Category: External Movies (Page 251 of 336)

Mystery Science Theater 3000: Volume XV

Do “Mystery Science Theater 3000” fans engage in fierce debates over who was the better ringleader – Joel or Mike? And if so, does it ever get ugly? A little bit of MST3K (as the cool cats refer to it) has always gone a long way for me. I’ve never been able to grasp how this gimmick lasted for as long as it did, since it requires 90-plus minutes of your time for each installment; while the concept of heckling bad movies is novel, you still have to sit through the bad movies. Often times the fare would be considered unwatchable if not for all the slings and arrows lodged in the direction of the movie screen. Of course I realize that’s the whole point of the thing, but if the gimmick isn’t working, as is the case about half the time with MST3K, it can be a torturous way to watch a bad movie.

The latest set from Shout Factory collects four more installments, from different eras of the series. Judging by these episodes, Mike would unquestionably win the proposed fan debate, as neither of the Joel offerings are anything to write home about. “The Robot vs. The Aztec Mummy” comes from very early in the series, and it’s just terrible. I swear I didn’t even laugh once. “The Girl in Lovers Lane” is somewhat better, but the difference is negligible. The third offering, “Zombie Nightmare,” is an absolute scream – everything that this show ever did well is encapsulated in their lambasting of this terrible ‘80s film featuring Adam West. The final entry is called “Racket Girls,” and while not quite the standout the previous title is, it’s still pretty good stuff, although you’ll be able to safely slip off to the bathroom from time to time, and likely not miss anything special. Regardless, MST3K has such a devoted following, I can’t imagine fans of this show will be satisfied until every single episode is available on DVD, and therefore my stick in the mud antics carry very little weight whereas this series is concerned.

Click to buy “Mystery Science Theater 3000 XV”

Walking into a trap

Whilst I dither over just what kind of “Bruno” related pun to put in my headline for tomorrow morning’s box office preview, Steven Zeitchik has an item that sort of defies belief in the possibilities it offers for of the potential for ribald and/or truly offensive jokes and puns, and not just the innocent fur-bound animal and classic TV sitcom-based gags Zeitchik mentions.

The script has been floating around for some time and been associated with such funnymen as Jim Carrey and Steve Carrell, but now it looks as if Mel Gibson may play the not-quite title role in “The Beaver.” It’s an edgy comedy about a man whose (presumably imaginary) friend is a beaver hand-puppet. Gibson might be a walking disaster area in many respects, but does have an underused gift for antic comedy. This could work.

Written by newcomer Kyle Killen, the comedy will team the sometimes blatantly homophobic Gibson with another director-actor, Jodie Foster, who will also costar. Did I mention I have tremendous amount of respect for Ms. Foster, as well as lifelong crush. (I like my film star infatuations on the unattainable side.) I now respect her sense of humor more than ever.

Sounding off on “Basterds”, a new Spidey writer, movies you didn’t ask for, and Werner Herzog

Some quick items from around the web tonight.

* Quentin Tarantino talks to Mike Fleming about, what else, “Inglourious Basterds” — the movie made simply to confuse my spell checker. And, yes, once again, Harvey didn’t tell him to cut it by forty minutes and it’s actually slightly longer now than it was when it screened at Cannes to all-over-the-place reviews. He made suggestions, however.

* Gary Ross has been brought in to do a new draft of Sam Raimi’s “Spiderman 4.” Ross is a solid writer, and an okay director in his own right. He’s done wonders for Tobey Maguire’s career previously on both the career launching “Pleasantville” and the entertaining but kind of unremarkable “Seabiscuit.” So, perhaps it’s just an attempt to get a script that will work better than the highly problematic Spidey 3. Josh Wigler, however, has some concerns involving Ross’s upcoming Lance Armstrong project.

* They have a director for the big, huge, enormous 3-D Smurfs movie. Do I give a smurf? No mother-smurfing way.

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Harry Potter and the more family-friendly rating

Early ticket sales are outpacing “Transformers: Revenge of the Fallen,” which naturally warms my Michael Bay-unfriendly heart, but that’s not the only news for the upcoming “Harry Potter and the Half-Blood Prince.”

A day or two back, Pamela McClintock of Variety wrote an article detailing the possible box office up- and downsides of the milder PG MPAA rating the upcoming Harry Potter film, “Harry Potter and the Half-Blood Prince,” will have in comparison to the stronger PG-13 rating of the previous film. (Shorter version: parents may be more likely to encourage to allow kids to see it, but teens may prefer the allure of mild cinematic transgression promised by the PG-13.)

This PG-rating seems like another example of the arbitrary nature of the ratings. (It’s actually worse than that, but that’s another blog post.) Of course, I haven’t seen the new Potter film — and I’m not half way through reading the book yet — but by the very nature of the series, with the characters maturing and a war of wizards raging, the new film should, if anything, be at least slightly more violent and sexually charged than the prior film.

Even with most of us lucky enough to lead lives more or less without violence, real life is NC-17 from a fairly young age. For most of us, daily life is full of cursing, scatology (assuming we’re reasonably regular), sex and/or thoughts of sex. It’s not implying any scandal whatsoever to say that a sufficiently frank documentary about the making of a Harry Potter film could get an quick R-rating simply for language. Thanks to Ricky Gervais and company, we already have an idea of what such a documentary might be like.

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