Category: Actresses (Page 177 of 258)

Mark your calendars: on Feb. 12th, “Jericho” is BACK.

People, I have seen the first three episodes of Season 2 of “Jericho,” and let me say this as someone who spent Season 1 as both a fan and a detractor of the show: virtually every major problem I had with the show during its first season has been rectified.

I know, that’s the kind of claim that leaves you thinking that I’m hip-deep in hyperbole, but I’m telling you, I am in no way kidding you.

I’m not going to play King of All Spoilers, so don’t come here looking for gossip on that front, but I will say that the show has lost virtually all vestiges of its early attempt to be a modern-day “Little House on the Prairie.” It’s been streamlined to just the most key characters, focusing on the darker side of things, including much more focus on the politics of the post-bomb America; it’s now about 75 – 80% action or intense, dramatic conversations, and even the occasions when we venture into domesticity with Stanley and Mimi, we find a storyline which is set to dovetail into other goings-on.

You can check out a clip from the season premiere here (or here), but keep your eyes pealed to Premium Hollywood, as I’ve just had a very nice conversation with executive producer Carol Barbee about the upcoming episodes, and although I’m still keeping mum about certain secrets, we found some sufficiently evasive phrasing that allowed us to discuss some of what you can expect in Season 2.

In the meantime, remember this: whether you’re a fan of the show, an occasional viewer, someone who liked the premise but didn’t like the execution, or just someone who’s curious about this series that was rescued from cancellation by having fans send bags of peanuts to CBS, you owe it to yourself to tune in on Tuesday, Feb. 10th, at 10 PM.

“Jericho” is back, baby. In a big, big way.

A Brief Chat with Shirley Jones

She’s been doing television since the 1950s, but believe it or not, Shirley Jones has never done a soap opera…’til now, that is. Jones, best known to TV geeks as the matriarch of the Partridge family, will be popping up on NBC’s “Days of Our Lives” as Colleen Brady, starting January 31st and sticking around ’til February 7th. (Not only that, but she’ll be sporting an Irish brogue!) I had a chance to sit in on a teleconference with Ms. Jones recently, where I asked her a bit about her current gig, her most famous gig, and her favorite unheralded performances.

Bullz-Eye: Hi, Shirley, how are you doing?

Shirley Jones: Good, thank you.

BE: So…are you now or have you ever been a soap opera addict yourself?

SJ: No. (Laughs) In a word, no. You know, I intermittently have watched, I guess, all of them maybe once or twice. But, no, I’m not a soap opera person, mostly because I…you know, I work myself during the day. So I’ve never had time really to get involved. But I loved doing this. I ended up loving doing it. I was terrified in the beginning and, you know, took on a challenge which I wasn’t sure I could meet. But I feel that I did, and now I’m very happy about it.

BE: I know that “Days of Our Lives” is your first daytime soap, but you have done nighttime soap before: you were on an episode of “Melrose Place.”

SJ: Yes. I did “Melrose Place,” and I did a thing for Lifetime in Australia just last year (“Monarch Cove”), you know, and it was called a nighttime soap. It didn’t do much… (Laughs) …but it was fun to be in Australia for two months!

BE: Did you find the melodrama any different from daytime to nighttime?

SJ: Not much. I think maybe it was a little less melodrama at night than in the daytime, I guess. But, you know, people love this. I mean, I guess it’s some form of escape for them, just as well as going to a Disney film. I mean, it’s an escape in its own way.

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That Elaine Hendrix is so darned nice…

Given how busy the holidays were, you may or may not have even noticed when I posted a review of “The Munsters’ Scary Little Christmas,” but if you did, you might recall that I allotted a fair amount of the text to assuring people that the short skirts worn by Marilyn Munster – played by Elaine Hendrix, seen to your left – were just about enough reason to check out the film, even though it didn’t feature any of the original cast.

At the time, I dropped Ms. Hendrix an E-mail, asking if she could offer any reminiscences from her experience on the flick, but I didn’t hear anything and, well, I didn’t lose any sleep over it. Again, holidays are busy, people get caught up in their own goings-on, not a big deal.

Last night, however, I got a very belated but also very apologetic response from Elaine:

Oh, darn it, Will. I get these e-mails so late, and it doesn’t look like my assistant responded. I would have loved to give you some info on it. Please keep (my publicist) in the loop, and we’ll do the same with you for upcoming projects. I hope you were kind to “Marilyn” in the review. 🙂

It was a great project for 3 reasons –

1. Befriending Ann Magnuson
2. Shooting in Australia
3. Working on yet another cult classic franchise.

Thank you! Hope all is well.

Happy new year,

Elaine

Oscars ’08: The show must go on

The Academy Award nominees were released this morning, and if nothing else, they only further proved just how worthless this year’s Golden Globes really were. Most of the categories filled out as expected, but there were a few surprises, including Best Picture and Best Director nods for “Juno,” a Best Actor nod for Tommy Lee Jones, and Sean Penn’s crapfest “Into the Wild” getting almost completely shut out; save for the deserved nomination of Hal Holbrook in the Best Supporting Actor category.

Check out the nominees in all of the major categories, and then click below to read the full list. I’ve also attached stars to my predicted winners, so come back and let me know what you think.

BEST PICTURE
“Atonement”
“Juno”
“Michael Clayton”
(*) “No Country for Old Men”
“There Will Be Blood”

BEST DIRECTOR
Julian Schnabel (“The Diving Bell & the Butterfly”)
Jason Reitman (“Juno”)
Tony Gilroy (“Michael Clayton”)
(*) Joel and Ethan Coen (“No Country for Old Men”)
Paul Thomas Anderson (“There Will Be Blood”)

BEST ACTOR
George Clooney (“Michael Clayton”)
(*) Daniel Day-Lewis (“There Will Be Blood”)
Johnny Depp (“Sweeney Todd”)
Viggo Mortensen (“Eastern Promises”)
Tommy Lee Jones (“In the Valley of Elah”)

BEST ACTRESS
Cate Blanchett (“Elizabeth: The Golden Age”)
Julie Christie (“Away from Her”)
Marion Cotillard (“La Vie en Rose”)
Laura Linney (“The Savages”)
(*) Ellen Page (“Juno”)

BEST SUPPORTING ACTOR
Casey Affleck (“The Assassination of Jesse James”)
(*) Javier Bardem (“No Country for Old Men”)
Philip Seymour Hoffman (“Charlie Wilson’s War”)
Hal Holbrook (“Into the Wild”)
Tom Wilkinson (“Michael Clayton”)

BEST SUPPORTING ACTRESS
Cate Blanchett (“I’m Not There”)
Ruby Dee (“American Gangster”)
Saoirse Ronan (“Atonement”)
(*) Amy Ryan (“Gone Baby Gone”)
Tilda Swinton (“Michael Clayton”)

ADAPTED SCREENPLAY
Christopher Hampton (“Atonement”)
Sarah Polley (“Away from Her”)
Ronald Harwood (“The Diving Bell & the Butterfly”)
(*) Joel Coen & Ethan Coen (“No Country for Old Men”)
Paul Thomas Anderson (“There Will Be Blood”)

ORIGINAL SCREENPLAY
(*) Diablo Cody (“Juno”)
Nancy Oliver (“Lars and the Real Girl”)
Tony Gilroy (“Michael Clayton”)
Brad Bird (“Ratatouille”)
Tamara Jenkins (“The Savages”)

BEST FOREIGN LANGUAGE FILM
“Beaufort” (Israel)
(*) “The Counterfeiters” (Austria)
“Katyn” (Poland)
“Mongol” (Kazakhstan)
“12” (Russia)

BEST ANIMATED FEATURE FILM
“Persepolis”
(*) “Ratatouille”
“Surf’s Up”

ACHIEVEMENT IN ART DIRECTION
“American Gangster”
“Atonement”
“The Golden Compass”
(*) “Sweeney Todd: The Demon Barber of Fleet Street”
“There Will Be Blood”

ACHIEVEMENT IN CINEMATOGRAPHY
Roger Deakins (“The Assassination of Jesse James”)
Seamus McGarvey (“Atonement”)
Janusz Kaminski (“The Diving Bell and the Butterfly”)
(*) Roger Deakins (“No Country for Old Men”)
Robert Elswit (“There Will Be Blood”)

ACHIEVEMENT IN COSTUME DESIGN
Albert Wolsky (“Across the Universe”)
Jacqueline Durran (“Atonement”)
(*) Alexandra Byrne (“Elizabeth: The Golden Age”)
Marit Allen (“La Vie en Rose”)
Colleen Atwood (“Sweeney Todd: The Demon Barber of Fleet Street”)

BEST DOCUMENTARY FEATURE
“No End in Sight”
“Operation Homecoming: Writing the Wartime Experience”
(*) “Sicko”
“Taxi to the Dark Side”
“War/Dance”

ACHIEVEMENT IN FILM EDITING
Christopher Rouse (“The Bourne Ultimatum”)
Juliette Welfling (“The Diving Bell and the Butterfly”)
Jay Cassidy (“Into the Wild”)
(*) Roderick Jaynes (“No Country for Old Men”)
Dylan Tichenor (“There Will Be Blood”)

BEST ORIGINAL SCORE
(*) Dario Marianelli (“Atonement”)
Alberto Iglesias (“The Kite Runner”)
James Newton Howard (“Michael Clayton”)
Michael Giacchino (“Ratatouille”)
Marco Beltrami (“3:10 to Yuma”)

BEST ORIGINAL SONG
(*) “Falling Slowly” (“Once”)
“Happy Working Song” (“Enchanted”)
“So Close” (“Enchanted”)
“That’s How You Know” (“Enchanted”)
“Raise It Up” (“August Rush”)

ACHIEVEMENT IN MAKEUP
“La Vie en Rose”
“Norbit”
(*) “Pirates of the Caribbean: At World’s End”

ACHIEVEMENT IN SOUND MIXING
“The Bourne Ultimatum”
“No Country for Old Men”
“Ratatouille”
“3:10 to Yuma”
(*) “Transformers”

ACHIEVEMENT IN SOUND EDITING
“The Bourne Ultimatum”
“No Country for Old Men”
“Ratatouille”
“There Will Be Blood”
(*) “Transformers”

ACHIEVEMENT IN VISUAL EFFECTS
“The Golden Compass”
“Pirates of the Caribbean: At World’s End”
(*) “Transformers”

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