Category: External Movies (Page 107 of 336)

Eighties redos to battle at the box office

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I’m severely limited for time — and more than a bit tired after a busy and reasonably productive day — so this may be one of my shortest box office preview posts.

This week’s two major new releases are reboots of properties remembered fondly by many children of the 1980s, “The A-Team” and “The Karate Kid.” Both movies have been supplied with some well known names, Jaden Smith and Jackie Chan for the former and Liam Neeson, Bradley Cooper, and Jessica Biel for the latter.

Jolly Carl DiOrio doesn’t go so far as to predict which film will emerge on top, with both having some fairly obvious broad appeal. I’ll say that my personal hunch is that Sony’s “Kid” will take the lead because, with a PG rating, it’s definitely more of a family film than the more violent and adult-oriented PG-13 “A-Team” from Fox. The martial arts flick also would seem to have more appeal for female audience members for similar reasons. It certainly seems extremely likely, in any case, that “Kid” will be the more profitable film by far, as we’re led to believe it cost $40 million, while the Joe Carnahan directed “Team” cost something more like $95 million. Both movies got mixed-to-meh reviews at “Rotten Tomatoes.”

Will these action flicks rescue Hollywood from the box office blahs? All I know is that I have no strong desire to see either of them and I’m not sure Hollywood deserves any better than its getting. In fact, without having seen these new movies, I feel safe in assuring anyone reading this that, if you’re at all open to them, you’ll be vastly more entertained by renting almost any of Jackie Chan’s amazing eighties and nineties Hong Kong films. I know I’d really like to see “Project A, Part II” — an ingenious slapstick comedy adventure — or any of the “Supercop” movies again soon. Like, right now.

It’s time for midweek movie news

I used to be disgusted, now I try to stay bemused…

* Yes, they weren’t kidding. Ben Stiller and Tom Cruise are teaming up to make a Les Grossman movie, declares Nikki Finke. I try never to prejudge films, and I really did think Cruise was hilarious in “Tropic Thunder.” However, I think writer Michael Bacall, Ben Stiller, and whoever winds up directing really have their work cut out for them in terms of this not turning into some kind of inverted ego-fest (“look at me — I’m willing to act all crazy!”) like what we saw on MTV a few nights back.

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* A new James L. Brooks romantic comedy by any name will probably be worth a look, and maybe better than that.

* It’s always seemed to me that the best part of the guilty pleasure appeal of “Entourage” — aside from Ari, Lloyd, and Johnny Drama, anyway — is the lightning fast pacing that nearly always leaves fans wanting more. Now, producer Mark Wahlberg is determined to give us more in the form of a movie to follow up from the conclusion of the television show. I’m concerned about whether he gets the concept of why you want to always leave an audience wanting more. If not, “Entourage”  could become the male equivalent of “Sex and the City” in theaters as well as the small screen.

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“Rango” promo is not for the literal minded (updated 2x)

Tired of trailers that give everything away? Well, below is the teaser trailer — or whatever it’s supposed to be — that’s been mystifying bloggers like Drew McWeeney all day. The movie is called “Rango.” [UPDATE: The trailer has since been deleted.  I guess someone decided it was just too surreal.  ANOTHER UPDATE, MUCH LATER: And now it’s back.]

Reminds me of a joke:

Q: How many surrealists does it take to change a lightbulb?

A: The fish.

Or, in this case, the mechanical fish, I guess.

As per McWeeney and YouTube, the movie is performance-capture heavy animated piece about a “chameleon with an identity crisis” and stars Johnny Depp, Isla Fisher, Abigail Breslin, and a truly impressive collection of venerable character actors including Bill Nighy, Stephen Root, Ray Winstone, Beth Grant, Ned Beatty, Harry Dean Stanton and Alfred Molina. It’s being directed by Gore Verbinski and co-written by the very busy scribe John Logan. I am anything but a fan of Verbinski’s “Pirates” movies, but the marketing has worked. They’ve got my attention.

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Don’t tell me what’s in this trailer

Yes, I’m a bit late, and a lot of you saw this on Sunday night when it premiered as part of the MTV Movie Awards, but even though I’m posting it, I’m not actually watching the trailer for “Harry Potter and the Deathly Hallows.” Not yet.

You see, although I’m quite fond of the Potter series as well as a terrible procrastinator, I haven’t read the book yet. (I’ll get to it before November. Really.) Since trailers for film adaptations often give away in the first minute things that happen 100 or so pages into the book, there’s no freaking way I’m watching this teaser trailer. But here it is, anyway. Actually, right now I’m pretty sure that all the characters will die horribly by the end of the book anyway, except Voldemort, of course.

Guillermo del Toro, hobbit-heads hardly knew ye

I’ve never made it a secret that I’m a fan of Guillermo del Toro, the person, almost as much as I appreciate the outstanding work of Guillermo del Toro the filmmaker. He’s a guy who, among other distinctions, is the only auteur I know of to get his start largely as a special effects creator. It’s impressive even if, as del Toro explains in one the clips below, it was a matter of necessity for a burgeoning horror-fantasy director, as there weren’t any efx houses to speak of in his native Mexico. He’s also the most openly sensitive, soulful public geek I know of. What can you say about a man who’d address the denizens of the Tolkien fan community and expand on his initial farewell to directing “The Hobbit” on a fan message board like this:

I have to thank those of you that have supported me from the start as well as those that converted along the way. And even say farewell to those that never did convert or believed.

I will miss Mr. Crere, the faith of Compa and Sir DennisC, the wisdom of Voronwe, the joy of Grammaboodawg, the support of Kangi Ska and so many, many other.

He says this, addressing himself to a fan, Pasi, who I gather was upset by del Toro’s departure from “The Hobbit.” This is not the usual approach of a major Hollywood filmmaker and, there is no doubt, del Toro is not your typical major Hollywood filmmaker. He says that leaving “The Hobbit” was “the toughest situation of my life.” That’s a rather extraordinary statement considering that del Toro’s personal biography has an almost Dickensian flavor, including having to negotiate the release of his kidnapped father with brutal gangsters, some of whom may still threaten his safety and are the reason he no longer works in Mexico.

In other words, this is a man who loves movies with absolute devotion and it’s hard not to mourn the movie he might have been allowed to make if we lived in a slightly more logical universe. Another director may well do an extraordinary job but it cannot really be the same and it’s hard to imagine it’ll be any richer than the movie del Toro might have made. That includes every other director out there, including Peter Jackson.

If you watch the video interviews below and after the flip, I think you’ll see what I mean.

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