Category: TV Action (Page 66 of 145)

TCA Tour, Jan. 2009: “Ashes to Ashes”

You know ABC’s “Life on Mars”? Okay, forget about it for a moment and jump back in time to the original BBC version of “Life on Mars.” After that series left the air in April 2007, rumors immediately began to swirl that there would be a sequel to the story, and in February of 2008, those rumors became a reality with the premiere of “Ashes to Ashes.” Sadly, however, we poor Americans have been stuck waiting around for the show to make its debut on BBC America ever since.

Thankfully, that wait will come to an end on March 7th.

If you’ve somehow managed to restrain yourself up ’til this point and don’t already know the storyline of “Ashes to Ashes,” here’s the deal: just as Sam Tyler was a modern-day cop transported back to the ’70s on “Life on Mars,” now it’s single mother and Detective Inspector Alex Drake who finds herself back in 1981…and, yes, she’ll be facing everyone’s favorite politically incorrect cop, Gene Hunt.

Music-wise, I’m particularly excited to hear what tunes will be offered up, given how many ’80s songs have been part of the soundtrack of my life, and it sounds like co-creator and writer Ashley Pharaoh has got quite a treat in store.

“In actual time, I was 21 in 1981, so I sadly was a New Romantic and had too much makeup and ribbons in my hair, so it was very dear to me, that stuff, and it was always going to be the soundtrack of ‘Ashes to Ashes,'” said Pharaoh. “Actually, we recreate a very famous New Romantic club from Soho: The Ritz Club. And Steve Strange, who ran the Ritz Club, guested in the episodes. Steve very Strange, we think he is, though.”

One of the first things Pharaoh wanted to do with a “Life on Mars” sequel was to change the male-male dynamic of the original series and bring a woman right into the heart of things.

“‘Life On Mars’ references back to sort of very male, British cop shows in the ’70s,” he explained, “and we wanted more sort of a ‘Moonlighting”’ feel, a brighter sense. And we thought it would be really good fun to take Gene Hunt on a journey with a very strong woman, feminist, intellectual from our time. The actress, Keeley Hawes, I’d worked with her before; I did a Thomas Hardy adaptation with her, ‘Under the Greenwood Tree,’ and I was knocked out. Whenever we met the producers and the writers with our little short list of actresses, she was always on the top, so it was a no-brainer, really, and I think it was a wonderful performance she gives as Alex Drake.”

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TCA Tour, Jan. 2009: NBC newsflash

Angela Bromstad, President of Primetime Entertainment, and Paul Telegdy, Executive Vice President of Alternative Programming, just popped up on stage to offer the following tidbits of information, some of which were announced awhile ago but which we haven’t yet covered on Premium Hollywood:

* “Southland,” the new drama from John Wells (which was formerly known as “Police”), will premiere on April 9th, Thursday at 10 PM.

From Emmy Award winners John Wells, Ann Biderman and Chris Chulack comes a raw and authentic look at the police unit in Los Angeles. From the beaches of Malibu to the streets of East Los Angeles, “Southland” is a fast-moving drama that will take viewers inside the lives of cops, criminals, victims and their families. Michael Cudlitz plays John Cooper a seasoned Los Angeles cop assigned to train young rookie Ben Sherman. Cooper’s honest, no-nonsense approach to the job leaves Sherman questioning whether or not he has what it takes to become a police officer. Cudlitz and McKenzie are joined by other cast members including Regina King who plays Detective Lydia Adams. Adams lives with and is the primary caregiver of her mother. Her partner, Detective Russell Clarke (Tom Everett Scott) is an unhappily married father of three. Michael McGrady plays Detective Daniel “Sal” Salinger. Sal oversees fellow gang detectives Nate Moretta (Kevin Alejandro) and Sammy Bryant (Shawn Hatosy). Arija Bareikis plays as patrol officer Chickie Brown, a single mom who dreams of being the first woman accepted into SWAT.

* They have ordered 3 more episodes of “ER,” bringing the season total to 23. The series finale will now air on April 2nd, with a one-hour retrospective preceding the two-hour finale. Why the additional episodes? “Why not?” asked Bromstad. She then clarified, however, that it allows John Wells time to get “Southland” ready.

* They have officially signed on for additional seasons of “The Office” and “The Rock”

* NBC has signed Don Cheadle and his company, Crescendo Productions, to a two-year, first-look television development deal.

* Due to its success up against “American Idol,” they will indeed be picking up another season of “Biggest Loser” for next season.

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“Prison Break” coming to an end this season

We speculated late last year that “Prison Break” may be on its last legs, and Fox has now made it official.

The news probably isn’t a huge shock to anyone who has been following the series recently. Late last year, speculators thought the show would be coming to an end when Fox tacked on a few extra hours to this year’s production schedule. And with heavy promotion for Fringe, 24, and Lie to Me in full swing, it isn’t hard to see who the odd man out is.

Prison Break is currently on a little vacation, as Fox beefs up its midseason schedule with the aforementioned trio and a little program called American Idol. However, Fox did schedule a return for the final episodes of Prison Break–they begin their run April 17.

According to TVGuide.com, Fox president Kevin Reilly explained, “[Prison Break] got to a point where a lot of the stories had been told,” which is a kind way to say the show was running on fumes creatively. At least six hours of the drama are left to go, with the possibility of a few more hours added as Reilly said he wants the program to “finish strong.”

It’s about time. I’ve been blogging the show for a long, long time, and I’m happy to hear the news. The only thing worse than when a series doesn’t get enough of a chance (i.e. “Journeyman”) is when a network resuscitates a series over and over, squeezing as much money as it can out of a successful franchise to the point where all that’s left is a husk of its corpse.

Okay, that’s a little dramatic, but it’s a good time for “Prison Break” to end. Hopefully the news comes early enough so that the creators can bring about a satisfactory conclusion for the fans that have stuck around.

TCA Tour, Jan. 2009: CBS newsflash

Nina Tassler, President of CBS Entertainment, just addressed us and offered up the following bits and pieces of information:

* Regarding NBC’s decision to give Jay Leno their 10 PM slot, “Our first reaction was to say, ‘Thank you.'”

* The success of importing “Flashpoint” from Canada has opened the door for CBS to explore different business models, and the network is exploring other potential situations as well.

* CBS will hopefully be doing a deal with Alex O’Loughlin and they are still trying to develop a series for him…so, basically, nothing’s really changed on that front. (She said approximately the same thing back in July.)

* John Mayer is in the final stage of negotiations to have a music / variety / sketch show on the network, though whether it will be a special, a series, or merely a pilot remains to be seen.

* She is very happy with Drew Carey on “The Price Is Right,” but when asked if we would be seeing a change in host, she said, “I hope not.” Mixed signals or just a poor choice of words…?

* She loved the concept for “The Ex List,” but it failed in its execution. “It never found its traction; it never found its pulse.”

* There will be an “NCIS” spin-off, which is only appropriate, given that that series spun off from “JAG.”

* They were extremely proud of the way it was executed and was received, but, “No, we’re not going back to ‘Swingtown.'” Sorry, Ross.

TCA Tour, Jan. 2009: “The Beast”

You need to watch “The Beast” on Thursday night. Seriously, you really do. It’s awesome. If you’ve ever been a bit iffy about Patrick Swayze’s acting chops, you won’t be by the end of the first episode. Whether it’s because he felt an affinity for the part of an undercover FBI agent who may or may not be corrupt or because he knew he was sick and wanted to offer up the strongest possible final performance, I’ll say this for his work on the show: if it isn’t the best acting job he’s ever turned in, it’s damned close. I knew I wasn’t going to be able to score a proper one-on-one with him during his time at the TCA tour (though I did submit a series of questions to him via E-mail, which I’m still hoping to get answered), I was still very excited about the prospect of being able to see him at the panel for “The Beast” and maybe get the opportunity to ask him *a* question in person.

Of course, that opportunity didn’t present itself. As we sat in the ballroom, awaiting the beginning of the panel, Abbe Raven, President and CEO of A&E Television Networks, approached the podium and broke the disconcerting news that Swayze had checked himself into the hospital. From there, Bob DeBitetto, President of A&E Network, clarified the situation more specifically: Swayze had checked himself into the hospital this morning for observation after coming down with pneumonia. He did not make this decision, however, without making sure that certain announcements were made on his behalf.

“Patrick did want me to tell you that he is very sorry for being unable to attend this morning, but he plans to get back to promoting ‘The Beast’ as soon as he is back on his feet and feeling well again,” said DeBitetto. “Patrick also asked me to tell you that he is unbelievably proud of the work that he and the entire ‘Beast’ team have done, and he wanted you to have an opportunity to speak to the creative team behind this great show and his costar. He thanks everybody for all the outpouring of support that he has been receiving recently.”

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