Category: External TV (Page 264 of 419)

Comic-Con 2008: Day Three – The Simpsons

As mentioned near the start of this panel, “The Simpsons” has pretty much beat every other prime-time television show in terms of longevity, number of episodes, etc. — except for “Gunsmoke” and “Lassie,” which also makes it the all-time king of sitcoms with a reservoir of goodwill able to withstand more than one below-par season. This appearance by the show’s main creative team was a predictably relaxed and mirthful affair in which creator Matt Groening and writers Al Jean and Matt Selman did most of the talking — quieter panelists included director David Silverman, who helmed “The Simpsons Movie,” and writer Carolyn Omine.

Before the official start of the panel, Groening introduced some clips from next Fall’s “Treehouse of Horror” episode, including a brief segment involving Homer Simpson and a particularly violent form of vote rigging that goes well beyond the worst imagingings of Diebold-fearing liberals, as well as a spot on parody of “It’s the Great Pumpkin, Charlie Brown” with a Linus-like Milhouse accidentally tricking the supernatural pumpkin into a form of vegetarian cannibalism. (It’s complicated.)

Wasting no time, the event was immediately thrown open to questions. The first young questioner asked if the long-suffering Marge Simpson, tiring from her numerous attempts to get the permanently obese Homer to lose weight, would start gaining weight herself. The writers’
response was they would promptly steal the idea and that it would likely show up in a Simpsons comic book, if not the actual show.

Another question referred to a recent episode parodying the comic book world featuring an appearance by mad comic writing genius Alan Moore (“Watchmen,” “V for Vendetta,” “From Hell”) and a joke about an animated “Watchmen Babies” series. Writer Matt Selman expressed his own intimidation at working with the artistically and personally imposing Moore, who apparently got the joke but also stipulated that the gag itself was also an example of an evil corporation (this is Fox, after all) debasing one of Moore’s creations.

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Comic-Con 2008: Day Three – Heroes & Lost

Guests: Creator Tim Kring and cast / Co-creators Carlton Cuse and Damon Lindelof and star Matthew Fox

I’ve already mentioned several times that Paramount’s decision to not bring anything to Comic-Con this year left many fanboys upset, but if there’s any good that came out of it, it’s that, for the first time ever, Hall H campers were treated to panels for two of the geekiest shows on television: NBC’s “Heroes” and ABC’s “Lost.” Though my colleague Will Harris already blogged about Carlton Cuse and Damon Lindelof’s visit to the annual TCA event last week, they still disclosed a few nuggets about the new season that I figured were worth mentioning here.

* The island didnt’ travel when the hatch imploded in season two.

* Fans will definitely see more of Rousseau’s story in the coming years, but not necessarily in flashback form.

* Kate will see Sawyer again, and while Cuse would prefer that Kate end up with Jack when all is said and done, he admits that the love triangle is far more dynamic.

* Faraday’s notebook will play a big part in the new season.

Unfortunately, the “Heroes” panel wasn’t quite as enlightening, but that’s more to do with them running out of time than the cast members being willing to speak. In fact, unlike Matthew Fox’s solo appearance with Cuse and Lindelof, every single series regular from “Heroes” made the trip down to San Diego, and the occasion was made even more special with a screening of the entire first episode of the third season. I’d like to talk more about what I saw, but I simply don’t want to ruin the experience. All I’ll say for now is that it is mind-blowing, and it’s exactly what the series needs after season two was interrupted by the strike. Some cliffhangers are explained and others aren’t. New characters with powers are introduced, while older characters reveal new powers of their own. And perhaps most importantly, it’s all done with a comic flair that was sorely missing from last year’s mini-season.

Transformers: Cybertron – The Complete Series

Created as part of a trilogy of animated series in 2005, “Transformers: Cybertron” is everything the new Cartoon Network-produced series ought to be. It never forgets for a moment that it’s a show about giant fucking robots, and though the action rarely lets up, it also has an original story that makes sense within the official canon. As it goes, the Transformers’ have been forced to seek refuge on Earth following the formation of a black hole near their planet. The Autobots are ordered to lay low, but Megatron and his fellow Decepticons begin scouring the universe for the Cyber Planet Keys – ancient artifacts with the power to save their home world. With the help of Vector Prime (one of the original 13 Transformers), the Autobots are tasked with tracking down the Cyber Planet Keys first, or risk suffering the consequences of Megatron’s evil ways. Jammed to the gills with Transformers (including the normal variety, as well as Mini-Cons and “Beast Wars”-like animal bots), “Cybertron” has been designed especially with fans in mind. Some might complain about the human characters that befriend the Autobots in the first episode, but compared to other iterations, the three kids that appear here are actually important to the story. The only real complaint that could be made is that the mix of animation styles (anime for humans, CG for robots) is a bit disconcerting. The other two shows in what many have called the “Unicron Trilogy” (“Armada” and “Energon”) were completely hand-drawn, and as such, they looked much better. Still, if you don’t want to blow hundreds of dollars tracking down the original series, and you’re looking for a bit of an upgrade anyways, “Cybertron” might just be your best bet.

Click to buy “Transformers: Cybertron – The Complete Series”

TCA Press Tour, Day 12: The CW

Well, as I mentioned a few posts ago, I wasn’t around for any of The CW’s panels after their “90210” presentation…which, as it happens, was their very first panel. Fortunately, however, the beauty of being a member of the TCA is that I can still provide you with highlights from the panels I missed. God bless transcripts, that’s what I say…

Even before we offer up the “90210” coverage, however, let’s take a gander the info that emerged from the executive session hosted by the President of Entertainment at The CW, Ms. Dawn Ostroff.

* Like last year, The CW brought us details of a new reality show. This time, however, it’s not as underwhelming a pitch as “Crowned” or “Farmer Wants A Wife.” Not that I didn’t end up watching those shows, but “13 – Fear is Real” is one that I actually want to watch, since it’s executive-produced by Sam Raimi and Jay Bienstock. “The best way to describe this show is ‘The Blair Witch Project’ as a reality show,” said Ostroff. “It’s a competition show, but there’s certainly a lot of tension, a lot of fear, and it’s different. There’s an environment that they created in the bayou of Louisiana where, of course, they know it’s a reality show, but the intensity of the situation that they’re living in and the kinds of challenges that they’re faced with really feel real to them while they’re in it. This is hot off of the editing bay…this week, as a matter of fact…and it was shocking to see how invested these contestants were. I mean, they really felt the horror.”

* There wasn’t much “Reaper” news, unfortunately, except that it definitely has a place on the schedule in mid-season. “It’s a great show for us to have in our arsenal,” said Ostroff. “It’s a show that we believe in, which is why we picked it up.” Yeah, but let’s call a spade a spade: they only believed in it enough to pick it up as a mid-season replacement, not for a full season. We can only hope that, come mid-season, the show’s fanbase has built up enough steam to keep it rolling for a third year.

* There is currently no plan for another season of “Beauty and the Geek.” There is also no formal word of cancellation, however.

* And I’ve saved this bit for last because, frankly, I don’t want to believe it, but…ugh…Ostroff claims to have been happy with the time-jump on “One Tree Hill.” “Our expectations were we would do something different that felt, certainly, in line with the show, because the actors had gotten older,” Ostroff said, “and they were excited about the idea of playing characters closer to their real age. We know that when characters often go into college years on a show, it’s sort of hard to keep them together, and the storylines aren’t quite as relatable, so the idea of jumping the show four years forward, having the characters outside of college, in the working world, being young adults, just felt like the time was right. We knew we would have interesting storylines for each of the characters, and Mark Schwahn is just a really good writer. He took all of these characters and put them into young adulthood, created new arcs, new situations, and the show had a renaissance. I mean, it was a great idea, and it really did pay off for us.”

Pft. The results still felt trite to me, and I’m not backing down on this.

Okay, now we move on to…

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TCA Press Tour, Day 11: Showtime

It’s rather gratifying to see Showtime continue to grow into its own as a premium cable network that can compete with HBO. For so long, they were hovering just a shade higher than Cinemax in the eyes of viewers (I don’t know about anyone else, but I distinctly remember seeing many a bare breast on the network back in the day), but now they’ve got a reputation for having at least as much quality original programming as the folks over at Home Box Office, and their popularity is such that the network earned their own executive session.

Matthew Blank offered us a heartfelt introduction, along with the announcement that “Inside the NFL” will be coming to Showtime next season, then promptly passed the buck to Robert Greenblatt, the network’s President of Entertainment, who provided us with several other revelations about upcoming programming:

* Coming soon: “The United States of Tara,” which stars Toni Collette and John Corbett, is executive-produced and based on an idea by Steven Spielberg, and is written by Diablo Cody.

* There are very serious discussions about an “L-Word” spin-off, though it seems to exist predominantly on paper at this stage of the game. “Eileen Chaiken is creating that for us,” said Greenblatt. “We’re going to be shooting it right after ‘The L Word’ wraps this year, and it will star one of the girls from ‘The L Word’ as a sort of crossover. The storyline at the end of ‘The L Word,’ the final episode in the final season, there will be an open-ended component to it. And Eileen is going to carry that story along on the Internet, which we think is an interesting way to keep ‘The L Word’ experience going. Then if we decide to go ahead with the spin-off that storyline will segue into the new series.” He would not, however, commit to which girl was intended as the star of the spin-off, mostly because the actress hasn’t even been told that she’s under consideration yet!

* Another season of “Penn & Teller: Bullshit!” has been ordered, and with this 7th season, it will officially become the longest-running series in the history of Showtime.

* There will be a new reality documentary series called “Locked and Loaded,” which is not about Denis Leary but, rather, about a gun store in rural Colorado. Greenblatt described the series as “sort of a fly-on-the-wall show. You see many, many different kinds of people coming into a gun store, and you see the reasons why they buy handguns and rifles and all kinds of other things.”

* Based on the creative success (but, ultimately, due in no small part to the ratings success) of “Weeds,” the network has ordered two more 13-episode seasons of the show.

* After much discussion on the ‘net about the possibility, Greenblatt confirmed that the Edie Falco pilot, currently known as “Nurse Jackie” (a title which may or may not stick), has been ordered to series. She plays what Greenblatt describes as “a very complicated nurse in a New York City hospital,” and based on the clips we saw, by “very complicated,” he means she’s a drug addict. And, yes, someone else did bring up the similarity to “House,” but Greenblatt assured us that “it’s not going to be big medical story of the week necessarily. I think it’s a different take on a medical show that’s grounded by a really iconic, caustic character played by a great actress.”

* Even though they’re limited by history, Greenblatt thinks that there’s at least another two years of plot possibilities left in “The Tudors.” “The third season is the next two (wives of Henry VIII), Anne of Cleves and Jane Seymour…I love meeting people who think Jane Seymour, the actress, is in the show…and then the following season, I think, will be the final two wives,” he theorized.

* The future of “This American Life” is murky. “Ira (Glass) is not only the most dedicated person in the world, he’s a perfectionist and he doesn’t want to put any episode out that isn’t really extraordinary,” said Greenblatt. “And I will tell you that’s not true of all producers. He’s also doing a radio show, and he will not let anything affect the quality of the radio show. And the same people are doing the radio show and the TV show. So every year, we step back and have a conversation with him. ‘Can we do ten? Can we do eight? Can we do six?’ There may be a year where we do a couple of long-form specials with him and we don’t do episodes of the show, per se, because it’s really hard to find those stories. They don’t just fall into his lap.” To put a fine point on it, a third season has not officially been ordered, but per Greenblatt, “We’re talking to (Ira) about how many he wants to do and what form it might take.”

* Showtime is currently planning to air the three seasons of “Secret Diary of a Call Girl” – one’s already aired in the UK, Season 2 premieres there in September, and the third has been commissioned but hasn’t yet begun filming – and reserves the right to consider airing any future seasons, should there be any. “But,” added Greenblatt, “it looks like a
franchise that there’s a lot of interest in.”

Okay, that’s that. Now, we move onto a panel described as “Showtime’s SHO Stoppers,” which featured the stars and producers of the network’s four signature series: Weeds (Mary-Louise Parker and Jenji Kohan), Californication (David Duchovny and Tom Kapinos), Dexter (Michael C. Hall and Clyde Phillips), and Brotherhood (Jason Clarke and Blake Masters).

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