Category: TV Action (Page 97 of 145)

A Chat with Kevin Falls, producer of “Journeyman”

If the only names that catch your eye during a television show’s opening credits are those of the actors, you probably aren’t aware that Kevin Falls is the creator and an executive producer (not to mention show runner) of NBC’s “Journeyman.” And if that’s the case, then you almost certainly wouldn’t have been aware that he’s also had a hand in “Sports Night,” “Arli$$,” “The West Wing,” “The Lyon’s Den,” “North Shore,” and “Shark” over the years as well. Given recent rumblings that Falls’ current gig isn’t nearly as secure as “Journeyman” fans would prefer, I jumped into action to give the show as much publicity as possible, starting with an attempt to secure an interview with the man who created the series. Things fell into place quickly, but after the established time of our conversation came and went, I got a little antsy. I needn’t have worried: Falls readily set up a new time for us to chat, and within moments of getting on the line, he had launched into an apology for the delay.

Bullz-Eye: Hello?

Kevin Falls: (Laughs) Hey, Will!

BE: Hey!

KF: I’m all yours! I’m so sorry about yesterday; there was a communication breakdown, and it was my fault. I just totally dropped the ball, so I apologize. But how are you?

BE: I’m doing good. How are you?

KF: Good!

BE: I think we met for about two seconds back in July, at the TCA Press Tour.

KF: Oh, right! I met a lot of people, but I think I do vaguely remember you. But it’s been a wild couple of months!

BE: I’m sure! Well, I’ll start off with some specific questions about the show before I move into the inevitable writer’s strike questions.

KF: Sure! And, hey, I checked out your site today, and it’s really cool! It’s kind of like a “Maxim”-styled website!

BE: Yeah, that’s usually the point of reference we give people, to kind of sum it up in a nutshell.

KF: Hey, man, that’s where I wanna live!

BE: Yeah, the bikini girls pay the bills, but they give us the opportunity to do whatever pop culture stuff we want to tackle on the site.

KF: That’s great! Well, I was flattered that you guys put us in your TV Power Rankings. That was a shot in the arm, and we really appreciated it.

BE: Absolutely. We love the show. Ross (Ruediger) is our resident blogger for the show, but there are several fans among the writing staff, including myself.

KF: Great. Well, that’s nice. Thanks!

BE: Well, when I was at the panel for “Journeyman” back in July, one of the big points of discussion was the comparison to “The Time Traveler’s Wife,” which led you to pointedly declare for the record that you’d absolutely never read the book… (Laughs) …but did those comparisons finally start to die down once critics actually had a chance to watch the show beyond the pilot?

KF: Yeah, I think once they started watching it…you know, certainly, early on, actually, when the issue was more of the domestic problem of time traveling and its impact on the marriage, I think we kind started there ‘cause we wanted it to start with how it would feel to a family, and then get into more of the mythology of it. But once we got deeper into it, all that stuff fell away. And the “Quantum Leap” (comparison) hung around for awhile, and then that fell away, and it seemed like everybody kind of realized it was its own show.

BE: So were you indeed influenced by any specific shows, or just kind of the concept of time travel in general?

KF: No, the whole genesis of the idea came from my agent. Every spring, I would meet with my agent, and he would ask, “What are you going to do for pilot season?” And I said, “I don’t know. I’m just out of ideas.” (Laughs) I didn’t want to a law show or a cop show, and I just didn’t know what to do. And he said, “How about trying something different and breaking into a new genre?” And that’s how we got into time travel. I’ve seen movies I’ve liked, like Malcolm McDowell in…what was that movie called?

BE: “Time After Time”!

KF: Yeah, “Time After Time,” which I thought was really good. And some other shows. And my brothers were the sci-fi geeks in my house, and I was always impressed but never converted. It was, like, my brothers were always smarter than me, so I felt like, “Okay, these guys get it, but I’m not worthy,” y’know? But I’ve always been someone who likes to do things over, whether it’s a bad date or a job or a rewrite. Whatever. But I’m definitely one of those guys who likes to look in the rear view mirror a lot.

BE: Okay, I should probably warn you that some of these questions might come off as a little disjointed, since they’re coming from a couple of different writers.

KF: No problem. I’m in a car on the L.A. freeway.

BE: So you’ve got all the time in the world, then.

KF: Yeah. And I don’t have a job at the moment. So it’s perfect.

BE: Well, there you go. Okay, so what challenges does the time travel part of the show present as far as story and continuity, and how do you go about tackling them?

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Heroes 2.9 – Aren’t You The Guy Who Hit Me In The Eye?

Let’s just lay it on the line right here, baby: this was the best episode of the season to date…and then some.

Claire’s such a teenager, particularly the way she totally shrugged off her father’s highly valid point that her troubles didn’t really begin in earnest until she and Flyboy pulled their stunt with the head cheerleader, but, really, her melodramatic speech to her winged beau could only have been uttered by someone in their teens. After their encounter, you knew he was going to have a tête-à-tête with HRG; I appreciated the throwaway line from Flyboy about how he didn’t have super strength and wasn’t going to be able to hold HRG for long, along with the incredibly crappy way they landed, which also rang true.

(Sidebar: Right before Claire got snaked by Bob, I discovered just how much of a music geek I am. I’m sitting there, watching a squadron of high school cheerleaders doing a routine, and yet the thing that was first and foremost on my mind was, “Damn, that song they’re doing cheering to is catchy! Who sings that?” How embarrassing.)

I actually rather liked Flyboy this episode…which is definitely a change, since my opinion of him has pretty much ranged from indifference to annoyance…but the scene with him swooping in and knocking the hell out of Elle was pretty awesome, and his delivery of the line, “Hi, Mrs. Butler, it’s…good to, uh, see you again,” was perfect. For that matter, I also liked that small conversation between him and HRG about cars.

So Elle’s Bob’s daughter? No shock there…and no electrical-powers pun intended, either. “He’s adorable! Can I keep him?” God, I love Kristen Bell. Way to work that straw, baby.

HRG once again came through as a guy who, for as dark as his soul might be, really and truly does love his daughter. I loved the way he growled, “No-one’s taking my little girl,” though it ended up being superseded as my favorite line of the episode at the precise moment he looked into the camera and sneered, “Stings like a bitch, doesn’t it?” Hey, it’s nothing compared to taking a bullet in the eye from Mohinder Surersh! Whether you figured HRG was gonna get a transfusion from Claire or not (as I must admit that I did), it didn’t change the sunset beauty of how that whole death sequence played out; Bob’s expression was more pained than I would’ve expected, but the look on Mohinder’s face was just right. Just because you know you’re doing the right thing doesn’t mean it’s easy to live with the repercussions…especially when, in this case, the guy you’ve just killed is now back from the dead and has rarely been known to keep a cool head when it comes to extracting revenge.

Hiro going back in time to try and save his dad? Not too surprising. I mean, really, has anything ever happened that Hiro didn’t try to go back and fix? For such a sci-fi nerd, he really doesn’t seem to grasp how much trouble he’s potentially causing by mucking with the space-time continuum so often. George Takei seemed like he was about a hairsbreadth away from telling Hiro, “With great power comes great responsibility,” on several different occasions, but it was still a nice moment in the end, when Hiro asked his pops to tell Mom “hi.” It also wasn’t terribly surprising to find that Adam had been Mr. Nakamura’s killer, but maybe we were just supposed to appreciate Hiro’s shock at the revelation.

So after all the mental issues Molly’s suffered through over the past few episodes, what does Matt do? Test his newly enhanced mental abilities by forcing her to eat cereal. Once he used them to make his boss change his mind, I realized that, yeah, this might explain why he was so dark in that alternate future we saw back in Season 1. I was a little surprised that he actually got a fair amount of answers out of Mama Petrelli (along with that great line, “Our generation mortgaged our souls to protect yours!”), but I’m as curious as I’m sure everyone else is to find out who this mystery woman from the picture is…though by episode’s end, we did at least know that her name was Victoria Pratt. That was a very subtle thing at the end, with the post-it quietly but noticeably now on the photo above her face, but it means that Matt crossed the line, and all bets are off.

Prison Break: “Bang & Burn”

When I heard that this week’s episode was the fall finale, I was a little relieved. Recent episodes have left me a little irritated with the show and, frankly, I need a break from “Prison Break.” But when I heard that the General intended to utilize a “band and burn” escape plan this week, my interest was definitely piqued.

Michael feels understandably betrayed by Lincoln, but these words were a little harsh: “You used me, Linc. So I guess you and the Company have something in common.”

Ouch.

In last week’s blog, I was wrong when I surmised that Gretchen worked for Whistler. She works for the General, and her second interaction with Whistler at Sona made that quite clear.

Anyway, Gretchen wanted Whistler to kill Michael, and he had a couple of opportunities to take Scofield out, but he was either interrupted or chose not to. It turned out to be his undoing, however, when Michael tried to piggyback on Whistler’s copter ride, forcing the duo back into Sona. (By the way, why couldn’t the helicopter fly off with two people on the rope? Search and rescue helicopters do that all the time. All…the…time.)

Meanwhile, Sofia discovered Whistler’s bachelor pad, and mark my words, this is the beginning of the end for the couple. She obviously felt betrayed when he lied to her about the apartment. Don’t be surprised if the Sofia/Lincoln relationship heats up next year.

The series took an interesting turn right at the end when Michael was kicked out of Sona. T-Bag, Bellick and Mahone will remain in Sona, while Michael is off to some new prison. I’m not sure how they’re going to make that work, but I’ll admit, I’m interested to find out.

Heroes 2.8 – Back in Time

After a week that’s brought us an apology from “Heroes” creator Tim Kring for the slow pace and iffy elements of this second season, perhaps we shouldn’t be surprised that Episode 2.9 was one of the best of the season to date. Then again, it also probably spurred more than one wag to suggest that, had the show picked up from this point originally, maybe Season 2 would’ve been a hell of a lot better to begin with. Whatever the case, we were given a decent amount to chew on this week as several blanks were filled in.

Well, obviously, we knew that neither Peter nor Nathan really had truly blown up over New York City, but now we understand a bit more about what happened immediately afterwards. Nathan scored himself a trip to the hospital after getting a considerable amount of flesh burned off, losing his family in the process, thanks to the meddlings of Mama Petrelli…and, of course, we also finally learned conclusively that Mama’s power is that of suggestion, as well as how Nathan ended up recovering from his burns.

Peter, meanwhile, got picked up by Bob (Steven Tobolowsky) and Elle (Kristen Bell), and in the case of the latter, you could argue that that’s a double entendre. Man, Elle was all about the “grrr, baby” tonight, wasn’t she? I’m going on the record, people: when it comes to sexy, Kristen Bell puts Hayden Panetierre to shame. (Screw the obvious pun; that kiss was electric.) As far as the other goings-on during Peter’s confinement, I felt like the relationship between Peter and Adam was built up reasonably over the course of the time they shared as “guests” of The Company, so no complaints there.

With Nikki and D.L., I gotta say, I was surprised to find that that was a pretty decent subplot. Frankly, I’d written D.L. off as dead after the season finale; it was a damned cool way to utilize the uncertainty of his fate and provide both a “yay, D.L.” moment when he saved the young girl from the fire, as well as the inevitable but no less effective “oh, shit” moment by having him meet his death outside the L.A. nightclub.

I have to say, though, that I was perhaps most surprised by how much I enjoyed the Maya and Alejandro sequence at Alejandro’s wedding. Damn, that was dark. If we’d gotten that impressive an introduction for these two from the get-go, maybe we wouldn’t have been mocking them so mercilessly all this time.

Friday Night Lights: “How Did I Get Here?”

The season started out dark, but over the last two weeks the show seems to be bringing back some of the lightheartedness that makes it so great. However, I must begin by discussing the biggest plot point of the week – Old Yeller’s decision to torch the station wagon to protect his son. When Landry confessed, I wasn’t sure which way it was headed. Would Old Yeller force Landry to turn himself in or would he try to cover up his son’s misdeeds? It turned out to be the latter (which is a LOT more interesting) but I can’t help but wonder just how suspicious it’s going to look when the DMV records show that Tyra’s ex-boyfriend drove a car with the same fibers that were found on the body. Oh, and the car was “stolen.” Hmm.

One thing that might save Landry is the fact that the detectives may not know that he and Tyra were dating, which is the key to linking those fibers to a person of interest. Regardless, the show needs the jovial Landry back – he’s one of the funniest characters on the show.

In other news, Eric found out that his paycheck is short and he had to take the AD job to cobble enough together to make his nut. Based on soccer coach Bobbi Roberts hilarious rant in his office – “I’ll give you a hint, it rhymes with ‘occer ball’” – his new job is going to require more work than Buddy and his cohort suggested.

Riggins is back from his “sojourn” – “I don’t know what a sojourn is” – but Eric isn’t going to let him back on the team. I’m not sure why Tim hasn’t told his coach that he went to Mexico because Jason was thinking about having experimental back surgery that involved shark stem cells. After hearing that, Eric would surely cut him some slack, wouldn’t he?

I’m not clear on where this whole Santiago storyline is going, other than to give Riggins a chance to redeem himself. I did like Buddy’s line about where Santiago was before enrolling at Dillion – “He was doing a little juvenile retainer thing for a minute.” If the guy can’t catch the ball, then maybe Eric should put him on defense. I had to laugh when Smash asked Tim if he was starting his own team and when he argued with Matt about who was going to get the ball.

Speaking of Matt, there is a new love in his life, but it’s not Carlota. In fact, Carlota hasn’t gotten much screen time in the last two weeks so I don’t know if that relationship is going to happen anytime soon, if at all. Anyway, Lauren is a nice distraction for QB1, but it’s obvious that the sight of the two of them making out was too much for Julie too handle. But she made her own bed, didn’t she? At least she has Tyra’s shoulder to cry on.

So is the Landry/Tyra manslaughter problem done or is it going to come back to bite them? I have a feeling it’s going to rear its ugly head later on in the season.

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