Category: TV Action (Page 77 of 145)

Greetings to the New Show: “Life on Mars”

It’s time to lead off with another one in my seemingly endless series of shameful admissions, but for such an avowed Anglophile as myself, this one really hurts: I’ve never seen a single episode of the original British version of ABC’s new series, “Life on Mars.” And, frankly, I’m really, really embarrassed about it, because, boy howdy, is it a show that’s right up my alley.

Here’s the premise of the British version: Sam Tyler, Detective Chief Inspector with the Greater Manchester Police, is hit by a car in 2006…and when he wakes up, he’s in 1973. Not only that, but he’s a Detective Inspector with the Manchester and Salford Police Criminal Investigation Department. That’s right: he’s still Sam Tyler…and people in 1973 know him as such. So the question at hand is whether or not he’s traveled in time or if this is all just an elaborate fantasy concocted by his mind while he’s in a coma.

Totally awesome concept, no? I don’t know how I missed out on it, especially since it also takes its title from a David Bowie song, but on the up side, it means that I can appreciate the American version a lot more, since I won’t be constantly comparing it to the British version or complaining that it’s a word-for-word Xerox, problems which kept me from latching onto “The Office” right away.

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Terminator: The Sarah Connor Chronicles 2.5 – God save those born to die

Shakespeare once said, “Uneasy lies the head that wears a crown.” John Connor is years away from even seeing the crown (and when he does, it’ll be made of tattered, twisted metal), but everyone around him, to paraphrase Chuck D, has got him like Jesus. Not in the crucified sense but in that his life is not his own, and never was. He’s meant for great things, and he needs to appreciate the sacrifice people are making for him in the past, present and future. They’ve made this point in nearly every episode, but tonight’s episode marks the first time that I felt sorry for John Connor.

I do not, however, feel sorry for Sarah Connor. For someone who’s trying to keep a low profile, perhaps she should refrain from kidnapping small children, even if she saves their lives in the process. I get why she did it: two other Sarah Connors died before the T-888 locked on to her, so her survivor’s guilt kicked in when they discovered that Martin Bedell (but not the Martin Bedell) is brutally murdered. So she saves the life of grade schooler Marty Bedell – and even helped him with his book report – while this week’s time-traveling killing machine abandons his mission to kill young Marty in order to acquire the actual Martin Bedell, a military school student that would go on to become one of John’s most valued fighters…and would ultimately die for him. But more on that later.


“Hey, you don’t know me, but years from now, you’re gonna die for me. Are you cool with that?” Continue reading »

Heroes 3.4 – In The Future When All’s Not So Well

Although most of this week’s highlights came from the future, we did get a few interesting moments in the present. Mohinder tried to get a handle on his new abilities, only to find that his control over them isn’t what he hoped it might’ve been. What the hell is he doing to his neighbor, cocooning him? Despite how it may have seemed to many of us, Tracy discovered that she’s actually a triplet, but did you notice how Herr Doktor referenced that the triplets were named Tracy, Nikki, and…Barbara? The sequences with Nathan Petrelli and Mr. Linderman are very interesting, if only because I’m now totally uncertain about whether or not the latter does indeed continue to exist in some manner that allows only the former to see him. And Matt Parkman’s new buddy sent him spiraling into a white-eyed vision, which brings us to…the future.

Even with all of the advances in special-effects technology, it’s clear that we will never successfully reach a point where an actor can perform a scene with himself and not have it feel cheesy…or maybe it’s just because the only difference in Milo Ventimiglia’s PresentPeter and FuturePeter voices was that the latter was a tiny bit more growly. Either way, while the scene of the two Peters chatting with each other worked surprisingly well when they were interacting in the crowd, as soon as they headed down the alleyway and the focus of the scene was solely on them, I was very much in “gimme a break” mode. Fortunately, FutureClaire put a couple of caps in FuturePeter before I had to worry about it too much.

I liked the way FutureMohinder was couched in shadows, hissing his words, but what I really liked was that transition from the present to the future, with Mohinder’s voice slowing down on the tape recorder as it suddenly gained a coat of dust and a cockroach running over top of it. A small moment, but an awesome one. It was also good to see Molly again (kids grow up so fast these days), and the relationship between Parkman and Daphne is an intriguing one, to be sure.

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A Chat with Mitch Pileggi

You may know him as FBI Assistant Director Walter Skinner on “The X-Files” or, more recently, you may have thrilled to his recurring role on “Stargate: Atlantis” as Col. Steven Caldwell, but either way, if you’re a sci-fi fan, you probably recognize the face of Mitch Pileggi. Pileggi’s resume is wide and varied – he’s recently popped up FX’s “Sons of Anarchy,” has turned up on CBS’s “CSI” and “Cold Case,” and was a regular on ABC’s short-lived (but thoroughly brilliant) “Daybreak” – but now it’s The CW’s turn. After a one-off turn on “Reaper,” Pileggi has found his way onto a flashback episode of “Supernatural,” playing Sam and Dean’s grandfather. We spoke to Pileggi in conjunction with the episode, which airs on Oct. 2nd, which gave him the opportunity to praise the cast of that show, speak to the variety of work he’s done, and stand bemused at people’s fondness for his 1989 cinematic collaboration with Wes Craven.

Stay tuned for…

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Prison Break 4.6: “Blow Out”

The whole bit at the racetrack was kind of fun, but it was a house of cards stacked on a house of cards. So many things had to go right for them to successfully copy the data from Cardholder #4. What if Bellick’s teller had agreed immediately to change his bet? What if the Operations Manager sent someone else (like security) to deal with him? What if the Cardholder had insisted that the manager come out to the track to deal with the sticky gate problem? It wasn’t like the Cardholder had a ton of personal security. The gang should have just saddled up nearby and copied the card that way. Oh well, the house of cards plan was a lot more fun.

“Michael, why are all of your plans so unnecessarily difficult?”

Morpheus continues to dig deeper into the gang’s plan and the scene with Don in the parking garage was pretty intense. Self knew that Morpheus was a killer, and Morpheus knew that he knew, so while nothing overtly menacing was actually said, there was a feeling of menace between them. I’ve liked Michael Rapaport since he played Paul Kirkwood in “Beautiful Girls,” the guy who brought a brown diamond engagement ring for a girl he wasn’t even dating. Rapaport always seems to play characters that are equal parts smartass and lovable loser, and Don Self is no exception. I’m giving 2 to 1 to any brave bettors that his wife is dead and that he listens to that voicemail every so often to remember her.

This week’s You Must Suspend Belief Moment goes not to the house of cards plan at the racetrack, but to the fact that Mahone had a court date so quickly in the city of Los Angeles. That whole scene was pretty hard to swallow. Both Sara and Mahone were able to leave the courtroom without Morpheus seeing them and Sara acquired the file that (apparently) had the only copy of Mahone’s fingerprints. Yeah, right. However, I have to admit that the moment between Mahone and Morpheus outside the courthouse was pretty cool. Mahone’s desire for revenge is one of the most compelling parts of this season’s storyline.

Meanwhile, the jig is up for T-Bag and watching him scramble to escape his new life was pretty funny. I thought last week that Trish Ann and her ample bosom were this season’s eye candy, but with the way T-Bag left the Gate Corporation offices, I’m not so sure we’ll be seeing her again. Who knows, maybe she’ll try to track him down at his apartment.

Speaking of his apartment – Gretchen is back in the fold! She’s cleaned herself up, has herself a new identity and some cash, and when last we saw her, she was standing on Theodore’s neck. Oh yeah, and she’s a mother, only she gave her kid away because she couldn’t take care of her. Anyone want to bet that that comes back around by the end of the season?

I’m still predicting that the gang will have to place their trust in her at some point this season.

Card #5 is next on the docket. See you next week.

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