper was going to end up being the real Sawyer – the man that not only seduced and conned James Sawyer’s mother, but also led to his father’s murder-suicide. As you’d expect, Sawyer just happens to have that letter he wrote to Cooper when he was a young boy, and he makes him read it aloud. Cooper doesn’t seem all that sorry about what he’s done (dude’s pure evil), perhaps because he seems to think he’s already in Hell. And if he isn’t, well, Sawyer took care of that when he choked him to death.

On a side note, did anyone find it strange that when Rousseau arrived at the Black Rock (where Locke was holding Sawyer and Cooper) to pick up some more dynamite that she didn’t interject at all? She definitely heard Sawyer’s screams for help, but I guess if anyone on that island understands what Locke is doing, it’d be her.

Anyways, at least Sawyer got something out of the forced murder. Locke tips Sawyer off about the incoming raid (and that Juliet is a mole), handing him the tape recorder as proof. This is definitely going to land Juliet in hot water over on Survivor Island (not to mention Jack, as well), so it’ll be interesting to see what happens during these last three weeks. And speaking of Jack, it looks like he finally knows about the mystery girl, Naomi. Despite the A-Team choosing to tell Sayid instead of Jack (because they just can’t trust him now that he’s been seen fraternizing with the enemy), Kate eventually found out and spilled the details. That seems like a pretty dumbass move (something Hurley would do, you know?), but maybe it’s all part of Desmond’s big-picture strategy. Only time will tell…

24, Hour 20: Farewell, my concubine

I am not proud of the fact that I have an uncanny ability to tell when a woman is repulsed by the thought of being touched by a certain man. Maybe it’s the result of some repressed memory of a humiliating experience in high school, I couldn’t tell you. The memory, if it exists, is suppressed, remember? But the instinct is not. I know fake emotion when I see it. And you, Lisa Miller, couldn’t fool me on the foolingest day of your life with an electrified fooling machine.

As an aside, I both love and hate the fact that Roark’s concubine is named Lisa Miller. I’m tempted to adorn her with the nickname of Maura Tierney, in honor of the original Lisa Miller, but I’m already confusing people with the Senator Roark business, so I suppose I will call her by her (stolen) name. Still, this Lisa Miller will always be Maura Tierney to me. Only not as pretty.

Man oh man, did the Chinese rewire Audrey something fierce. Over a hundred injection marks? That would explain the bulky clothing she wore to the exchange; had she looked like a heroin junkie at the drop, Jack probably would have flicked the switch on the C4 in an attempt to save her honor. Instead, Audrey lives long enough to teach Nadia a valuable lesson on the importance of doing what’s right versus doing what the rulebook requires. Jack and the Ricker, they’re peas in a pod, they are.

William Devane doesn’t get a tremendous amount of work, but I just love his low-key intensity in situations where a lesser actor would take things way over the top. “You’re cursed,” he tells Jack right after he’s ordered her to stay the hell away from his daughter. And you could tell that, in the way that he didn’t argue the point, Jack believed what Big Dick Heller said to be true. After all, look at the lives of any female who has dared to get close to him. Death, torture, bear trap, child out of wedlock, that’s what the Women of Jack receive for their troubles. (Yes, that last one is still unconfirmed, but come on, we all know that Jack Jack is not Graem’s kid.)

So “Lisa Miller” is put in play to snare the lobbyist. Was it just me, or was the thread connecting Lisa as the leak a tenuous one at best? Sure, you’ve got her dead to rights as a philanderer, but I don’t recall them unveiling any hard evidence that she told the lobbyist anything. Did he get it off of her email? Not even Roark was sure of that. Well, if you guys aren’t sure of your intel, then how are we supposed to buy into it?

And speaking of stuff we’re supposed to buy, we still do not know what Wheelbarrow Wayne gave the Chinese in order for them to give up Jack. We still don’t know what’s up with former President Buck Buck Brawwwwwk. And we still don’t know how Farmer Hoggett connects the dots between President BBB and Jack. Are they saving all those plot points for the “24” movie? Will there even be a “24” movie now that “South Park” has torn them a new one? Why don’t they just make another “South Park” movie? That’s what I really want to see. “Shut your fucking face, Uncle Fuckaaaaaaa…”

Heroes, Week 20: You Dropped A Bomb On Me

C’mon, did you really expect any other subject line?

You know, for all the talk about how Mr. Linderman’s plan to drop the bomb (so to speak) and destroy New York smacks of Ozymandius’s endgame in “Watchmen,” I dare say this week’s episode will have people saying, “Is it just me, or is this a whole lot like like a cross between the ‘Days of Future Past’ saga in ‘The Uncanny X-Men’ and the plot of ‘X-Men 3‘?” And they’ll be right. I mean, seriously, you go check out those Wikipedia entries, then come back here and tell me that I’m wrong…

Also, am I the only one who, at approximately 43 minutes into the show, uttered an obscenity under their breath? Holy mother of God, was that some shit or WHAT? But we’ll get to that…

So it’s five years in the future. What’s everybody’s story?

* Peter’s a major-league badass. Nice to finally see that scar Future Hiro spoke of so many episodes ago.
* Nikica’s a stripper AND Peter’s girlfriend. (Moral: being a badass has its benefits.) Oh, yeah, and she’s also not Nikica anymore. She’s just plain Nikki. Her husband’s gone, her son’s gone, Jessica’s gone…and we don’t really know for sure what happened to any of them, except that Micah’s demise is directly related to the explosion in New York.
* Mohinder is the advisor to the President of the United States on all things Hero-related, but despite everything that’s gone on during the last five years, it’s nice to see that he’s still naively hopeful about the chances for the future…to the point that he’s willing to commit murder to achieve it.
* Matt Parkman’s working for Homeland Security (along with Brother Voodoo), and he’s become a complete and total dick.
* HRG’s rustling cattle in Texas…okay, well, not really. But that’s the phrase Nikica used, and it made me laugh. It appears that he’s actually part of an underground movement to keep Heroes safe from the government by providing them with false identities. He’s also given up his trademark glasses! What the hell…?!?
* Claire’s a waitress who’s changed her name and her hair color and is on the verge of getting married.
* Hiro’s a fucking terrorist.
* And Ando…well, let’s not discuss Ando’s future fate. It makes me sad.
* Nathan is the President of the United States…though, of course, we knew that was coming…but did we really imagine that he’d become pro-genocide, especially given that he’s a Hero himself? Why would he do that?

Oh, wait, I know why he’d do it: because he’s SYLAR! HOLY CRAP!

There were a lot of great moments in this episode, but a very small one particularly stood out for me: how sad was that pitifully honest thought of Hiro’s that Matt caught? “I just want to be a hero.”

I also loved this exchange:

Parkman: So he’s a time traveler…?
Mohinder: Is that any different than being able to read minds?
Parkman: Uh, yeah. Yeah, it is.

Other nice moments: a newscaster’s reference to “the Linderman Act,” the way Parkman yelled “WHAT?” after Peter busted in, stopped time, and swiped Future Hiro and Ando from underneath his and his people’s noses, and the sheer depth of Parkman’s assholosity, when he thanks HRG for saving his child, then proceeds to threaten his life and go after his adopted daughter. Hey, if you’re gonna become an asshole, don’t do it in half measures, right? Which is why he goes on to kill Future Hiro before the episode’s over.

Okay, so the battle between Sylar and Peter had way too much of a Darth Vader vs. Obi-Wan Kenobi overtone to it, with the red and the blue lights. I still found myself thinking, “This is AWESOME!”

“Now, the hard part,” indeed. These three last episodes are going to be something else. I say again: there’s no other show on TV that’s as must-see as “Heroes.”

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