Category: Movies (Page 29 of 498)

‘The Butler’ serves its way to #1

ButlerPoster

Suffice it to say, ‘The Butler’ kicked ass.

Thanks to a media blitz by the queen of all media, Oprah Winfrey, “Lee Daniels’ The Butler” took in an estimated $25 million to open in the top spot at the box office, according to The Hollywood Reporter. The civil rights film starred Winfrey and Forest Whitaker as they easily dominated this week’s new releases.

The long-awaited superhero sequel “Kick-Ass 2” was projected to take the top spot, but instead mustered a disappointing $13.6 million which was good enough for a hold on third place. Critics skewered the story about would-be superheroes starring Chloe Grace Moretz and Aaron Taylor-Johnson. Another star-studded film came up short as “Paranoia” opened to a pathetic $3.5 million, which couldn’t even get it into the top ten. The thriller starring Liam Hemsworth and Harrison Ford came in at thirteenth place.

Having the star of a hit show and rumors of a new idevice couldn’t create enough buzz to get crowds to see “Jobs.” The Ashton Kutcher attempt based on Steve Jobs came in 7th with $6.7 million. The only saving graces for these underperforming films is that both “Kick-Ass 2”, “Jobs”, and “Paranoia” cost so little that there’s still chance they’ll turn a profit due to foreign markets.

Besides “The Butler,” the only ones cheering at the box office were holdovers such as last week’s number one, Elysium which brought in $13.6 million and “We’re the Millers” starring Jason Sudeikis and Jennifer Aniston which grossed $17.8 million to hold on to second place for the week.

“Elysium” edges “The Millers” for top spot

Elysiumposter

Audiences decided to spread the wealth this weekend, but Matt Damon and Jodie Foster came out on top.

“Elysium” starring Matt Damon captured the top of a crowded box office this week with a slightly underwhelming take of $30.5 million. Analysts had expected something in the neighborhood of $35 million from director Neill Blomkamp whose 2009 surprise hit “District 9” struck box office gold. It wasn’t all bad news for the sci-fi film starring Damon as a terminally ill rebel who has to invade a private space community in the 21st century. “Elysium” brought in $10.9 million overseas with Russia leading the charge with $6.8 million. There are still plenty of foreign markets left, so Elysium’s story is far from over.

Opening in second place was dysfunctional road trip comedy “Meet the Millers” starring Jason Sudeikis as a pot dealer who recruits a family to sneak a cannibis filled RV into the US from Mexico. Co-starring Jennifer Aniston, the laugher brought in $26.6 million for the weekend and a hefty $38 million for it’s Wednesday-Sunday opening.

Despite originally being meant as a direct to video release, “Planes” earned an encouraging $22.5 milion in its debut for Disney. It wasn’t a Pixar release, but the “Cars” spinoff starring Dane Cook helped tighten the box office race and is easily on the way to making back its $50 million budget.

Another family film with a less than stellar thriller was “Percy Jackson: Sea of Monsters.” The myth and magic crowd only brought the sequel $14.6 million over the weekend, but its global total was boosted by a $9.8 injection from overseas. Rounding out the top 5 was “2 Guns”s starring Denzel Washington and Mark Wahlberg which cashed in $11.1 million in its second week.

“The Wolverine” Slices its Way Past Competition

TheWolverinePoster

Fox let the claws come out this weekend.

The X-Men spin-off “The Wolverine” brought in $55 million for the weekend, easily cutting its rivals down to size. The superhero film starring Hugh Jackman paled into comparison; however, to the 2009 “X-Men Origins: Wolverine” which brought in $85 million in its debut. In fact, “The Wolverine” may end up being the weakest opening of the X-Men films. The 2000 “X-Men” opened to only $54.4 million. Nevertheless, Fox was happy just to have a legit hit on his hands following rivals recent big budget flops such as “White House Down” and “The Lone Ranger” and the recent “R.I.P.D.” Everyone’s favorite mutton-chopped mutant was definitely super in foreign markets where it pulled in $86 million in box office receipts.

Last week’s top film “The Conjuring” fell 47%, but managed to hold on to second place bringing in $22.1 million for the week. Universal’s “Despicable Me 2” proved that bad guys can make big bucks with $16 million in gross receipts to capture the #3 spot for he week. So far, the animated sequel has brought in $306 million.

Another animated film is doing far less, but still bringing in the kids is Dreamworks “Turbo”. It’s managed to eke out $13.3 million in it’s second week. Adam Sandler’s “Grown Ups 2” rounds out the top 5 with $11.5 million.

“The Conjuring” Scares to #1 past “R.I.P.D”, “Turbo”

The-Conjuring-2013-Movie

This week, moviegoers were scared, but not as scared as film execs.

The low budget horror film “The Conjuring” scared the heck out of the competition this week pulling in $41.5 million at the box office as the dreaded F-word (flop) started making it’s way into more frequent use. The film directed by James Wan (“Saw”, “Insidious”) easily blew away the competition in a week that had surprise low for some big name debuts.

Besides “The Conjuring,” the newbies had to bow down to Gru and “Despicable Me 2”. The animated blockbuster pulled in another $25.1 million to secure the #2 spot this week and bring its domestic total to $276.2 million.

The Ryan Reynolds-Jeff Bridges supernatural cop film “R.I.P.D” found itself being brought up on charges as it’s shaping to be the flop of the week, if not the entire summer. The film grossed a criminal $12.8 million for 7th place. Of course, the film cost at least $135 million to make, so don’t expect a sequel or for a retrial. At least the guys from “After Earth” and the “The Lone Ranger” have someone to laugh at.

One that won’t be laughing so much is “Pacific Rim”. It brought in $15.9 million for the week to bring it to $68.2 million in it’s second week. It cost $200 million and seems to be going downhill fast.

It’s been a while since we’ve seen an animated film disappoint. This one did so with the help of a nitrous-powered snail with dreams of grandeur. “Turbo” came in with $21.5 million to open it’s run, but like R.I.P.D, it also cost in the neighborhood of $130 million. Dreamworks rarely produces a dude, so this is a rarity, but don’t expect them to want to see another snail anytime soon.

“Red” was a cute movie about burned spies that surprised moviegoers in 2010. It was too good for a sequel, which is why made one. It’s also why it didn’t do as well as the original bringing in $18.5 million in its debut. Middle-aged spies and a hot septuagenarian only gets you so far. Perhaps the next mystery they can solve is why open this movie in mid-summer when the original opened in a much safer October window.

Rounding out the top 10…

8. The Heat….$9.3 million
9. World War Z…$5.2 million
10. Monsters University…$5 million

Why is there always a casino scene in gangster movies?

There are lots of elements which are common to virtually all gangster movies – including guns, violence, bonding and rivalry, but most of the also seem to feature a scene set in a casino at some point. One of the reasons why this is the case is that so many of the gangster films are set in Las Vegas – including Casino by Martin Scorsese and the Bugsy Siegel biopic starring Warren Beatty. Gangsters and organised crime are central to the story of Las Vegas, and therefore of casino gambling, making the two a natural fit in movie terms.

It should be remembered that Siegel actually created Las Vegas, thus the mob ties to the resort – although now purely historical – are extremely strong, and this naturally makes an interesting subject for filmmakers. Realistically you can’t have a film in Las Vegas which doesn’t feature at least one casino scene, but even those which don’t take place in Sin City usually have one. Again the reason for this is partly because in other cities gangsters have often competed over running the casino gambling industry – while of course casinos also provide a glamorous and exciting backdrop, as well as a metaphor for the risk involved in crime. Part of the enduring popularity of casino gambling is that it provides the law abiding amongst us with a taste of that risk.

It was widely predicted at one point that the rising success of online casinos would lead to the death of land-based ones, but in fact the two coexist very comfortably. After all both allow for classic games such as roulette. However in terms of movies, the land based casino is always going to be king, with the great casinos in cities like Vegas still having that Hollywood magic.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑