Category: Actresses (Page 175 of 258)

Review: “John Adams” – Episodes 1 & 2

Historical dramas are a dodgy proposition to pitch to the mainstream. True, Showtime has been doing all right with “The Tudors,” but let’s face it: the success of that series has ultimately been as much to do with audiences eating up the soap-opera aspects of the storyline as it is to do with the actual historical events contained within. Since HBO’s new 7-part miniseries, “John Adams,” can’t possibly compete on the same level (nor would its producers have any interest in attempting to do so), it’s evident why the network has felt obliged to promote the work everywhere possible, up to and including every single Netflix envelope that’s gone out in the past few weeks. The good news, however, is that if people actually take a chance and tune in, what they’ll find is an enthralling program which will, fingers crossed, inspire Americans to sit up and take proper notice of their history.

Paul Giamatti and David McCullough at the Virginia premiere of John Adams
Paul Giamatti and David McCullough
at the Virginia premiere of “John Adams”

Based on David McCullough’s 2002 biography, “John Adams” provides a detailed examination of the life of America’s second President, with the title character played by…Paul Giamatti? Giamatti might seem on the surface to be an odd choice for the role of John Adams, since he’s known more for the comedic rather than the dramatic and hasn’t done all that many period pieces; the only ones that leap immediately to mind are “The Illusionist” and “Cinderella Man,” and both of those take place in the 20th century, so they’re not really stepping that far back in time. You’d never know of his lack of his experience from his performance here, however. The phrase “acting tour de force” doesn’t begin to describe how substantially Giamatti owns the role of John Adams; it’s a measured performance, showing a man who loves his wife and family but struggles to find a way to keep them close while building a new nation.

Continue reading »

Wanna bet that “Bionic Woman” gets a reprieve?

Maybe I’m wrong about this, but after last night’s crazy-high numbers for the British premiere of “Bionic Woman,” (thanks to the homeland fame of star Michele Ryan, late of “EastEnders”), somehow I can’t imagine that NBC-Universal will be able to resist keeping it going for at least a little bit longer. At the very least, I’m anticipating that it’ll stick around somewhere, if only over at Sci-Fi.

Jericho 2.3 – He’s back! (And so is he, and so is he, and…)

First off, if you didn’t see last week’s write-up, there’s a perfectly good reason for that, but to find out what it is, you’ll have to click here.

Are you back? Excellent. Let’s move on, then, shall we?

Hey, everybody, Dale’s back! I always thought the guy was a little squirrelly because, well, he is squirrelly. But, wow, the guy’s really grown up over the course of the past few months. One trip to Missouri, and he’s become a man. And by “man,” I mean he’s actually about one evil look away from being a full-fledged bad-ass. I think I’ve said it before, but, seriously, you don’t want to be around that guy when he’s finally fed up.

Y’know, I’ve heard some people say that D.B. Sweeney is too damned likable to accept as the devious Goetz, but, personally, I think the combination of this against-type performance and a disconcertingly dark second season of “Jericho” makes him exceptionally off-putting in the role…which I mean as a compliment, if that wasn’t evident. Jake’s hatred of Ravenwood is understandable, given his history with the organization in Iraq, but it doesn’t take long for the majority of the town to turn against them when they start screwing with Dale’s shipments of the Hudson River Virus vaccine. (More on that in a moment.)

Hey, everybody, Jimmy’s back! Or, to put it another way, “Narc, narc, who’s there? Jimmy!” Not that we should’ve expected him to anything other than tell Beck what he knew about Sarah Mason, but what wasn’t expected was the way Hawkins decided to handle the situation: by bursting into Beck’s office and saying, “You’re killing my investigation!” It’s actually a good ploy, given how readily Hawkins has had lies spill forth from his lips during the course of the series, but in this case, it’s for the greater good, as he attempts to pick and choose bits and pieces of the facts at his disposal in order to sway Beck into realizing that the government isn’t telling the truth, the whole truth, and nothing but the truth. It’s a slippery slope he’s treading, but Major Beck’s conversation with Thomas Valenti was clearly sufficient to sway Beck into believing Hawkins’ story. And as long as we’re speaking of Beck, I like him a little more each episode, especially after the scene with him and Heather in the waning minutets of the episode

Hey, everybody, Dr. Dhuwalia’s back! The guy’s not a very good liar, though, and he’ll clearly break under pressure at the drop of a hat. Still, I love the character, so I’m glad to see him return. Plus, even though he’s got the kind of loose lips that sink ships, the whole issue with the virus made for great drama, from the transmission Heather received that clarified just how bad things had gotten to the tension-racked scenes in the warehouse.

So Bonnie’s going the Kerouac route and hitting the road with Jennings & Rall, eh? Well, we did get our first full-fledged CBS’ing of Season 2 with the way the music swelled during the front porch conversation between Stanley and Bonnie, but we also got a bit of heretofore-unrevealed information about how Stanley and Bonnie lost their parents, and I’m sure fans – like, say, myself – enjoyed getting those details. It’s nice to see that the cute girl from J&R seems to have some scruples; at least it looks like Bonnie will be in good hands.

So who’s this mysterious person on the other end of the line from Hawkins…? Time, as they say, will tell…

Oscar recap: We need a montage, or Cate was jobbed

I was having a chat with Film School Reject and Fat Guys at the Movies co-host Kevin Carr last Friday about the Academy Awards. I naively thought that, because of the writers’ strike, this year’s show should be pretty brisk because they won’t have time to prepare any elaborate bits. But Kevin set me straight: he said, because the producers are doing the majority of heavy lifting, the show will be filled with self-congratulatory, back-slapping puff pieces.

Smart guy, that Kevin Carr.

I had an All-Star lineup of writers at my house last night, including Carr, fellow BE critic Jason Zingale, Film School Rejects editor in chief Neil Miller, Nights and Weekends EIC Kristin Dreyer Kramer, and From the Balcony EIC Bill Clark. About 20 minutes into the broadcast, all of us were singing Trey Parker’s “We Need a Montage” song. Holy cow, are the members of the academy proud of themselves. Here are some wacky moments from Oscars past. Here are a bunch of Best Actress winners. Here are a bunch of Best Actor winners. Here are ALL of the Best Picture winners. Thank goodness, then, for Jon Stewart’s tribute to periscopes and binoculars.

As for the awards themselves, there were some pleasant surprises and some pleasant non-surprises. I was thrilled to see Brad Bird get an Oscar for “Ratatouille,” likewise Javier Bardem getting the Supporting Actor award for “No Country for Old Men.” Marion Cotillard snagging Best Actress was a nice shocker too, as was “Falling Slowly” beating three songs from “Enchanted” for Best Song. Mega-bonus points to Stewart for bringing Marketa Irglova back out on stage to say her thank-yous after the orchestra drowned her out.

Something must be done, though, about the academy’s tendency to vote for someone in a category just because they liked the movie and want to make sure it gets some kind of recognition, even if the person in question doesn’t exactly deserve it.

Tilda Swinton, I’m looking at you.

My jaw hit the floor when Entertainment Weekly listed her as the favorite to win. Did they see the movie? She wasn’t all that memorable. Not that she was awful or anything, but between her, Clooney and Tom Wilkinson, she was easily the weakest link in “Michael Clayton,” and she sure as hell was no Cate Blanchett in “I’m Not There.” This isn’t grade school, people; if someone doesn’t deserve an award, you don’t give them one just because you don’t want the movie to get shut out. Really, Swinton winning is a joke. It’s like Votefortheworst.com took over Price Waterhouse for a day. I would rather have seen Ruby Dee win than Swinton, and Dee had no business even being nominated. How many lines did she even have in “American Gangster,” six?

By the way, the group and I casted three biopics last night. Casey Affleck should play David Byrne, Amy Adams is the perfect person to play Kirsty MacColl, and Tilda Swinton as…David Bowie. Admit it, you were thinking it too when you saw her fiery red hair.

The producers of the Academy Awards know that their show has a reputation for being unnecessarily long. The strike gave them the perfect opportunity to correct that. They didn’t take it. They made montages. Lots and lots of montages. And in their “honor,” I present them with “The Montage Song.” Boneheads.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑