Category: Actresses (Page 214 of 258)

Box Office Roundup: America has no respect whatsoever for its time

Based on Sunday’s estimates, courtesy of boxofficemojo.com:

1) Wild Hogs: $39.7 million (owner: Kristin Dreyer Kramer, Nights and Weekends)
Kristin is thrilled to finally draft a movie that debuts at the top of the box office, and is utterly mortified that this is the movie that got her there.
2) Zodiac: $13.4 million (Jason Zingale, Seven Strangers)
And with the fourth pick in the draft, Se7en Strangers selects…the biggest bust of the season so far.
3) Ghost Rider: $11.6 million, $94.8 million to date (owner: Will Harris, What’s All This, Then?)
The repercussions of this will be felt for years to come. Fuck you, Nicolas Cage.
4) Bridge to Terabithia: $8.9 million, $58.2 million to date (Bill Clark, Norbit Will Tank)
Next.
5) The Number 23: $6.5 million, $24.1 million to date (Deb Medsker, Punch and Pie Pictures)
Jim Carrey will now have to add up his salaries from multiple movies to equal the $23 million he was once able to command for one movie.
8) Black Snake Moan: $4.1 million (Kevin Carr, But I Liked ‘Lady in the Water’)
If we didn’t already learn it last summer, It is now clear that combining “Snake” and “Samuel L. Jackson” in the same sentence does not equal box office success.

Standings so far:
1) What’s All This, Then: $143.3 million
2) Republicans for Voldemort: $82.9 million
3) Nights and Weekends: $74.4 million
4) But I Liked ‘Lady in the Water’: $67 million
5) Norbit Should Have Tanked (formerly Norbit Will Tank): $58.2 million
6) Punch and Pie Pictures: $49.6 million
7) Reel Times Studios: $38.6 million
8) Se7en Strangers Productions: $30 million

The booed-at-the-Berlin Film Festival graphic novel “300” finally arrives, and everyone else is staying the hell out of the way.

Madonna: “Do as I say, not as I do”

In a recent interview, the Material Girl expressed concern about her daughter Lourdes’s tendency to wear jeans that are “so tight she can’t bend her knees,” and that are a bit too revealing in the rear whenever little Lola bends over.
That’s right: Madonna is worried about her daughter dressing a bit too much “Boy Toy” and not enough like the Virgin Mary.

Of course, whenever Madonna brings up issues of appropriate attire with her daughter, Lourdes simply laughs, hands her mother a copy of Madonna’s “Sex” photo spread, and asks if she can borrow Mom’s cone-shaped bra.

24, Hour 11: “Hi, my name’s Morris.” “Hi, Morris.” “And my ex-wife is a bloody nutcase.”

Man, I wish I were blogging “Heroes” instead. That show rules. My wife and I always watch that first, and not just because I have to sit down and write the “24” blog after watching each night’s episode. We watch “Heroes” first because we’re emotionally involved in it…and God, how can you not be involved in an episode like the one they showed tonight? Poor Claire. Hasn’t she suffered enough?

Oh, right, CTU. Sigh.

Jack sends Heidi Petrelli and Jack Jack back to CTU, and the first thought I had was, “They’re going to get ambushed.” Man, I hope I’m wrong about that, but this show is all about the ambush (Teri and Kim, Audrey Raines and her father, etc.). Jack and Heidi share a tender moment away from Jack Jack, and Jack tells Heidi, “He reminds me of you.” Afterward, I swear I heard Jack mutter under his breath, “But mostly me.”

There’s a power struggle taking place at CTU, with Nadia becoming highly suspicious of Morris and his binge drinking. That’s an interesting choice for a girl whose rights were recently restricted because of her race, but hey, we’re not ones to judge. Is the fact that Milo gave her his clearance ever going to come back into play? You don’t write something like that into the story without following up on it.

One quick note on Chloe’s obsession with proving Morris’ guilt, however justified it may be: they have to stop with this whole bait-and-switch thing. They set up Morris as guilty from the first frame, only to turn it on Chloe in the end when she bursts into the men’s room to accuse him. That trick is all well and good, but don’t go to the well too often. And by too often, I mean every single opportunity. See my ambush comment above.

The subplot involving President Buck Buck Brawwwwwwk, so far, is a dud. He’s a reformed man, or so he says, and yet he’s fingering a strait-laced Russian as an ‘in’ (an ‘in’ that’s also a convenient, untraceable back door) to Miss Gredenko and the nukes. The fact that the line he quotes in the mirror is also highlighted in his Bible, however, is a sign that there is far greater significance to everything, a la Michael Scofield’s taped message to Sara in “Prison Break.” Is Logan tired of house arrest and his Hussein-style beard, and hopes that the Ruskies will bust him loose? That’s a gutsy move, but then again, they have already set it up so that the US has no sovereign power at the meeting place, which could facilitate Logan’s escape rather well. Wouldn’t he miss his beloved First Lady of Crazy? Or did he have her fed to rabid dogs before he struck his deal? You just never know with that man.

Which brings us to the White House, where all the killing is taking place. Mr. Swank is dumber than he would care to admit, and not because he tried to take out Assad without hurting the President: he’s dumb because forensics will examine the scene and conclude that the man who brought in the tape recorder is the one who made the bomb, and the record will show that that man was brought into the bunker by…Mr. Swank. The Biscuit, meanwhile, is trying to foil the plan by causing a pressure surge on some pipe or other in the seemingly off-the-grid pipe room, and all I could think was him thinking to himself, “Damn…these…stumpy…legs!” The hit man warns him, “You try that again, I’ll kill you.” Pansy. Any contract killer worth his salt would have killed the Biscuit right then and there, and dealt with the consequences later.

The President was badly injured in the blast (curiously, they mentioned nothing about Assad’s condition, even though he was in between the bomb and the President), which appears to be paving the way for Senator Roark to assume control and lock all the coloreds up once and for all. And this all might make for interesting television but…

…why is it that I want Jack Bauer to die?

Kiefer Sutherland himself said two or three seasons ago that no one should be untouchable on this show, not even Jack. I think it’s high time they play that card, since a cat only has nine lives after all. The only problem is that they haven’t set up anyone to take his place, and anyone they could have groomed for the role during the show’s run is now either dead (Curtis) or missing a forearm (Chase Edmunds). Damn, I knew they killed Nina Myers too early.

ABC announces potential “Grey’s Anatomy” spinoff

The network is producing a two-hour special focusing on the former Mrs. McDreamy, neonatal surgeon Addison Montgomery, which, depending on viewer response, will serve as a back-door pilot for a new series featuring actress Kate Walsh.

Taye Diggs has also signed on for the pilot, and the show’s writers are now eagerly accepting nominations for the handsome former “Daybreak” and “Rent” star’s nickname. Since “McDreamy” and “McSteamy” have already been spoken for by members of the “Grey’s” cast, current frontrunners include “McSmoothie” and “That Guy Who Gave Stella Her Groove Back.” We’re hoping they come up with something a little juicier.

Like her credibility could get any lower…

…according to IMDB.com, Lindsay Lohan was a no-show at director Robert Altman’s memorial service on Tuesday in New York City…apparently because she was too busy partying in Los Angeles with Jackass star Steve-O.

Lohan became close to Altman when her directed her in A Prairie Home Companion and was reportedly devastated by his death in November. After his death, she released a statement saying that he “was the closest thing to my father and grandfather that I really do believe I’ve had in several years.”

Oh, OBVIOUSLY. That would explain passing on paying tribute to him.

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