Category: External TV (Page 288 of 419)

“They are LOST!”

I’m not a particularly big proponent of posting videos on a blog (unless it’s a trailer, of course), but this is simply too funny to pass up. While perusing my usual selection of movie and TV blogs this afternoon, I came across this hilarious 42-second video over on SlashFilm. In a nutshell, it’s essentially what the opening credits of “Lost” would look like if it were treated like any other television show.

Which got me thinking, if there are people out there willing to create fake opening credit videos using original theme music, then surely there are some diehard fans that have done the same with songs from their favorite shows. As it turns out, I was right, and while there are quite a bit to mine through, these two using theme songs from “Buffy the Vampire Slayer” and “Friends” are probably the best of the bunch. Enjoy!

Battlestar Galactica: “He That Believeth In Me”

It’s pretty amazing that it has been just more than a year since the season three finale of “Battlestar Galactica.” How time flies.

I’d like to say that the show is back with a bang, but most of this episode seemed to be a setup for the rest of the season. It was implied that the fifth Cylon would be revealed (it wasn’t) and all of Starbuck’s talk about knowing where Earth is and how she was going to take the fleet there seems to be a bunch of hooey. She probably did visit Earth – she did describe Jupiter and Saturn in detail – but she has no idea how she got there or how to get back. Great. Throw in the fact that she supposedly survived an explosion, lost months of her life and that she’s flying a brand new Viper (that doesn’t have any navigation history) and it’s not surprising that the President is suspicious. She flips out every time the fleet makes a jump in the wrong direction and finally decides to raise a gun on Roslin. That probably isn’t going to end well for her.

The opening battle sequence did look terrific. When I think back to the first space battle I ever saw (“Star Wars”), it’s truly amazing how far special effects and CGI have come. This is a basic cable show on a limited budget and they’re able to put together an immense, realistic battle scene. The nice thing is that those special effects are backed up by great writing – otherwise, the show would be paper thin.

It was interesting to see the four new skinjobs – the Chief, Tigh, Sam and Tori – deal with their new realities. I felt a little used after Tigh’s fake assassination of Adama, but was impressed with the way they shot that scene. I jumped initially at the gunshot, but knew that they wouldn’t kill off Adama at this point so I figured they were just messing with us. Presumably, the purpose of that scene is to show the kind of internal conflict that Tigh is going through. But is he really driven to assassinate Adama or is he just worried that a switch will flip and he’ll betray his friend someday?

Sam and Tyrol are in the same boat as Tigh. Neither want to believe that they are actually Cylons, so they’re going to go on trying to be the men they want to be as long as they can. To me, this would include telling everyone the truth (to protect them), but apparently that’s not in the cards at this point. Sam’s experience in this episode was the most interesting given the fact that he encountered a Raider face-to-face, which precipitated the Cylon retreat. Tori’s character is probably the most questionable, and I wouldn’t be surprised if she’s the first of the four to betray the humans. Lastly, let’s not forget that Tyrol’s kid is a hybrid – the creators have to address this, right?

I’m not a big fan of the whole Gaius/Messiah storyline, and much of the premiere was unfortunately dedicated to his new situation. It was funny that a majority of his new followers are (hot) women and, predictably, it didn’t take too long for him to succumb to the temptation. (But who can blame him? He did spend the last few weeks cooped up in a cell.) The storyline has a cult-ish feel to it, so it will be interesting to see how this affects the big picture.

Based on what I’ve read, it does appear that the fleet will find some version of Earth this season. They could arrive in our past, our present or our future, or they could arrive to an alternate version of Earth. They could be the first humans to settle on Earth (maybe the two hybrid babies are Adam and Eve – though all the technology would be a problem) or they could arrive to a futuristic Earth that has the ability to fend of the Cylons. A grimmer possibility is that they arrive to find that the human civilization destroyed itself, not unlike the ending of “Planet of the Apes.” The possibilities are almost endless.

The only thing that’s bothering me is Starbuck. How was she able to survive the explosion, travel to Earth, take pictures and travel back in just six Viper hours? Why would the pictures survive if the nav data didn’t? On one hand, it seems like she has to be a Cylon, but that doesn’t explain how she found Earth. Unless the Cylons have already found it…but, in that case, why would they try to lead their enemy there?

So many questions, and just nineteen episodes left to answer them all. Let’s get a move on, people!

“Yep.” “Yep.” “Yep.” “Mmm-hmmm.”

As you’ve no doubt guessed, the subject line are the exact quotes offered up by Hank Hill, Dale Gribble, Bill Dauterive, and Boomhauer upon being asked if they were excited about the renewal of “King of the Hill” for a 13th season.

Per Fox’s press release, “‘King of the Hill’ has received numerous accolades over the past 12 years, including an Emmy Award for Outstanding Animated Program in 1999, a Nancy Susan Reynolds Award in 1997, a Women’s Image Network Award in 2004 and Environmental Media Awards in 2001, 2003 and 2005. The series has also garnered numerous nominations for Annie Awards, Prism Awards and Shine Awards.” Funny, then, that it’s so clearly the redheaded stepchild of the network’s Sunday night animation block. Have you seen the show’s DVD sets? After Season 2, someone apparently decided that the series didn’t warrant the cost of compiling special features, and as of the most recent season to receive release – Season 6 – the studio’s idea of a special feature was to put a puzzle on the back of one of the DVD cases.

Are you kidding me?

Don’t get me wrong, I’m totally psyched that the series is coming back; not only is it hilarious, but it’s remarkably sweet and sentimental, and it’s no less than a minor miracle that they’ve been able to maintain their level of quality for so long. I just wish Fox would show it more love beyond the annual cursory renewal.

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