Category: External Movies (Page 226 of 336)

RIP Army Archerd

Army ArcherdHe might have seemed as much of a permanent Hollywood fixture as the Chinese Theater or Musso & Frank, but columnist Army Archerd, for decades the writer of the “Just for Variety” column, past away yesterday from cancer at the age of 87. Growing up in Los Angeles with a permanent eye fixed on the movies, I was nevertheless rarely a regular Variety reader except when I was lucky enough to be working someplace with a subscription, but Archerd’s importance was obvious.

He was a fairly far cry from the muckraking and abrasive Nikki Finke and a much further cry from the punishing, often vindictive, gossip/entertainment columnists of the past like the mean-spirited but powerful Walter Winchell and Hedda Hopper. Indeed, I had kind of forgotten that the younger Archerd had fought the Hollywood blacklist. Winchell and Hopper had done very much the opposite.

When Archerd broke a personal story about a celebrity it wasn’t to try and “destroy” them and, in the most famous instance, it was a social good — though not everyone thought so at the time. For those who can’t remember the news that aging onetime superstar Rock Hudson had AIDS, it’s hard to explain the importance of the event. It was the first time many had even heard of the disease, which was already devastating the lives of untold numbers of people. Even in L.A., where Hudson’s sexual preference was an open secret even outside the show business world, the news raised the awareness of the quickly spreading disease far beyond the confines of the gay community, where it was already a devastating fact of life. Outside of Hollywood, it was also maybe the moment where “middle America” became aware that some of their favorite performers were not heterosexual.

For me, however, however, Archerd was always the pleasant, calm guy I grew up watching at the Oscars or at the Hollywood Christmas Parade. I was never a regular reader of his column, but he was just always there. I don’t know what to say except that I half expect those cement footprints in front of the theater Sid Grauman built might go away, too. Nikki Finke and, of course, Variety have excellent obituaries up.

Also, see Finke’s comments. Starting off with one by actor/activist Mike Farrell (“MASH”), it’s a pretty moving tribute.

Tolkien/Harper Collins v. New Line/Warners suit settled

There is joy in Middle Earth as the suit over the accounting of the immense take of Peter Jackson’s Lord of the Rings film cycle has been settled. (Nikki Finke says it was nearly $6 billion.) The terms are being kept secret, but this is a separate matter from the already settled action between New Line and Peter Jackson, which ended his relationship with former New Line Prez Bob Shaye under some extremely acrimonious conditions. This means there’s nothing likely to stand in the way of Guillermo del Toro’s upcoming films of Tolkien’s The Hobbit.

It’s also worth recalling that this isn’t the first time the Tolkiens — who were partners in the suit with the Rupert Murdoch’s Harper Collins publishing megalith — have been allegedly deprived of what’s rightfully theirs and been involved in successful legal action. The question is, what’s more corrupting — the power of cash or you-know-what?

Icons of Sci-Fi: The Toho Collection

Despite some highly questionable packaging (three discs on a spindle), this collection is a must for serious fans of the cycle of the monster and science fiction films released by Japan’s Toho in the fifties and sixties — and optional for everyone else. It’s certainly nice to see finally see these in widescreen and the original Japanese.  (Slightly shorter English versions are also included for those who want to set the movies on “extra-campy.”)

All three films included in this set were directed by Ishirô Honda, the creator of the often disrespected Japanese monster genre, starting with 1954’s “Godzilla,” who also happened to be best friends with Toho’s resident cinema god, Akira Kurosawa. 1961’s “Mothra” is the only actual monster tale in the set and a favorite of aficionados. It’s a genre-blending variation on “King Kong” in which a giant caterpillar (later a multicolored moth) becomes highly problematic for Japan and a fictional stand-in for the U.S when its two incredibly small fairy protectors, “tiny beauties” played by singing duo the Peanuts, are held captive and forced to perform on stage by a greedy not-American explorer/impresario (Jerry Ito). Honda was tiring of straight-up antinuclear grimness and his addition of comedy and some enchanting musical numbers makes for added fun. 1958’s “The H-Man” is another stylish and mostly entertaining genre-combo, in which police investigate a series of purported yakuza murders that are actually the doing of a creepy atomic slime.  Early SFX geeks may adore “Battle in Outer Space” — and that certainly includes authors Steve Rylie and Ed Godziszewski who recorded two commentaries for this set. As for the rest of us, this forerunner of  “Independence Day” is rather leaden and easily the least entertaining offering of the three.

Click to buy “Icons of Sci-Fi: Toho Collection”

Gearing up

As I recall, not a whole lot of work really got done on the first day of school, but as people trickle back in from vacations, film festivals and the like, things are starting to happen.

Nicolas Cage* THR blogger/reporter Borys Kits has been keeping busy over the long weekend. He reports that Nicolas Cage will be starring in an action/revenge film, and another action/revenge film, with cars and in 3-D, entitled “Drive Angry.” Don’t take the car, Nick, you’ll kill yourself!!!!! (It’s a reference to an old commercial that you may not be in the right age/geographic group to get, but Mr. Cage most certainly is.) Kits also reports that Steven Soderbergh will be entering the action game with martial artist Gina Carano. As if that’s not enough, Kits also has a news story posted on a new documentary about Stanley Ann Dunham, Barack Obama’s late mother who figured prominently in today’s ever-so-controversial “work hard and stay in school” speech, to be directed by acclaimed Los Angeles-based indie filmmaker, Charles Burnett (“Killer of Sheep”). I actually have some very slight personal connections with the group behind this film, so this one has my extra attention.

* Fans of Shinya Tsukamoto’s “Tetsuo” series should maybe brace for a disappointment.

* Anne Thompson summarizes the Telluride Film Festival in the time of recession. BTW, she has some very kind words for Nicolas Cage’s performance in Werner Herzog’s unauthorized Abel Ferrara homage (or something), “Bad Lieutenant: Port of Call New Orleans.” After debacles like “The Wicker Man” (my nominee for worst remake of all time with one of the worst lead performances by a major star), Cage badly needs to at least give a well-regarded performance or two. He’s a hugely talented performer — anyone remember “Leaving Las Vegas”? — but they all run the risk of sort of falling into themselves.

* I don’t know how to work this in tastefully. Let’s face it, most of what I talk about here is trivia — and then real life enters the picture and it’s hard to know what to say or do. Anyhow, critic/cinephile blogger Noel Vera has more thoughts, and some affecting links, on the lives of 28 year-old Canadian-Filipino critic Alexis A. Tioseco and his partner, film journalist Nika Bohinc. Both of them were killed last week when they apparently surprised a burglar in their Manila home.

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