Category: External Movies (Page 173 of 336)

The Cove

I might be a liberal native Californian, but I’m no vegan and no fan of the animal rights absolutists at PETA. On the other hand, I make an exception when it comes to eating or capturing animals that might be self-aware. “The Cove,” from National Geographic photographer and first-time director Louie Psihoyos, exposes a crime that is arguably the moral equivalent of genocide, but that’s only the beginning. This likely documentary Oscar nominee chronicles the efforts of a diverse group of activists, including onetime “Flipper” trainer Rick O’Barry, to videotape the secret mass killing of dolphins by Japanese fishing interests. Much has been made of the “caper” aspects of “The Cove” in chronicling how the footage was illegally obtained. It’s strengths, however, lie in the clear line it draws between the slaughter of animals who might be our intellectual equals — there but for the lack of an opposable thumb go we — and the ecological horror behind it. The dolphins are not being killed primarily for their meat, which is so mercury laden you’d be far better off consuming Jeremy Piven, but was nevertheless criminally forced on local schoolchildren. The true motive for the crime turns out to be to eliminate a competitor for the dwindling supplies of seafood, a key source of our increasingly hungry world’s supply of protein. Despite all this, the dolphin is not yet an official endangered species, but then, neither are we.

Click to buy “The Cove”

“Bone structure”

As I mentioned in my post below, veteran screenwriter Alvin Sargent is said to be hard at work on the latest draft of “Spiderman 4.” Prior to working on “Spiderman 2,” Sargent was best known for his work on more small-scale films from the late sixties, seventies, and eighties including his Oscar-winning work on “Ordinary People” and “Julia.”

Below is an example of Sargent at his tragicomic best from his merely Oscar-nominated screenplay for Peter Bogdanovich’s retro 1973 comedy, “Paper Moon,” based on the novel by Joe David Brown. As Mlle. Trixie Delight, the late, great Madilyn Kahn does all the talking in this scene . She was nominated for Best Supporting Actress for her work, but it was Tatum O’Neal who was the youngest person to ever win a competitive Oscar for the role, winning the Best Actress award at age 10.

Tuesday night at the movies

A busy day in tinseltown, but I’ve got to keep things brief tonight.

Spiderman* Nikki Finke is breaking the story that “Spiderman 4” is on hold due to script problems. In other words, Sam Raimi supposedly “hates” the screenplay a large of number of screenwriting cooks have been preparing.  The latest to get his hands on the script is screenwriting standby Alvin Sargent, who worked at the past two Spidey movies and is, at 82, probably by far the most senior fellow writing comic book movies these days. And, oh yeah, it might be in 3-D.

* In another scoop for the Finkster, she reports that underage It-boy Taylor Lautner is Hollywood best compensated teen and now being paid “per ab,” though he apparently has half an ab. I wonder if I get figure out a way to get paid per nose hair.

* Anne Thompson reports that Sam Mendes is “in talks” to direct the next James Bond movie. This would be a major change of pace for the director best known for the Oscar-winning, cinephile-derided, “American Beauty” and “Road to Perdition,” whose attempt at an indie dramedy, “Away We Go,” failed to set the world on fire last year.

* T-Bone Burnett, a superb musician and record producer who has found his greatest fame working on “Oh Brother, Where Art Thou?” and pretty much every major film with a country music/Americana aspect to it, tells Kim Masters a moving story about how the late musician Stephen Brutan influenced the filming of “Crazy Heart” with Jeff Bridges.

* And how can we get through a day without mentioning “Avatar“? If you’ve been wondering how the Na’vi nasty is done, you’ll get some “soft R” clues, I’m guessing, on the special edition DVD. That’s the word from Huffington Post. I guess we’ll have to wait longer to have 3-D big screen alien-sex.

* On a vastly more serious “Avatar” related note, the Washington Post reports that James Cameron is openly considering making a hard-hitting film about nuclear weapons and traveled to Japan — the only country to ever be attacked with nuclear weapons — to start researching it last month. This is the kind of film you can make with a major studio after you have the kind of monster hit Cameron appears to have on his hands.

As for the research, not all of us are able to talk to survivors of the blasts at Hiroshima and Nagasaki — I actually have, in another life, and consider myself lucky for having done so. If you’ve never read John Hersey’s Hiroshima, however, you should. The world might not be under constant threat of annihilation as it was up from the fifities to the late eighties, but nuclear weapons remain a serious threat. ‘Still, I’m sure Fox would be just as happy if Cameron decided to make “True Lies II.”

* It’s a big day for octogenarians breaking stereotypes just a bit. Christopher Lee is continuing his exploration of “orchestral metal.” I hope you enjoy his new direction.

* The Premium Hollywood/Bullz-Eye gang is quickly dividing into Blu-Ray “haves” and “have nots.” For the benefit of the “haves,” (a group that does not include me) Glenn Kenny recounts his favorite BR discs of 2009.

First movie news round-up of the 2010s!

* A side-effect of the slow-going sale of MGM, the slowed down production of  “James Bond 23” and, to some degree, “The Hobbit” writes Anne Thompson.

* I haven’t seen “Up in the Air,” yet, so I’m not reading this item about Jason Reitman responding to a rumored deleted subplot, but there’s no reason you can’t if you’ve seen it or don’t mind big spoilers.

* Inevitably, the apparent mega-success of “Avatar” brings out Hollywood’s copycat side re: 3-D.  Oy.

* Every cinephile’s favorite company, Criterion, plugs their 2010 release schedule via primitivist postcard. Next time, they should go the extra mile and promote their releases via cave painting. Tops on my wish list: the restored “The Red Shoes.”

* I suppose I should wait until I’ve caught up with “Taken” to pass full judgment, but I can’t help but wonder about Paramount’s apparent approach to choosing directors for the latest attempt at Frank Herbert’s “Dune.” It’s not that I think Pierre Morel is a bad director. His “Banluie 13” had some very good sequences, even if its story was the usual Luc Besson not-quite-story. But why does Paramount apparently think this is just another hard-charging action flick?  To me, this is a movie that needs someone with a bit of David Lean or John Ford in him. Giving helmers who are strong on thud and blunder, but not necessarily on story and character, “Dune” is like assigning a smart second-grader to do a book report on The Brothers Karamazov. They might figure out the storyline with a lot of effort, but they’ll never get near the meaning — though I’d be delighted to be proven wrong.

* Flixter is acquiring my favorite review aggregating site, Rotten Tomatoes, from IGN (owned by Murdoch’s News Corp.) A very interesting merger, I think. Dylan Stableford of The Wrap has a brief interview.

“I ain’t much of a lover boy.”

Vice-obsessed film writer Peter Biskind, best known for the book Easy Riders, Raging Bulls: How the Sex-Drugs-And Rock ‘N Roll Generation Saved Hollywood, has a new biography coming out of Warren Beatty.  The most interesting thing to me about Beatty is how an actor who could have easily done just fine on his good looks,  charisma, and acting ability also became one of the most important filmmakers of the later 20th century. But that’s me and I’m weird.

True to form for Biskind, he has grabbed headlines with an estimate that Beatty, who in his prime was definitely noted for being one of the world’s most avid heterosexuals, might have slept with as many as 12,775 women, a number inflated to “almost 13,000” by caption writers. This was all presumably between losing his virginity at 20 in 1957 (kind of late for a future mega-multi-stud, even in the fifties) and settling down with Annette Bening to start a family in the early nineties.

Now, if we simply multiply 365 days by 33 years, the number we get is 12,045. That means that Beatty would have had to sleep with at least an average of a different woman every day, plus add in a good number of various menages or multi-partner days while also managing to help redefine Hollywood movies during the sixties, seventies, and eighties. Not impossible, I suppose but a guy’s gotta sleep and work and eat and stuff.

Naturally, the Beatty camp has shot back and everyone has clarified that, while  Beatty allowed himself to be interviewed by Biskind, the book it is in no way an authorized biography, as some outlets had wrongly stated.

Anne Thompson writes that “Beatty works in mysterious ways.” Absolutely. Anyone who’s seen one of his Barbara Walters interviews can see that the extremely intelligent Beatty is a remarkably cagey fellow in dealing with the gossip-loving press and, based on his reputation, it’s easy to assume that Beatty did sleep with a number of women most of us would regard as enormous, even if this particularly number seems a bit absurd. This, my friends, is not news. Absent moral qualms and given the ability to easily bed innumerable beauties, so, perhaps, would most of us males.

But, what’s really interesting to me is that Beatty’s career-defining role which presumably upped his already massive sexual stock into the stratosphere, was playing a guy who loved exactly one woman and couldn’t even make love to her — not physically, anyhow.  That’s how it works sometimes.

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