Category: External Movies (Page 320 of 336)

BE’s Badass Bracket: Round 1 Recap

Apparently, we sold Indiana Jones short. He was, after all, being set up for a major thrashing at the hands of CTU super agent, Jack Bauer, but the good doctor held a respectable lead for a majority of the voting stage and pulled out a win. Of course, despite losing to Indy by nearly 25% at one point, Jack made a last minute campaign that landed him within 5% of victory. A close battle indeed, and that wasn’t the only upset of the first round, either. The Bride fell victim to James Bond’s charm and apparent popularity, while John McClane swept the floor with Tyler Durden perhaps too easily.

In a classic battle of old vs. new, Sonny Corleone whacked Tony Soprano, and Conan showed Casey Ryback just how much of a barbarian he really is. And what of Maxmius’ battle with James Dalton? Just as we expected, though the fight between Ash and Doc Holliday was an out-and-out brawl to the end, with the polls locked at the 50/50 mark until the final days when Doc pulled out a last minute victory with a surge in votes and a little luck. As a result, the Round of 16 will be heavily represented by the veteran badasses, with many of the new blood favorites sent packing far earlier than expected.

Check out all of our round one match-ups here, and then come back to post any gripes or opinions about the results.

Why exactly is Rob Zombie re-making “Halloween”…

…when he seems intent on removing so many of the things that made John Carpenter’s “Halloween” such a definitive horror film?

In a recent interview with MTV, Zombie indicates that “I have free reign to do whatever” with the flick, admitting that he loves the original movie but wants to expand on it. Unfortunately, in this expansion, he’s removing Michael Myers’ ability to drive…which means sayonara to Myers is in the station wagon…and he’s not of a mind to use Carpenter’s theme song in any capacity. What…? That’s like remaking “The Good, The Bad, and The Ugly” but ignoring Ennio Morricone’s score. He’s also going with a different Myers house, rewriting the character of Dr. Loomis to a considerable degree, and, basically, removing everything but the character names, the very general premise, and the fact that it takes place on Halloween.

And, yet, I can’t ignore the sheer coolness of having Malcolm McDowell playing Dr. Loomis…

…so I remain curious enough to consider checking out the flick.

Box Office Roundup: America has no respect whatsoever for its time

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Wild Hogs: $39.7 million (owner: Kristin Dreyer Kramer, Nights and Weekends)
Kristin is thrilled to finally draft a movie that debuts at the top of the box office, and is utterly mortified that this is the movie that got her there.
2) Zodiac: $13.4 million (Jason Zingale, Seven Strangers)
And with the fourth pick in the draft, Se7en Strangers selects…the biggest bust of the season so far.
3) Ghost Rider: $11.6 million, $94.8 million to date (owner: Will Harris, What’s All This, Then?)
The repercussions of this will be felt for years to come. Fuck you, Nicolas Cage.
4) Bridge to Terabithia: $8.9 million, $58.2 million to date (Bill Clark, Norbit Will Tank)
Next.
5) The Number 23: $6.5 million, $24.1 million to date (Deb Medsker, Punch and Pie Pictures)
Jim Carrey will now have to add up his salaries from multiple movies to equal the $23 million he was once able to command for one movie.
8) Black Snake Moan: $4.1 million (Kevin Carr, But I Liked ‘Lady in the Water’)
If we didn’t already learn it last summer, It is now clear that combining “Snake” and “Samuel L. Jackson” in the same sentence does not equal box office success.

Standings so far:
1) What’s All This, Then: $143.3 million
2) Republicans for Voldemort: $82.9 million
3) Nights and Weekends: $74.4 million
4) But I Liked ‘Lady in the Water’: $67 million
5) Norbit Should Have Tanked (formerly Norbit Will Tank): $58.2 million
6) Punch and Pie Pictures: $49.6 million
7) Reel Times Studios: $38.6 million
8) Se7en Strangers Productions: $30 million

The booed-at-the-Berlin Film Festival graphic novel “300” finally arrives, and everyone else is staying the hell out of the way.

Bullz-Eye for the Kiddies, Vol. 2

It’s been awhile, but we’re back with a new volume of Bullz-Eye for the Kiddies. These children- and family-oriented discs don’t come in at a rapid pace, so we sometimes have to wait a little while to stockpile enough for another column. Sorry, we know how much you’ve been waiting for this – we’ve gotten all of your E-mails – but, at least, your patience has paid off!

Jakers! – Sheep on the Loose: It’s gotten to the point where I actually look forward to this show when my daughter’s watching PBS Sprout on cable. And, really, what’s not to like? Computer-animated Farm animals talking in Irish accents…? C’mon, people, get behind me on this! Seriously, though, it’s a show that’s full of lessons and morals, but the writing is fantastic, particularly in the way it tackles serious subjects without getting too morose about it. “Waking Thor” finds Ferny the cow dealing with the death of his goldfish, Thor, and it’s handled in an exemplary manner, indicating that loss is loss if you love the person who dies, whether it’s a goldfish or a parent. There’s a particularly great line when Piggley’s dad asks the kids if they’ve considered a wake for Thor, and Piggley responds, “Oh, there’s no wakin’ him, Da. We’ve seen him; he’s done.” This episode also has a running subplot where Wiley the sheep – voiced by Mel Brooks – is bored out of his mind; another sheep suggests a rousing game of cricket, to which Wiley responds, “What, are you kidding? That’s the same as being bored!” Definitely one of the best animated shows that PBS has to offer.

The Fox and the Hound 2: You know, if we all team up and go over to the Disney studios en masse, at least one of us ought to be able to make it through security, into the corporate offices, and punch somebody – preferably an executive – in the face for greenlighting all of these fucking straight-to-video sequels, prequels, and “mid-quels” to classic films. What’s a “mid-quel”? It’s where they invent a new story and claim that it occurred off-camera at some point during the original flick…and that’s what this story is. Tod the fox and Copper the bloodhound are still in their youth when Copper, who feels as though he can’t do anything right, discovers that he can howl pretty darned well, which leads him to join a traveling band of singing dogs who are performing at the county fair. Tod gets jealous, of course, and by the end of the film, Copper returns home and the status quo is reinstated…but not before we’ve heard a few tunes from Reba McEntire, who voices one of the singing dogs. If you remember the sweet story of the original “Fox and the Hound,” stay away from this completely unnecessary flick that does nothing but try to scrape a few more bucks into the Magic Kingdom’s bank vault.

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