Category: External TV (Page 357 of 419)

Right Next Door to Hell

Remember that wave of emotion that washed over you while watching the final meeting between Shane and Lem? Well, multiply that by ten and you’ll just begin to get an idea of how breathtaking tonight’s showdown between Vic and Shane was.

Of course, I’m getting ahead of myself. The episode kicked off in grand fashion when Vic made a surprise visit to Antwon Mitchell in prison. Ever since Kavanaugh was arrested and his luxuries were reinstated, Antwon is living the good life, with almost every guard in his pocket and more perks than he had on the street. Vic isn’t there to make small talk, however, and he gets down to business: Lem’s killer. Antwon is quick to admit that while he’d love to take credit for the creative stroke of genius, it wasn’t him.

All progress in the case seems lost when Vic suddenly suspects Shane of the dirty deed. You can’t blame him, either. One week Shane is on all of their asses about disrespecting Lem and tracking down his killer, and the next he’s acting normal again. Almost too normal, in fact, to the point that Vic has Ronnie look into how many grenades Shane logged in after the bust. The number matches up, but after taking a look at Lem’s autopsy report (courtesy of Dutch), Vic discovers a final report from Kavanaugh that states he was shorthanded the night of Lem’s death. And because Kavanaugh had only one extra man to tail the Strike Team, Shane was never actually followed, despite his claims that it took him a little longer than the others to lose his.

Caught in a lie, Shane finally confesses to Vic, telling him that he “did what [he] thought had to be done at the time.” Vic doesn’t buy into his bullshit, however, and though Shane tries to play the “we’re the same” card, Vic is intent on turning him in. Wait just a second, though. What’s this? Oh, right, Shane has enough dirt on Vic to land him in prison for life. So, what’s a crooked cop to do? If you’re Vic, you threaten him some more (“If I see you again, I will kill you”), but Shane’s not about to bow out so easily. He’s in this for the long run, and the ending has just begun.

There’s almost too much information in this episode to discuss in a blog, and while it would usually deserve a place any other week, it just doesn’t seem fair to steal any attention away from the above confrontation. Instead, I’ll just list the other highlights, as they may come into play in future episodes:

1) After quietly dismissing a murder case involving the daughter of a well-respected friend of the police department, Vic makes it known that he would like a little help in his upcoming appeal.

2) Following a visit from Guardo’s girlfriend, Dutch is clued into Vic’s possible involvement with his disappearance. It probably doesn’t help that he’s also learned about the Strike Team’s meeting with Hernan.

3) Tina’s back from her duties for the department PR blitz and returns to discover that Danni is her new partner. Danni continues to treat Tina like shit when Hiatt shows interest in the Latina rookie over her, but Tina’s made some new friends in high places, and she’s not going to let herself get bullied anymore.

4) And finally, Cassidy knows about Vic’s illegitimate child with Danni (via a phone call between her mom and grandma). She goes to see her baby brother (Lee) at the end of the episode, and suffice to say, she’s not in the least impressed.

Overall, this was a solid hour that begs comparison to the show’s early years. Mr. Ryan, you officially have my attention. Now, how about you show me why “The Shield” is still one of the best dramas on television.

24, Hour 21: I call shenanigans

All right, let me see if I have this straight. Farmer Hoggett, the father of a Federal agent, sold suitcase nukes to a former Russian general, who in turn teamed up with an Islamic terrorist group that had the resources to execute a massive strike that would take down several highly populated U.S. cities. Those terrorists, before they even revealed that they had nuclear capabilities, demanded the delivery of Jack Bauer, currently imprisoned by the Chinese government, for the purpose of killing him as a vendetta for various crimes against the Islamic terrorist cause. Jack, luckily, is not killed, and assists CTU in recovering the remaining suitcase nukes. Enter the Chinese, who extort Jack into stealing the components of one of the nukes, using former squeeze Audrey Raines – assumed dead by the Western world – as bait. Jack complies, even though it means serious jail time if not the death penalty. The Chinese now have Russian nuclear technology, and for that they have to thank…Farmer Hoggett, who has apparently been working with them from the very beginning.

I call shenanigans.

This is an even bigger house of cards than the ending to “Saw III,” and that was the shakiest house of cards I’ve seen in my life. In order for this to work, Hoggett has to hope that Jack doesn’t get killed by the Muslims. He then has to hope that no one at CTU will consider holding him for questioning when his other son – who works for him, I might add – confesses to trying to kill Jack and orchestrating the hit on President Palmer the First. He then has to hope that no one will find it at all suspicious when said son dies while alone in a room with him, as he blames his son Jack for excessive use of force. After that, he actually has to hope that Jack can stop the bombs from being detonated so Jack is even in a position to deliver the technology to the Chinese at all.

I call shenanigans!

On the other side of the rock, Lisa Miller is forced to snuggle up to her lobbyist spy of a boyfriend in order to implicate him, and if Bishop didn’t read her non-verbal cues, then he is the worst spy in the history of bad spies. We’re talking Aykroyd/Chase “Spies Like Us” bad, decoy bad. He must want to have sex with her pretty badly, even though they just did it an hour ago and he was alarmed by her abrupt departure and equally abrupt return. Can they really convict Lisa of treason? She had no idea she was being played. That’s like pressing charges against people who have their identities stolen.

None of this makes sense. Or, if it does actually work in the vaguest way possible, it all leads to a big “Who cares?,” as my wife puts it. Can’t say I disagree. Jack Bauer, you have officially been put on notice.

Heroes, Week 21: “I’m not bad. I’m just drawn that way.”

Sylar and Nathan as sympathetic characters…? Come on.

In a series where every other scene requires a serious suspension of disbelief, that initial phone conversation between Sylar and Mohinder might’ve been the hardest bit to swallow in all of “Heroes,” especially given that, minutes later, his tone as he approached the hiding Hiro and Ando – after hearing Ando gulp! – was back to sounding like good ol’ homicidal Sylar. Fortunately, however, we weren’t provided with the opportunity to see if he’d really follow through on killing them. (By the way, when Hiro was trying to bail on following Sylar because he’s not supposed to kill Sylar for two days, I laughed out loud at Ando’s incredulous reply: “You want to hang around? Catch a show?”) And, yet, despite my skepticism at the beginning of the episode, that scene where Sylar put his mother in her very own snow globe actually started out feeling sweet before he eased into his usual psychotic behavior…though, to be fair, he looked like it was the use of his power which was actually driving him mad, given his sudden expression of regret when, upon seeing his mom’s blood, he abruptly stopped using his abilities. I’m not really surprised that Hiro wussed out when it came time to kill Sylar, but I still felt bad for him.

Fake Nikica: Why don’t you like Mr. Linderman?
Micah: I don’t know. He smells funny.

Wow. Seeing how much Linderman knows about the Heroes…well, Jessica and D.L., anyway, but you have to figure he knows everything about every single one of them…was really disconcerting, but it certainly confirmed definitively that he’s all but omniscient. (Dunno what to say about poor Micah, except that the paintings don’t exactly make his fate look promising.)

It was awful the way Thompson played on Mohinder’s memories of his sister to get him to help save Molly, but, damn, I sure hope he succeeds. If we actually have to endure Molly dying, I don’t know what I’m gonna do. Like it wasn’t bad enough when Charlie bought it, I don’t think I can handle losing that cute little girl. She’s right up there with Dakota Fanning for cuteness; you just want to give her a hug. Or maybe that’s just because I’ve got a daughter. (Lately, I find myself feeling protective of every little girl in the world.) Still, it’s a fascinating power she has; I just hope she lives to use it more than a few more times!

A small but great moment: Nathan’s eyerolling when Claire asks, “You can fly?” Man, from week to week, you just never know who’s the biggest prick on the show…but Nathan’s leading the pack after playing the narc on Claire’s revelation about the possible bomb boy. And to team with Thompson? Ugh. Poor Claire. But, suddenly, Nathan’s having second thoughts and you think for one moment he might do the right thing…until, of all people, Mama Petrelli convinces him to play along with Linderman’s plan. Oh, excuse me, it’s not just Linderman’s plan; it’s her plan, too! Paging “The Manchurian Candidate”!(Side note: I know my good friend David saw Mama show up during the last five minutes and said, “YES! We’re finally going to find out what her power is!” DENIED!!!)

So now we’re left wondering which future is going to come to pass. Tick, tock, tick, tock…

“Things are about to change”

Okay, four episodes to go and David Chase has set up just about every possible storyline imaginable. “Things are about to change,” we were promised tonight during the preview for next week’s episode, and it sure seems like we’re on the cusp of something big.

AJ’s not taking the breakup well. Okay, so that’s an understatement. It was interesting watching Tony try to talk to AJ about what he was going through, especially when his advice is to get a blowjob and go to a party at a strip club. I mean, how funny is it that Tony forced his 20-year-old kid to go to a strip club? “I’m not debating this with you.” Okay, fine, if you insist, Pop. Tony did throw some decent advice in there, though, something along the lines of the old “there are other fish in the sea” pep talk. AJ wasn’t biting, not until his new therapist put him on anti-depressants, anyway. Once that happened, well, life is apparently all good again. AJ’s going to parties, boozing it up with a bunch of frat buddies, and helping said frat buddies pour sulfuric acid on a welcher’s foot.

That’s the ironic thing in all of this: so AJ had his heart broken. Fine. It happens. Granted, if your kid starts talking about killing himself, you’ve got to get him some help. But while Tony’s heart was definitely in the right place, pushing him to hang out with some of his guys’ kids was clearly the wrong choice. He’s talked before about how he doesn’t want AJ to follow in his footsteps and get involved in the kinds of things he’s doing, but that’s exactly what seems to be happening. AJ got a kick out of the way that kid reacted when he learned that he was Tony Soprano Jr., and he was wired when he got home after the sulfuric acid incident. There’s clearly something there that he’s drawn to, and while Tony may think that depression is in his blood (“My rotten fucking genes have infected my kid’s soul,” he tells Melfi), it’s clear that emotional problems aren’t the only thing AJ’s inherited from dear old Dad.

And right about now it’s time to admit that I was wrong about Chris: he hasn’t already flipped. In my defense, that was just one of my theories, but it became clear tonight that he’s still siding with the good guys…whoops, make that the bad guys, I guess. Anyway, it also became clear tonight that it’s a very real possibility that Chris will flip at some point. Hell, he was kicking around that very idea tonight with his AA buddy J.T., right after he nearly spilled the beans about Adrianna and Ralph Cifaretto. J.T. knew he was in trouble when Chris started talking about that stuff, and he tried like hell to get him to shut up and leave. Chris finally agreed to go home, but not before shooting J.T. in the head. Damn, didn’t see that one coming. I kept expecting something to happen, but for some reason I wasn’t expecting that. Chris grabbed the doorknob with his hand in his sleeve when he left, but it won’t take too much digging for the feds to figure out who may have been involved with this, considering everyone knows J.T. wrote the screenplay for Chris’ movie. Is this going to be the heat that’ll turn Chris against Tony? At this point, it’s clear it wouldn’t take much pushing to get Chris to turn, considering how much bad blood there is these days between him and Tony.

Sorry to jump backwards (that’s what happens when you write without thinking), but is this tension between Chris and Paulie finally going to come to a head? Those two have been at each other’s throats for years, and I thought for sure there was going to be some fireworks tonight. We came close, but aside from Chris tossing Paulie’s nephew out of a window for robbing his father-in-law and Paulie then turfing the shit out of Chris’ front yard (which was hilarious, by the way – does anybody have a funnier pissed-off face than Paulie Walnuts?), it all blew over. Chris decides to have a drink with Paulie in a show of good faith, and that’s when the trouble began. Paulie started busting his balls again, made some pretty low cracks about his daughter, and Chris, who already felt disconnected from the group because he doesn’t hang out and drink with them anymore, didn’t appreciate everyone laughing at him so he bailed. But, damn – I was expecting more there. In fact, I kept waiting for Chris to smash his rock glass into Paulie’s face. Instead he killed his AA buddy.

Finally, how uncomfortable do you think Tony was giving agent Harris that information? Sure, it had nothing to do with him and he was doing it mainly because he hoped cooperating with them on the terrorism stuff would pay off down the road should he ever be convicted of any crime…but still. It’s the feds, T! They’re the bad guys. Okay, the good guys, whatever.

A day at the races

There were a lot of questions left unanswered after the first half of season three, but if there’s just one that summarizes the last two years of “Entourage” best, it’s this: will “Medellin” ever get made? The on-again-off-again biopic has seen its share of troubles, and with Vince not working a day (the Vegas strip contest doesn’t count) since “Aquaman,” it’d be nice to see him finally get back to business. Of course, it looked like that question might finally be answered in tonight’s episode, but instead, things were only further complicated when Vince’s chances were reignited.

It’s Yom Kippur, and though Ari has promised his wife a quiet day with the family at temple, his attitude quickly changes when he learns through studio brat Nick Rubenstein (Adam Goldberg) that “Medellin” is back on the market. Benicio del Toro has official walked and the producers want Vince for the role. More out of love for their friendship than as a coup to win back his client, Ari informs Vince and Eric of the good news. Unfortunately, Amanda has bumped Vince’s asking price way too high for an indie art flick, making Ari more than a little suspect of Amanda purposefully sabotaging the deal.

Vince and Eric agree, but when they finally take things into their own hands, they learn that the deal has expired, “Medellin” has closed down productions, and the film will never be made. Of course, we already know that this isn’t true, since the preview of next week’s episode (damn you spoilers) shows that the movie is most definitely still going to get made. Except when the deal is finally inked, it’ll be with Ari by Vince’s side, and not Amanda’s. The duo isn’t officially back together, but with Amanda saying her goodbyes after Vince accused her of sabotaging the deal, it looks certain that Ari will be Vince’s agent once again.

That also means Vince can take off that silly “love bracelet” Amanda bought him, which the guys teased him for during their day at the races. Speaking of which, what’s with Drama laying down $5,000 for that horse? I know he was a bit upset to learn it was headed for the glue factory, but couldn’t he have just convinced the guy to donate it instead of paying for it? He certainly learned his lesson when the horse got loose and he was fined more than twice its cost by the police, and though he finally got rid of it in the end, I do feel bad for Ed Burns. Oh well, I guess he can afford it. And if not, it’s off to the glue factory for old King!

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