Category: External Entertainment (Page 113 of 513)

True Blood 3.4 – Smell The Memories

Tonight’s episode kicks off with Sookie trying to make her new werewolf pal, Alcide, feel a little less crappy about having gotten his ass kicked in Lou Pine’s were-bar. Alcide’s pissed that his brethren would indulge in vampire blood and sad about the departure of his fiancée, the latter feeling only slightly less shoehorned into the script than it did in the previous episode. Sookie obviously felt guilty about the way she was laying hands on Alcide, but one suspects that the guilt only lasted until the phone rang and Bill dumped her. I know he’s doing it because he thinks it’s the only way to save her life, but the effect it’s having on Sookie is clearly traumatizing the poor girl. She gets into a debate with Alcide over what Bill said, why he said it, and what it all means, but it’s quickly made obvious that the last person who she ought to be talking to about her situation is a werewolf dealing with his own relationship problems. Thank God the guy’s got some semblance of restraint, but come the next morning, things somehow end up even more tense between them, with Alcide accusing her of being a doormat and Sookie demanding that he take her to his ex-fiancee’s engagement party. Yeah, ‘cause that’s an event every guy wants to attend…

Alcide’s sister, Janice, sure knows how to offer a compliment, telling Sookie that she’s cute and sweet, but only after admitting that she’d’ve settled for a two-bit hooker to get her brother’s mind off his ex-fiancee. Between what Janice said and what Sookie heard her thinking, it appears there are some serious parallels between the relationships of Sookie and Alcide, insofar as how long one should suffer through first love before realizing that it might not be worth all the trouble. But I digress, when I should be pointing out how Janice made Sookie look like Joan Jett’s hot little sister. (Marjorie Kase suggested that I throw a “Sandy from ‘Grease'” reference into my write-up. I’m guessing this is a reference to the “tell me about it, stud” transformation.) Unsurprisingly, Alcide isn’t exactly pleased to hear the news about Debbie’s situation, but he nonetheless agrees to help Sookie get into her party…which we’ll get back to discussing in a little bit.

Sam’s ready to kick his little brother’s ass for sneaking into his office, but in the process of trying to hunt him down, he stumbles upon his family’s van and learns that they’re temporarily camped out in his parking lot because of unpaid rent. Mom and Dad are less than thrilled at the news, but they’re not in any way surprised, either. Meanwhile at Merlotte’s, Jason tries to buy a round for his boys, but he ends up suffering pangs of jealousy over some young high school punk, while Sheriff Bud really is retiring, apparently, and he’s been given a pair of “dancing shoes” as a farewell gift. The revelation that Andy’s taking over the reigns of command pisses Jason off, though, sending him over to start some shit with the aforementioned young punk. Jason might’ve confused the kid with his “ten years from now” speech, but it actually made more sense than most of the things that’ve come of his mouth on this show. Also, Jessica’s working for Sam as a hostess…but not a waitress, owing to the fact that she’s forever trapped at the age of 17 and therefore unable to sell alcohol for all perpetuity (have these people never heard of a fake ID?)…but being out in the open leads her to be spotted by a former Bible-study classmate. Clearly, she’s got the hang of this glamoring thing, but too bad Hoyt got the wrong impression by only seeing the situation from a distance. So Hoyt’s jealous, Deputy Jones and Jason are both pissed, Arlene’s sobbing because the number of redheads employed by the bar has suddenly doubled…yep, it’s just another night in Merlotte’s. Oh, and by the way, Sam’s family is having a cookout in the parking lot. Son of a…

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“Despicable Me”: the bad guy wins big, but it’s a weekend full of winners.

Despicable Me

Complaints about summer box have evaporated with the release of well-marketed movies that people seem to actually like. Weird. Leading the pack is the PG-rated animated family comedy, “Despicable Me,” which starring voice Steve Carell has been madly promoting everywhere. The zany villain-centric tale has also benefited, as per Anthony D’Alessandro, from the usual cross-promotional synergies which are as diabolical yet effective as the words are annoying to write/read.

The 3-D animation nearly doubled the already healthy amounts that I mentioned Friday and scored a weekend estimate of over $60.1 million today according to Box Office Mojo. It’s a much needed break for troubled Universal which is launching a new animation division with the film from two French first-time feature directors.

Coming in at #2 was a quite decent second weekend for Summit’s “The Twilight Saga: Eclipse.” The PG-13 rated female tween-teen-young-adult attracting flick suffered an average drop of about 48% and brought home about $33.4 million worth of estimated bacon.

Adrien Brody and Alice Braga in The blood quotient rises considerably for the third genre flick in this week’s lineup, “Predators.” The action-horror pic, which according Jason Zingale, contains an unlucky character who is literally filleted, is apparently being greeted as a bloody good time for action/horror/creature-feature fans and brought in $25.3 million, just a tad higher than the higher end of expectations. That’s especially good considering the remarkably low budget by current action-film standards, $39 million, thanks to the cost-cutting genius of producer Robert Rodriguez and, one assumes, the efficient work of director Nimrod Antal.

(Some of us geeks will remember the praise Joss Whedon generated from making his space-action flick, “Serenity” for $40 million — and shooting the movie entirely in the greater Los Angeles area — back in 2005. Us “Firefly” fans would have been a whole lot happpier with $25 million  than the very disappointing $10 million it’s first weekend actually generated. Damn you people for thinking the movie had something to do with spas or adult diapers.)

Following close behind is the latest leggy smash from Pixar/Disney. “Toy Story 3” generated $22 million in its fourth week, having already earned $140 million over its admittedly enormous (but no longer unusually large) budget of $200 million. I’m sure a lot of that is largely probably due to one of the highest paid voice casts in entertainment history, considering not only the status of Tom Hanks and, to a vastly lesser extent, Tim Allen, but also the enormous success of the prior films. Also, this level of CGI animation appears to be a pricey proposition, still.

Last week’s very successful #2 film, the critically-loathed and C Cinemascore family-action pic, “The Last Airbender” dropped 57% in its second week to this week’s #5 spot. That is actually a fairly typical, though not great, drop for a genre film. Still, with a $150 million budget, critical nightmares of this TV-animation adaptation becoming a long-running live-action film series may remain the stuff of dreams.

Meanwhile, expectations are also being exceeded in limited release. “The Kids are Alright” got the best per-screen average not only of the week but of the year with a whopping per screen of over $72,000 on seven screens. Also opening this week in a very large for limited 110 theater release was the second film of Steig Larsson’s Millennium Trilogy, which is quickly emerging as something of an international Harry Potter phenom for over-educated grown-ups. “The Girl Who Played with Fire” made it to the #11 spot with $965,000 estimated despite muted reviews. “Cyrus” continues to do very well, also.

John C. Reilly, Marisa Tomei, and Jonah Hill as

There’s more. As usual, the details as compiled by Peter Knegt are over at Indiewire.

Not funny, funny: “Vampires Suck”

Another in my new occasional series in which I juxtapose the anti-humorous with the actually funny — though sometimes it’s arguably a relative matter.

From the same team who brought out most of the unloved yet apparently consistently profitable and, as far as I’ve been able to bring myself to watch them, utterly unfunny parody films of the last several years — no need to name them here — comes another lousy looking laugh-free trailer with a title that sounds like a less-than-brilliant seven year-old came up with it: “Vampires Suck.” Once again, the kings of the obvious, they’re going after the “Twilight” films. See for yourself, if you must (via a properly regretful Brad Brevet).

Here’s the thing, it’s not enough to simply recapitulate the actual films and simply add an obvious exaggeration of what’s actually going on or combine it with some other randomly selected film from a different genre. Comedy is not easy to explain, but you’d think any professional would know it’s not that simple. Fortunately, some “Twilight” spoofers do and, after the jump, you can see two reasonably clever and funny twists on the franchise.

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Not funny, funny — “You Will Meet a Tall Dark Stranger”

The start of a new occasional series in which I wall juxtapose the not-so-funny with the relatively uproarious.

It pains me to start this this international (and Spanish subtitled) trailer for the latest comedy from Woody Allen. The Wood-man was a youthful hero of mine and “Manhattan,” “Broadway Danny Rose,” ‘Zelig,” “Sleeper” and several others of his films rank among my favorite comedies. Still, over the years his humor and also his cinematic artistry has mostly grown stale. A recent interview in which he seems to have an increasingly super-depressive view of existence  may offer some hint as to what’s going on, but I think it’s that making movies has become mostly a habit for him. In my view, it might have been better if he had taken a break to do something else — stand-up, maybe — years ago.

Unbelievable cast, maybe one line that made me half smile.

And now, the earlier, much funnier Woody Allen.

The really funny thing about this scene from “Annie Hall” is that, Marshall McLuhan might have been a great media theorist, but either Woody Allen and his co-writer Marshall Brickman wrote complete gibberish for him to say, or he flubbed his line pretty badly. “You mean my whole fallacy is wrong.” (?!) The thing is, no one ever seems to notice because the dialogue is nearly always drowned out by loud laughter.

H/t Rope of Silicon.

We never get enough of “Machete” trailers

So here’s a new one, which I guess we’ll be seeing in theaters shortly. Not as funny and less “grindhouse” than prior cuts, but that’s to be expected as they try to sell this thing to younger action fans who might not get the Mexploitation references. I’m not even sure I get most of them. At least they left in Cheech Marin’s great line from all the other trailers.

By the way, I’m pretty sure that church is St. James Episcopal, which is located on Wilshire Boulevard — not really the roughest neighborhood in El Pueblo de la Reina de Los Angeles. Gotta love the movies.

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