Category: Actresses (Page 88 of 258)

“Inglourious Basterds” DVD launch: A less deadly Operation Kino kicks some Nazi ass

So, while I was procrastinating conducting in-depth research for this post, covering a promotional screening for the rather glorious “Inglourious Basterds,” I found myself going over numerous reviews and think pieces. One piece for a very respectable and staid looking website started out normally enough but, while praising “Pulp Fiction” and other older films in the Quentin Tarantino catalogue, it quickly became unusually vicious. Tarantino is a filmmaker who has a special gift for generating a certain degree of critical anger, the cinephile hubbub kicked up by critic and film historian Jonathan Rosenbaum over the film’s non-portrayal of the Holocaust being one prominent example, but this was different.

As I noted the attention this particular review seemed to be paying to the ancestry of the cast, crew, and characters, I realized that the hate was not over anything so conventional as concerns that “Basterds” might be trivializing the Holocaust or World War II. I was reading a “white nationalist” web site. Yes, even more than some overly sensitive liberals, Nazis hate “Inglourious Basterds.” Considering it’s a movie in which a bunch of Jews, a part Cherokee good ol’ boy lieutenant, an African-French projectionist, a traitorous movie star, and a few odd others defeat the Third Reich in a painful and fiery manner, displeasing Nazis is kind of the whole idea.

IB Cast LR

Certainly, no one was feeling conciliatory towards facists or racists of any stripe as a good portion of the “Basterds” cast and crew turned up at the last of L.A.’s revival houses, the legendary New Beverly Cinema, to celebrate the DVD/Blu-Ray release of the the award-winning, genre-blending war flick. Indeed, as neighbors from the heavily Hasidic West Hollywood-adjacent neighborhood ignored the commotion, a few of us less observant entertainment scribes got the chance to talk to a select group of not-quite superstar basterds, including players in two of the more acclaimed sitcoms of all time, a personable musician and Tarantino-buddy turned actor, and a passionate producer who is not about to let any conservative climate deniers take away his Oscar…but that’s all ahead.

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“Avatar” off to a slightly snowbound $73 million start

Sam Worthington and Zoe Saldana, embellished, in Thursday night, I tried to imply that only the apocalypse itself could prevent “Avatar” from winning the weekend. And, while 2012 is still a few years away, Nikki Finke reports that a big East coast snow storm is being blamed for the film earning a below-expectations estimate of $73 million for Fox — $12 million less than the the $85 million figure that was being bandied about previously. Regardless, $73 million ain’t chicken feed, though with a ginormous budget ($300 million??) comes ginormous responsibility to rake in the megabucks.

If I were James Cameron, I wouldn’t worry too much, however. Finke is trumpeting the numbers for the more expensive 3-D and 3-D Imax screens and the worldwide take was a record setter, if you leave out all “franchise” films. In other word $159.2 million worldwide is the worldwide record for a film with no previously known characters and not a sequel to some prior hit.

More important, as I suggested on Thursday, the science-fiction spectacular’s strong reviews will likely be reflected in word of mouth among cinema civilians. Finke says that the audience approval surveys from Cinemascore gave the film an “A” across every “quadrant” — i.e., people of all age and gender groups seems to like it. With the Christmas vacation period just getting started and a few Oscar nominations almost certain, I think it’s safe to say that “Avatar” is in better than good shape, especially if a movie like “2012,” which lots of people saw but which I gather very few loved, could still be profitable with a production budget of $200 million. I’d like to think that, sometimes, movies that people actually like do better than movies they merely tolerate. Humor me.

As for the rest of the weekend box office, there wasn’t a whole lot of excitement. Taking a look at the ever-handy Box Office Mojo chart once again, the #2 and the #3 spot went to Disney’s hand-drawn “The Princess and the Frog,” which earned an estimated $12,224,000, and this year’s unrivaled sleeper hit from Warner Brothers, “The Blind Side.” The feel-good sports drama made an estimate $10,030,000 this weekend for a rough total so far of $164,734,000. Considering it’s $29 million budget and the possibility of a box office life-extending Best Actress nomination for Sandra Bullock, I’m guessing this has to wind up as one the year’s most profitable films, perhaps rivaled only by the sub-micro budgeted phenomenon, “Paranormal Activity,” and assorted mega-hits I don’t feel like mentioning/researching.

While Oscar-hopeful “Nine” was the week’s winner in terms of per screen average with $61,750 in four theaters (“Avatar” average of $21,147 was the second placer in per-screen), the week’s other major new release performed in predictably uninspiring fashion. Sony’s critically drubbed star-driven attempt at romantic comedy, “Did You Hear About the Morgans?,” dipped below its extremely modest expectations to earn an estimated $7 million, about  $1 million less than predicted — the snow again, I’m sure. Nevertheless, it appears that if people did hear the Morgans, they mostly decided to ignore them.

Hugh Grant and Sarah Jessica Parker in

RIP Brittany Murphy (updated)

Reports are circulating that actress and singer Brittany Murphy, best known for roles in films like “Clueless,” “8 Mile,” and “Sin City,” died early this morning from cardiac arrest at Cedars Sinai Hospital in Los Angeles. She was 32 years old.

Of course, the item is already fomenting speculation in the more gossipy realms of the Internet. Danny Groner of the Huffington Post points out that she was recently left the cast of “The Caller” under what definitely appears to be a real cloud and was the subject of an unfunny SNL parody.  The Chicago Tribune report I linked to above also mentions “reports” that she might have been fired by her agent. On the other hand, as Nikki Finke points out, she has several other films completed that are currently in post-production.

When someone that young dies of a heart attack, people are naturally going to wonder about possible drug issues, and I’m sure those who follow the gossip sites will be getting their fill of the details in coming days. Quite honestly, this is the kind of post I hate to write. It’s just terribly sad and there’s probably not that much more to be said about it. I hope more comes out of her to-be-released film work than fuel for schadenfreude mongers.

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UPDATE: Nathaniel R. has some thoughts on Brittany Murphy that are worth your time.

Friday night movie news dump

Regulars might have noticed a bit less movie news this week. Don’t worry, I won’t try to cover everything that happened in movieland this week tonight. Unfortunately, I have to start with three notable deaths.

* The saddest for me personally, and perhaps for some of you horror fans out there, is the most recent. Dan O’Bannon has died from Crohn’s Disease at age 63. Best known for the horror-comedy hit, “The Return of the Living Dead,” and for writing the screenplay for “Alien,” O’Bannon emerged out of U.S.C.’s film school with his friend, John Carpenter and together they collaborated on an odd science fiction comedy called “Dark Star.” While few remember that film, it set them both on a pretty interesting path.

When I was in the middle of high school and at the height of my geekness  (three terms as president of the Venice High science fiction club!), I actually met O’Bannon in some odd circumstances at a crisis point in his career. Buy me a drink and I’ll tell you the story, but suffice it to say he seemed like a good guy and he was clearly something of a minor genius. He’ll be very much missed.

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* Roy Disney, the nephew of Walt Disney and the son of Roy O. Disney, also passed on at age 79. The younger Disney emerged as a king-maker and king-breaker of sorts, launching insurgent movements that wound up putting Michael Eisner in charge of the studio in 1984 and then deposing him in 2004.

* Finally, if you’re a former film student like myself you’ve probably had to read some of the work of famed academic critic and scholar Robin Wood, who was so respected that almost no one noticed when serious film-criticism aficionado Joss Whedon named a supercool cool high school principal/cum monster-fighter after him on “Buffy.” (How could anyone namecheck him on a mere TV show? It had to be a coincidence.) One of the first critics to approach genre films seriously, he is famous for works on Alfred Hitchcock and Howard Hawks, among many others. He has passed on at age 78, and the always interesting Glenn Kenny has a remembrance.

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RIP Jennifer Jones

She was a remarkable and arresting, if uneven, actress and a reluctant sex symbol known for a painful personal life who, probably very wisely, kept a great distance between herself and the press. At her best though, she was remarkable in films like the wonderful final screwball comedy by Ernst Lubitsch, “Cluny Brown” (which you  can watch for free in a good looking print via ten minute chunks on YouTube…though I can’t embed it!).

Anyhow, here’s an obituary and a great appreciation by my favorite expert on such things, the Self Styled Siren. If you’ve never seen her, or haven’t in a while, this montage will give you an idea of why Jennifer Jones captured many an imagination.

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