Category: External TV (Page 329 of 419)

A bit more sci-fi geekery for you all

“Battlestar Galactica” has announced that its upcoming fourth (and final) season will find Lucy Lawless – the once (and future?) Xena – reprising her role as D’Anna, the religious Cylon zealot who broke away from the collective voice of her people and began dissention within their ranks.

But arguably even cooler (relatively speaking) is that the Sci-Fi Channel’s new interpretation of “Flash Gordon” has scored a major, major casting coup in the form of…wait for it…Sam J. Jones.

Who’s that, you ask?

Well, here’s Alex Ross’s interpretation of him, if that helps at all:

That’s right, the man that children of the ’80s know as Flash Gordon will be making an appearance on the new Sci-Fi Channel series. He’ll be playing Krebb, a seedy prisoner who reveals surprising information about the fate of Flash’s long lost father.

Well, *I* thought it was cooler, anyway.

Rockne O’Bannon returns to “Farscape”!

“Farscape” geeks…and you know who you are, and you may stand proud of your status…may now do their dance of joy at NBC Universal’s confirmation that the series’ creator, Rockne O’Bannon, will indeed be executive-producing the 10 new “webisodes” of the series, as well as serving to develop stories.

According to the press release from NBC Universal, O’Bannon will work closely with executive producers Brian Henson and Robert Halmi, Jr., and SCIFI.COM’s Craig Engler, to develop the online show’s storyline, which will revive and expand the Farscape universe, with each episode anticipated to run 3-6 minutes in length.

“The characters, creatures, passions, conflicts and barely contained lunacy of the Farscape universe have never stopped. We just haven’t had a window into that universe lately to see what’s currently happening there. Well now we do. And it ain’t calm, and it ain’t pretty, and it ain’t like anything anyone is going to expect. But it is totally Farscape,” promised O’Bannon in the press release.

Is “health reasons” the same as “sick of people comparing it to ‘Angel'”?

After making an appearance at the TCA Press Tour in late July to promote “Moonlight,” the new CBS drama about a vampire turned detective, the show’s executive producer, David Greenwalt, has bailed out of the series, citing “health concerns.”

Greenwalt was one of the few remaining people on “Moonlight” who’d been there since its pick-up by CBS; the series has recast several roles since then and, for its TCA panel, had little to offer by way of a preview except for a newly-filmed sequence with the show’s lead, Alex O’Loughlin, being interviewed as his character, Mick St. John. (An interview with a vampire…geddit?!?) Still, Greenwalt seemed excited about the series during the panel, and given his track record, it’s a shame that we won’t get to see the series under his leadership.

The only possible good news? The latest rumor has Rob Thomas, creator of “Veronica Mars,” taking over the reigns of command for “Moonlight.”

Yeah, I’ll believe it when I read the actual CBS press release…

UPDATE: Never mind. The bad news is that it’s not Rob Thomas. The good news – maybe – is that the show’s new executive producer / showrunner, according to The Hollywood Reporter, is Chip Johannessen, who did a lot of work on “Millennium” and “Dark Angel.”

Showtime has it goin’ on

Over the last several years, Showtime has developed original programming in the same vein as HBO (edgy content in compact seasons), only the network doesn’t get nearly as much publicity.

I can heartily endorse three Showtime series that are now out on DVD, making them a great option for those waiting for the traditional fall season to start. “Weeds” stars the ever-sexy Mary Louise-Parker as Nancy, a suburban widow forced to sell marijuana in order to keep up her family’s lifestyle. Kevin Nealon and Elizabeth Perkins co-star as residents in her tract-housing neighborhood. The show is reminiscent of “American Beauty,” only funnier, and with a lot more cannabis. Justin Kirk is hilarious as Andy, Nancy’s irresponsible brother-in-law.

Dexter” is a cop show unlike any other. No procedures, just the title character (played by Michael C. Hall, formerly of “Six Feet Under”), who is – get this – a serial killer who only kills serial killers. Over the course of the first season, we learn about how Dexter was “born,” and dive deep into his past as he wrestles with his demons. It’s a compelling and unique take on the crime drama.

Fans of “The Wire” or “The Black Donnellys” should check out “Brotherhood,” the story of two Irish brothers on the opposite side of the law in Providence, Rhode Island. One is an influential state congressman, while the other is moving up in organized crime. As the first season wears on, their lives become more and more intertwined. Most of the members of the fine ensemble cast aren’t well known, but the lovely Annabeth Gish plays the unhappy and secretive wife of the congressman.

Lastly, “The Tudors” (which just wrapped the first season and is not yet out on DVD) stars Jonathan Rhys Meyers as a young King Henry VIII who tries to extract himself from his marriage (in order to be with his love, Anne Boleyn). Not unike HBO’s “Rome,” the first season shows how the personal lives of royalty and politicians can affect the course of a country. The ensemble cast is anchored by Sam Neill, who portrays the powerful and ambitious Cardinal Thomas Wolsey. By the end of the season, I was scouring Wikipedia for information about the characters; it’s not a bad way to learn a bit of history.

August 13th is the premiere of the promising “Californication,” a dramedy that stars David Duchovny as a single writer who must balance his career with his daughter, his ex-wife and his appetite for beautiful women.

They say you can’t outfox a fox, but with HBO staples “The Sopranos,” “Six Feet Under,” “Deadwood” and “Rome” going off the air, and “The Wire” soon to follow, Showtime just might be out-HBO’ing HBO.

It’s not TV. It’s Showtime.

Oh, the things you’ll do

Every now and again, there’s an episode like the one that aired tonight. Sometimes it’s because the show is contracted for so many episodes, but the main story arc requires fewer than the agreed amount, and other times it’s the writers just having fun. Unfortunately, tonight’s filler came at the most inopportune time, as the fourth season has begun showing signs of wear. Then again, perhaps this was a much-needed break from all the Eric-Walsh drama, because it looks like things are going to pick back up again next week with Eric trying to take over as Vince’s agent.

There wasn’t any connection to the main story arc in this week’s episode, but when the guys begin to tease Eric for his inability to have a non-emotional relationship, Drama ups the ante by making a little bet with his kid brother: Turtle can bed a girl (without paying) before Eric can (without calling her the next day), with 5,000 bucks going to the winner. Vince takes Eric under his wing and hits up all the poolside hot spots. It doesn’t take too long to find a couple girls who want to party, but while Vince is upstairs getting a little workout, Eric stays downstairs chatting up a hot British girl about his last girlfriend Sloan, who he unfortunately runs into during the middle of his conversation.

Meanwhile, Drama shops around Craigslist to find a girl desperate enough to sleep with Turtle, but when they reply to an ad and discover the girl is drop dead sexy (and horny), the bet is practically won. The only thing Turtle needs to do is pick up her dry cleaning and meet her later that night, but when the duo arrive at the dry cleaners to pick up her item, it turns out to be a pink bunny suit. Drama knows right away what Turtle’s gotten himself into – the girl is a furry, or a person who likes to dress up in furry animal costumes and have sex. Turtle looks downright ridiculous in the outfit, but he agrees to follow through with it in order to win the bet. That is, until Eric comes back with pictures of Sloan dancing through his head, and the bet is determined a forfeit. Turtle is happy and so is Drama, but when Eric learns that Sloan is with someone else, he quickly changes his mind (and his clothes) and heads back to the hotel to “fuck that British girl.”

Turtle couldn’t care less – even if Drama gave him all $5,000 for the winnings – and so, knowing full well that he’s already lost the money, Drama grabs the bunny suit and heads to the furry’s house to get what he paid for. When Turtle does a little reconnaissance to find out just what they may be, he finds Drama (dressed in a pink bunny suit) slamming the girl (wearing a brown squirrel outfit) doggystyle over a coffee table. Oh yeah, and for comedic effect (if there wasn’t enough already), Drama has to lift the squirrel’s tail in order to do it. Not exactly the direction we were all hoping Drama would be led in, but if you’re going to waste an entire episode on shit like this, you might as well make the best of the opportunity.

The “B” story of the episode found Ari desperately trying to find a way to get his son into a private school. He’s already tried buying out the headmaster, so he moves on to the next best thing: blackmail. Mrs. Ari wants to be kept in the loop, but as Ari says, “This is like ‘The Godfather’ baby. Sometimes you can’t ask me about my business.” Unfortunately, the guy’s clean as a whistle, and so Ari decides that, well, maybe he’s looking at it all wrong. It’s not the school’s that decide whether a child grows into a good person, but the environment at home. His son doesn’t seem to agree, as all he really wants is to be able to attend the same private school as his best friend. As a result, Ari is forced to do something that we’ve never (or rarely) seen him do: beg. It was a defining moment in Jeremy Piven’s four-year performance as the super-agent, and as the dude began to cry, I couldn’t help but feel for the guy. He deserves an Emmy for that performance, which is too bad, since Kevin Dillon (who’s just as deserving) is nominated in the same category.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑