Category: External TV (Page 250 of 419)

Prison Break 4.7: “Five the Hard Way”

Now that Gretchen is on the loose, it was just a matter of time before she hooked up with the gang. At the end of last week’s episode, we saw her confront T-Bag in the apartment, so in this installment we were treated to a little villain-on-villain action. For anyone who thought she might have softened up during her time in captivity…well, she didn’t. She is as big of a bitch as ever. I’d like to see what she’d do with Morpheus, but Mahone might get to him first.

Speaking of Mahone, he and Don had a nice little moment outside the warehouse. Don obviously respects Mahone to some degree, because he sought his advice about how to deal with the hitman. The respect is mutual, as evidenced by Mahone’s reaction when Don asked him, “What would you have done?” after Mahone was griping about Don’s decision to leave him in jail. Mahone’s silence spoke volumes. Anyway, that was a sly move to go straight to the general and deliver the “if anything happens to me” speech. It looks like it will buy Don some time, if nothing else.

Last week, I lamented over the departure of Trish Ann and her ample bosom, but they were back in full force this week as a part of T-Bag’s plan to capture Michael. I wonder how T-Bag made/convinced her to come with him, and did he ask her to put on a low-cut blouse to show off the girls? Was that their swan song, or will they make another appearance? These are the questions that try men’s souls.

The trip to Vegas was rather mundane, especially for a trip to Vegas, but Roland’s device did get snatched up by casino security. With the way he was going on about the city, you’d think that the gang would keep better track of him, especially after they shoehorned in that his device could be used to figure out which progressive slots are about to hit.

“I can’t believe those guys left me alone in Vegas after I totally foreshadowed that I was going to get into trouble.”

Of course, I have to mention my boy Sucre who was willing to bite the bullet and go up to the old man’s suite. Only instead of fending off the dude’s advances, he gets to have sex with the guy’s super-hot wife. AND he gets a thousand dollars for his trouble. Sucre hasn’t had a day like that since he last saw Maricruz.

Finally, Lincoln explained the nosebleeds to Sarah. Apparently, Michael’s mom had the same symptoms and she eventually died from a brain aneurism when she was 31. Now that Michael is the same age it’s time for everyone to get worried.

So are you worried? Good, that’s the whole point.

Heroes 3.4 – In The Future When All’s Not So Well

Although most of this week’s highlights came from the future, we did get a few interesting moments in the present. Mohinder tried to get a handle on his new abilities, only to find that his control over them isn’t what he hoped it might’ve been. What the hell is he doing to his neighbor, cocooning him? Despite how it may have seemed to many of us, Tracy discovered that she’s actually a triplet, but did you notice how Herr Doktor referenced that the triplets were named Tracy, Nikki, and…Barbara? The sequences with Nathan Petrelli and Mr. Linderman are very interesting, if only because I’m now totally uncertain about whether or not the latter does indeed continue to exist in some manner that allows only the former to see him. And Matt Parkman’s new buddy sent him spiraling into a white-eyed vision, which brings us to…the future.

Even with all of the advances in special-effects technology, it’s clear that we will never successfully reach a point where an actor can perform a scene with himself and not have it feel cheesy…or maybe it’s just because the only difference in Milo Ventimiglia’s PresentPeter and FuturePeter voices was that the latter was a tiny bit more growly. Either way, while the scene of the two Peters chatting with each other worked surprisingly well when they were interacting in the crowd, as soon as they headed down the alleyway and the focus of the scene was solely on them, I was very much in “gimme a break” mode. Fortunately, FutureClaire put a couple of caps in FuturePeter before I had to worry about it too much.

I liked the way FutureMohinder was couched in shadows, hissing his words, but what I really liked was that transition from the present to the future, with Mohinder’s voice slowing down on the tape recorder as it suddenly gained a coat of dust and a cockroach running over top of it. A small moment, but an awesome one. It was also good to see Molly again (kids grow up so fast these days), and the relationship between Parkman and Daphne is an intriguing one, to be sure.

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Entourage 5.5 – Tree Trippers

Call me a cynic, but tonight’s show might have been the worst in the history of the entire series. I’m all for filler episodes where the “Entourage” crew runs around town getting into all sorts of shenanigans, but what in the world was the point of them tripping on some shrooms in the middle of the desert? If you think it was to help Vince decide on whether or not he should do the Benji movie, I have some bad news: Vince was never going to make that movie, no matter how much they paid him. He was always going to hold off for “Smoke Jumpers,” and though Alan Gray has made it quite clear that he will never work with Vince again, next week’s previews suggests that might not be the case.

As for their trip to the Joshua Tree, well, there’s not a whole lot to say. Eric Roberts’ cameo was probably the best part about that whole storyline, and even that felt like a rehash of previous episodes involving Gary Busey and Val Kilmer. There are only so many times you can invite B-list celebs on to the show to prove that they’re hip, and between guys like Busey, Kilmer and Bob Saget, we’ve already had our fill over the last few seasons.

Entourage 5.5

Perhaps worse, however, is the fact that none of the main actors are very good at playing high – to the point that Eric’s big trip-out moment was that he was literally speechless and Drama thought Arnold the bulldog was a rock. Jeremy Piven came the closest to nailing the experience (or at least what I’d expect that sort of experience to be like), but it’s virtually impossible to play Ari stoned since one of his main character traits is that he always appears in control, even when he’s not.

So why would the writers even produce such an episode? You got me. They probably thought it would be fun to watch the gang act all philosophical while under the influence of Eric Roberts’ homegrown magic mushrooms, but it wasn’t. I sat around waiting for something to happen, but with the exception of a mildly entertaining sequence involving Lloyd coaching Ari through his trip, nothing ever did. You’d think that between the “Smoke Jumpers” fiasco, Eric’s aggressive new clients, the bidding war with Amanda, Bow Wow’s comedian character, and plenty of other discarded ideas (like that Ramones biopic), there’d be plenty to talk about. Instead, we get this, and while I was more than willing to forgive the writers a few weeks ago for abandoning all story development to have a little fun, after tonight’s episode, they’re officially back in the doghouse.

Old Show, New Season: “Pushing Daisies”

If the pilot for “Pushing Daisies” wasn’t the single best hour of television to emerge in the 2007 – 2008 fall TV season (and it wasn’t, because I still say that honor belongs to the pilot for “Reaper”), then it can at least be said with some confidence that it was the one which made the greatest visual impact, courtesy of its gorgeous colors. It also had a pretty damned unique premise, involving Ned (Lee Pace), a guy with the ability to bring dead people back to life – but only for a minute at a time, lest their return to life result in the death of someone else – who splits his time between making pies, solving crimes, and pining for Chuck (Anna Friel), a girl he can never touch. Oh, right: it also had a script that was sweet, sentimental, unexpectedly dramatic, and very, very funny.

Hmmm. Suddenly, I’m beginning to wonder if I need to go back and re-watch the “Reaper” pilot. Maybe I got this one wrong.

Nah, just kidding…but “Pushing Daisies” is a great show, and after having re-watched the entire first season on DVD, I found myself geared up to see where things were going to go with the series, especially after that bombshell they dropped in the season finale: that Aunt Lily (Swoosie Kurtz) is actually Chuck’s mother.

Season 2 kicks off with a considerable amount of catch-up, which only makes sense, given not only how complicated the series is but also how long it’s been since the show was last on the air. This is a good thing if you’ve heard lots of great stuff about the show but were concerned that you couldn’t possibly get into it at this late date. Believe me, this is about as good a summation as you could hope to receive…and while it’s stuff that the regular viewers will already know, they’ve managed to slide in a few new scenes here and there to keep it interesting for everyone.

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A Chat with Mitch Pileggi

You may know him as FBI Assistant Director Walter Skinner on “The X-Files” or, more recently, you may have thrilled to his recurring role on “Stargate: Atlantis” as Col. Steven Caldwell, but either way, if you’re a sci-fi fan, you probably recognize the face of Mitch Pileggi. Pileggi’s resume is wide and varied – he’s recently popped up FX’s “Sons of Anarchy,” has turned up on CBS’s “CSI” and “Cold Case,” and was a regular on ABC’s short-lived (but thoroughly brilliant) “Daybreak” – but now it’s The CW’s turn. After a one-off turn on “Reaper,” Pileggi has found his way onto a flashback episode of “Supernatural,” playing Sam and Dean’s grandfather. We spoke to Pileggi in conjunction with the episode, which airs on Oct. 2nd, which gave him the opportunity to praise the cast of that show, speak to the variety of work he’s done, and stand bemused at people’s fondness for his 1989 cinematic collaboration with Wes Craven.

Stay tuned for…

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