Category: Actresses (Page 206 of 258)

TCA Press Tour: Random Observation

The “Weeds” panel just ended, and I figured, okay, how can I not at least try to get a photo of Mary-Kate Olsen? No dice. She was whisked off the premises like she was a Beatle. Surprisingly, Mary Louise Parker evacuated the premises just as rapidly, but at least she was willing to let people put their tape recorders in her face for a minute or two as she walked to her car.

Mary-Kate, however, was off like a shot, only stopping long enough to chat with an acquaintance, and, even then, she was swarmed so that you couldn’t get a pic. Dammit. So let me just say this: both Marys were wearing very cute and very short skirts, but it’s perhaps a testament to my age that it was Ms. Parker who won the Most Gorgeous category. (To be fair, though, she kind of looks like a deer in this headlights in this shot.)

TCA Press Tour: Day 2 (well, for me, anyway), Pt. 3

Damn, sorry to stretch this thing out into 3 parts. That was never my intention. There just happens to be a lot going on…and, if nothing else, I think I’m clarifying that pretty well with the length of these postings!

Okay, so: The Salt-n-Pepa Show.

Like I said, I wasn’t able to catch this panel, and I was disappointed, but, ultimately, I figured people would be more interested in reading about Steven Van Vandt, and I stand by that decision. But, fortunately, I’ve got the transcript, and it sounds like there’s more than enough remaining tension between the pair that…well, though I hate to admit it, I’m actually rather tempted to watch it.

When asked to go into what happened in 2002, when the pair separated, Salt immediately passed the buck to Pepa, which – as it turned out – was a harbinger of things to come. But, anyway, apparently, what happened was that Salt made the very poor decision of dropping a bomb on Pepa via cell phone.

“We were just in the process of changing management,” began Pepa, “and with my perception, you know, I had all of my eggs in the basket with Salt. I just believed that she and I was going to take the world by storm. We were getting rid of some…you know, some people that were part of our team that wasn’t, you know, good business for us. We were moving forward, so I believed. And once we put that in order and got rid of some of the people, I’m getting a pedicure, or I’m in the salon…actually, Spin Salon, at the time…and my cell phone rings. It was Salt on the phone. And I’m, like, ‘Hey, girl, what’s going on?’ And she was just, like, basically, ‘I don’t want to be joined at your hips anymore. I’m through. I’m leaving the group.’ I was shocked, but I didn’t believe her until I saw that the offers were coming in and she was really sticking with it and saying, ‘No, I’m leaving, and I don’t want to be a part of it anymore.’ And I was just devastated at that moment.”

Salt launched into her defense, naturally, explaining that there had been an escalating series of events which led to her decision. “It had been many years Salt-n-Pepa had a lot of success,” she said, “and it was all fun for her, but from my perspective, I felt like I didn’t have control of my life. I felt like I was compromising in a lot of ways. I had some other really deep issues that I won’t go into right now, and I was just tired. It’s hard being in a group, you know, year after year after year, and I needed to do some soul-searching, you know. It’s that time in an artist’s career where they need to separate from the business. And since then, I got married. I married my daughter’s father. We had another child. I kind of cleaned up my personal life, and I needed that time to do that.”

“Which is fine,” snapped back Pepa, “but with your partner, like in any relationship or marriage or a business, you actually sit down, and you kind of prep that other person who is involved with you that this is your next step. So it was…to me, it was just the way that she did it, and I just never got over it. I’ve just been bitter about it and upset, and we just never really spoke about it.”

“And I have apologized for the way I did it many times,” reminded Salt. “Even in writing.”

Okay, obviously, this is a transcript, and I didn’t see it personally, but I just know that, at this point, Pepa rolled her eyes, because she immediately went off about how there had been much talk of this letter, and that she was aware that Salt had even written a song called “A Letter to Pep,” “but I never received a written letter saying, ‘I apologize to you, Pep.'”

“It never came back to the house,” snapped Salt. “You usually get a ‘Return to Sender.'”

“Apologizing means let’s make this happen.”

“Apologizing means let’s make some money. Once the money is made, then…”

“I’m an entertainer. I like to entertain.”

“I want to make a few million. Then everything will all be good.”

“We made millions!”

“I’m like you: more!

I mean, maybe it’s all an act, but it sure sounds like they’re still pretty pissed off at each other…and that usually equals good television, from my experience.

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TCA Press Tour: Day 2 (well, for me, anyway), Pt. 2

Man, ya’ll are lucky I didn’t have my tape recorder working earlier this morning; if I had, I’d be transcribing every last obscenity I uttered when, just as I was preparing to save my second posting about yesterday’s panels, the internet connection hiccupped and lost everything I’d written…and I didn’t have time to re-write it before heading downstairs for today’s first panel. So, anyway, here I am, in my first live panel – i.e. I’m online as the panels are going on in front of me – but, at the moment, I’m just playing catch-up on yesterday. I mean, it’s the Disney Channel panels; they’re entertaining, but, to my knowledge, no-one here needs any real details on them, am I right? (If I’m wrong, of course, let me know; they provide transcripts, so I can still pick out a few quote highlights.)

Okay, let me grab a cup of coffee and get this show on the road, so I can be all caught up before the SoapNet panel on “General Hospital: Night Shift” begins!!!

Dallas Cowboy Cheerleaders: Making the Team (CMT):

I’ll say this right now: any panel which opens with 12 members of the Dallas Cowboy Cheerleaders show team coming onstage and doing a full routine that ends with lots and lots of high kicks…well, my friend, that’s on the short list for Best Panel Opening EVER. And it was a pleasant little panel, too. You could tell there was a certain amount of cynicism from some of the writers in attendance, particularly when one fellow asked (rather snarkily, I felt), “Is this a stepping stone onto something else, or is this the pinnacle of your career?” The response from veteran cheerleader Megan Fox, however, was heartfelt and honest:

“For those of us as performers…I mean, really, most of us have danced or done some type of cheerleading our entire lives, so this is really that bar that we’ve really worked so hard to reach. So for those of us, it’s kind of the icing on the cake. I really think that this is a dream come true. And for some of us, it will be the end of our performing careers, but for others, we’ll go on to teach, hopefully, and continue to be involved in the dance and performance world. But, really, this is just the icing on the cake for most of us.”

Take that, Cynical Boy!

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TCA Press Tour: HBO, Pt. 2

Okay, it’s still 6:54 AM here, but, damn, I feel a hell of a lot better after just a few hours sleep. As such, let’s go ahead and take a look at those HBO panels from yesterday:

As You Like It, Kenneth Branaugh’s latest Shakespearean adaptation:

Branaugh found it very easy to cast Kevin Kline in the role of Jacques, it seems. “(He has) vast Shakespearean experience, as you know, a brilliant dramatic actor, a very, very funny man, and is, in life, intellectually curious. And as with all funny men, I would say – without trying to tell my friend who he is – a kind of disposition to a certain kind of melancholy and philosophical introspection. But I just thought he was a great actor.”

Kline’s response? “I disagree.”

Kline isn’t the only American in the production; he shares that honor with Bryce Dallas Howard…even if she doesn’t see it that way. “I would have to say that Kevin Kline is almost like an honorary Brit when it comes to Shakespeare, (whereas) I felt like a little bit of a cowboy,” said Howard. “Like, it’s, you know, a little rough with the language, and I didn’t really have a lot of confidence with it, initially. But under the guidance of Ken, and everyone else that was involved, I allowed myself to just enjoy the experience and do my best. But it was definitely initially intimidating, perhaps being an American, but even more than that, just being someone who is literally at the start of my career. I haven’t had as much experience as I would like to.”

The role of Orlando is taken by relative newcomer David Oyelowo, who had a serious attack of nerves when he discovered that A) he had to go to Branaugh’s house to audition, and B) he had to audition with Branaugh. “You were reading the other lines,” he said, turning to Branaugh, “and my saliva just turned to sand. I mean, there I was, auditioning with Henry V, Iago, Benedict, Coriolanus…and it just…I mean, you probably won’t remember this, but the lines…they just completely went out of my head. You were so gracious; you just went, ‘Okay, let’s do that again…'”

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TCA Press Tour: HBO, Pt. 1

Man, it’s late…particularly for a guy who’s still on East Coast time. But I wanted to offer up a few quotes from today’s HBO presentations before I hit the sack.

Revelations from Richard Plepler (HBO Co-President) and Michael Lombardo (President, Programming Group and West Coast Operations):

* The reputed two-hour “Deadwood” movie is “possible,” says Lombardo, but “we’re going to have to schedule them in a way where we’re going to have to bring back an entire array of actors, many of whom have moved onto other shows. Molly Parker, I think, is on a new series; Tim Olyphant is doing movies. That’s one reason we decided to do movies as opposed to a season: that may be a shorter schedule, but it’s do-able. It will just be daunting. If David (Milch’s) game for this, and we can figure it out, we’re going to figure it out.

* On the “Sopranos” finale, Plepler says, “I actually called Ilene Landress and Carolyn Strauss and thought that they had withheld from me the final 50 seconds. I said, ‘What are you doing?’ She said, ‘No, that’s the ending!'”

* On the delay between the last two “Sopranos” seasons, Lombardo admitted, “the truth of the matter is waiting a year and a half between shows…I think we’ve discovered it’s probably not ideal for the viewer.”

* Of the “Sex and the City” movie, Lombardo says, “I read the script, and I can’t wait to buy a ticket; I think it continues the journey of those women into their 40s and pushing 50s ina really smart ‘Sex and the City’ way,” and Plepler adds, “It’s fun. It evolves the story, and I think that no fan will be disappointed when they see it.”

* On “Preacher,” Lombardo assures fans of the Vertigo comic that an HBO adaptation is absolutely still possible, and that “it’s on the hot list of one-hour dramas for us.”

* And Plepler’s take on the “Sopranos” finale…? “I think what happened is that David (Chase) was saying simply, “Reap what you sow,” and this is a guy who is going to live a life of eternal vigilance, looking over his shoulder always, never being sure for his safety or his family’s. And you have to ask yourself, given all the machinations that he went through to get where he was, has it all been worth it? That’s what I think.” (Adds Lombardo, “And I don’t know, because my TV went out.”)

Okay, I’ve GOT to get some sleep. More tomorrow, folks…

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