Category: Actresses (Page 165 of 258)

TCA Press Tour, Day 1: Hallmark Channel

You’ve got to love David Kenin, the Hallmark Channel’s Executive VP of Programming. Like his boss, Henry Schleiff (Hallmark’s President and CEO), who emceed the network’s panel last year and introduced their new dog mascot, Herschel, by saying, “Herschel is seven years old…which, even in dog years, would bring our demographic down,” Kenin had his own self-deprecating wit ready to roll for the crowd.

“You will not see on our channel ‘Confessions of a Call Girl’ or ‘Bachelor Threesomes,’ said Kenin. “But I have TiVo, so I’m okay on that.”

What’s not to like about the Hallmark Channel? Whether you watch the network personally or not, they’re very much a name that you recognize and a place that you know you can go to get a certain kind of entertainment. Perhaps more importantly, though, they’re keeping a lot of actors working who might not otherwise be getting work…but let me clarify that, because it sounds like an insult, but it isn’t intended as one. I think we can all agree that prime-time broadcast television is a virtual wasteland when it comes to providing programming for any demographic over the age of the mid-40s, and drawing a line at that particular spot in the sand is probably pushing it. There have been countless jokes over the years about shows like “Matlock,” “Diagnosis Murder,” and “Murder She Wrote” and how they cater so specifically to an older, gray-haired crowd, but the older you get, the more you begin to realize that the familiar faces from your own era are being shuttled off the broadcast networks and onto cable. (The best possible proof of this: Molly Ringwald is playing the mom of a pregnant teenager on an ABC Family Channel series.) So when you look at the Hallmark Channel and you see that they’re providing clean, wholesome entertainment that makes our parents and grandparents happy and provides work for the actors of their generation that have been demographically driven off ABC, CBS, NBC, Fox, and The CW, what else is there to do but applaud their efforts?

Here are some programming highlights that should help you keep Hallmark under consideration in the future weeks and months to come…

* “Dear Prudence,” where Jane Seymour plays a Martha-Stewart-styled advice columnist who helps to solve a murder. (“She’s not supposed to be solving murders,” explained Seymour. “She just happens to stumble across one that needs to be solved and manages to do so.”) It’s perhaps no surprise that the first question asked of Ms. Seymour was not about her new movie but, rather, about the one and only “Dr. Quinn.” Okay, fair enough, the show’s in reruns on Hallmark, so it wasn’t so out of line to wonder if the network might consider doing a new “Dr. Quinn” movie. It’s probably not going to happen, though. “Les Moonves (President and CEO of CBS) does not want to make any more ‘Dr. Quinn”s,” she said. ” But I have all the clothes, (so), you know, Prudence could pretend to be Dr. Quinn. And, you know, I think Sully is available…” Nice try, Jane. But, hey, it could happen: Hallmark is viewing this movie as having serious franchise potential, and given Seymour’s fanbase, there’s every reason to believe that they’re right.

* “For the Love of Grace,” a film about the relationship between a firefighter and a woman he saves, starring Chandra West (“John from Cincinnati”), Corbin Bernsen (“Psych”), and Mark Consuelos (“Husband for Hire”). And if you thought a room full of TV critics was going to miss a chance to quiz a former “John from Cincinnati” cast member on just what the hell that show was about, you’re sorely mistaken. “God, people ask me that all the time,” said West, “and I think the only person truly who can respond to what the show is about is David Milch, of course. But you know what? I think, to put a fine point on it, the short answer is no.” This line of questioning eventually led to a discussion about how Milch is an incredible speaker, to the point where you may have no idea what he’s talking about but you still believe him unequivocally. “I spent New Year’s 2000 with him,” admitted Bersen, “and he convinced me that the world was coming to an end in the following week. New Year’s Eve 2000 celebrations everywhere, and this man had me in a corner with my wife completely freaked out that we had one week left to live on this planet…and I believed it.” With testimonials like that, is it any wonder that “John from Cincinnati” was as weird as it was?

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Welcome back, my friends, to the show that never ends: The TCA Press Tour

Here I am in L.A., sitting in my first panel of the Television Critics Association press tour for Summer 2008, and, man oh man, it’s been a long wait for me to get back to one of these things.

I’d had every intention of attending the Winter 2007 tour, but as you may recall, the Writer’s Strike put the kabosh on that event…and with the battle between the SGA (Screen Actors Guild) and their brethren in AFTRA (American Federation of Television and Radio Artists), it looked for a while like this tour might not happen, either. Heck, it’s still not impossible that this thing could stop dead in its tracks if it turns out that the members of AFTRA haven’t accepted the contract offered to them by the AMPTP (Alliance of Motion Picture and Television Producers), as you can read about here. But I think the general presumption is that AFTRA will accept the contract, and if they do, then it’s far less likely that the SGA will decide to strike.

There are a lot of really great panels this time around, and I look forward to bringing you info about just about every single one of them, so stay tuned!

Secret Diary of a Call Girl: Season One, Ep. 3

Episode three begins with Belle (Billie Piper) explaining that she’s about to pull an “all nighter,” which given the premise of the series sounds incredibly sleazy. But it turns out not to be so much – or at least not at first. Her client is Ashok (Ace Bhatti) and she claims he was her first, “professionally speaking.” He’s a married man whose wife hasn’t slept with him in five years, and apparently he’s one of Belle’s regulars. Her job is to spend the night with him in a classy hotel and give him the “girlfriend” treatment, which is somewhat in demand these days in the call girl scene. Aside from sex, what the guy really wants is an evening of company, cuddling and maybe even some conversation, and he’s willing to pay big bucks for it. She even brings him a Philip Roth novel that she thinks he will enjoy, and he does indeed seem interested and pleased that she thought of him.

But as the night wears on, Ashok falls asleep and Belle tells the audience she’s never actually “slept” with a client. She gets restless, and calls best bud Ben (Iddo Goldberg) who’s busy playing a video game and believes Hannah’s working late at the office. His girlfriend Vanessa struts around their apartment, but all we ever see of her is the body since her head is always out of frame. We may never get to know much more about her from the looks of things. When she dangles her panties in front of him, Ben quickly gets off the phone with Hannah. Belle decides to pop out of the room for a bit, leaving a note saying she’s gone out for cigarettes in case he should wake up. Down in the hotel she chats up the front desk clerk (Matt Day) and they discuss benign matters such as whether or not a woman in the hotel is a transvestite. Before long she drifts into the bar area, where she meets a guy who clearly sees her for what she is, and the money he’s offering is too much for Belle to pass up.

She assumes this one will go quickly and she can be in and out of his room and Ash will be none the wiser. But the guy turns out to be one of those with all manner of tantric tricks who can go on and on and on. And he does. Eventually Belle tires of the scene and it turns out she’s got a trick of her own: She slips a condom over her finger and shoves it into a particularly dark orifice in his body, and he, on cue, shoots his load. All great fun, and just a little seedy – but hey, that’s why we watch “Secret Diary of a Call Girl.” Belle heads back to Ash’s room, and finishes off her all nighter, slips the desk clerk an envelope of cash, and Hannah drifts off into the London morning for breakfast with Ben.

All in all this was the least interesting installment so far, but not without its charms. Piper shows a little more skin (ahem, not that that’s why I watch), and there was a particularly tastefully shot music video sequence of Belle taking a shower. The relationship with Ash was also mildly appealing, as it was nice to see Belle genuinely enjoy a client with out any hang-ups. One of the frustrating things about the show is that it feels as if it’s over just as it’s beginning. Somehow the 22-minute episodes fly by and are over before you know it, which I suppose is a sign that they’re doing something right, but the series could really benefit from having a full 30 minutes to work with each week.

Get Smart’s Bruce and Lloyd Out of Control

Warner Premiere describes “Bruce and Lloyd Out of Control” as “an industry first, offering consumers and fans of the theatrical release of ‘Get Smart’ the opportunity to enjoy parallel content, an original side story featuring characters from the film, just days after the film’s theatrical release,” but let’s call a spade a spade: even with a token scene or two to indicate that it’s taking place simultaneous to the real film, it’s still just another glorified straight-to-video sequel. Bruce (Masi Oka, “Heroes”) and Lloyd (Nate Torrence, “Studio 60 on the Sunset Strip”), two of CONTROL’s tech guys, find themselves on assignment to retrieve a missing piece of camouflage technology, getting into lots of wacky and zany misadventures along the way. “Heroes” fans will be psyched to see Jayma Mays playing Bruce’s love interest (Hiro and Charlie, together again!), Larry Miller gets to play identical twins (one of them is evil, naturally), and there are entertaining cameos by a couple of characters from “Get Smart” (Terry Crews as Agent 91, Patrick Warburton as Hymie), but while Oka and Torrence are both funny guys, the level of humor rarely rises about slapstick shenanigans and a running gag about how nobody can remember which one is Bruce and which one is Lloyd. Granted, it was a clever, cost-saving maneuver to film “Bruce and Lloyd” simultaneous to ‘Get Smart,’ utilizing many of the same sets, but no one’s going to mistake this for anything that’d ever be released theatrically.

Click to buy “Get Smart’s Bruce and Lloyd Out of Control”

Diva

This very Parisian suspense comedy-drama was a sensation on the American art house scene during the early 1980s and helped launch a wave of more stylish, genre-oriented, French directors, action-meister Luc Besson included. (It also earned its own palindrome: “Avid was I, ere I saw Diva.”) It’s still fun, and very sexy in a demure, PG-13 way, if also kind of silly and lackadaisical.

Based on a novel by the pseudonymous Delacorta, writer-director Jean-Jacque Beiniex’s feature debut tells the story of a twentyish, scooter-driving postman (Frédéric Andréi) obsessed with a beautiful African-American opera singer (real opera star Wilhelmina Wiggins Fernandez) who, for artistic and philosophical reasons, refuses to allow herself to be recorded. The young man sneaks a high-end recorder into a performance and, after meeting his idol, steals her dress. He soon finds himself pursued by Asian audio pirates, but also by local assassins seeking an incriminating cassette. At the same time, he pursues a light flirtation/friendship with a larcenous Vietnamese teen orphan (Thuy An Luu) – and, shyly, but a lot more earnestly, romances the diva. He’s definitely one lucky celebrity stalker. Among other bits of good fortune, his less famous, underage gal-pal is under the possibly fatherly, possibly not-so fatherly, protection of a mysterious former Special Forces type (Richard Bohringer), who proves to be helpful in his tight spot.

“Diva” is really not about story but primarily about style, music (lots of opera, so be warned), and only then about its characters. While it doesn’t impress me today the way it did when I was the same age as its young postman, it’s still a nifty bauble with one really great foot/scooter chase through the Paris metro and lots of beauty — though buyers should be aware that the Lionsgate/Meridian Collection DVD has taken some hits for its technical quality. The print could probably be better.

Click to buy “Diva”

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