Category: Actresses (Page 164 of 258)

TCA Press Tour, Day 2: AMC

At the 2007 TCA Press Tour, the critics were all abuzz about this new show on AMC called “Mad Men.” Some of us had seen the screeners of the first episode or two, some of us had not, but there was absolutely no-one in the house whose curiosity wasn’t piqued about this series which would take place in the early 1960s and examine the life and times of ad men…and, of course, the women who love them. Over the course of the year, “Mad Men” became a full-fledged television phenomenon, bringing new attention to AMC as a place to find top-notch original series (a reputation aided in recent months by “Breaking Bad”), and with the recent release of Season 1 of “Mad Men” on DVD, the excitement over the impending premiere the show’s second season is at a fever pitch.

How disappointing, then, that the show’s creator, Matthew Weiner, is so steadfastly against revealing anything about the upcoming season.

Not that I blame the guy. As much as I love a good spoiler, I can totally understand why a show’s producer wouldn’t want to spill his guts about what we can expect to see in the future, because he wants us to be as surprised as everyone else. But with that said, AMC did provide us with the first two episodes of the new season, and he was even hesitant to discuss the events that take place in those.

So, y’know, basically, the big scoop we can reveal about the second season of “Mad Men” is that there is one.

Okay, I’m just kidding. There’s a little bit that we’ve gleaned about it, and the bit that’s probably going to be the most frustrating for those who like to get their answers quickly is that there’s been a bit of a time shift, jumping ahead slightly rather than picking up immediately after the events at the end of Season 1. There’s a specific reason that Weiner has opted to go this direction, however…well, actually, make that two reasons.

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Prairie Fever

Any movie that earnestly harks back to classic westerns and tries to strike a blow for human liberty at the same time can’t be all bad. Sadly, a single star is all I can justify for this direct-to-DVD oater. “Prairie Fever” brings us onetime TV Hercules Kevin Sorbo as Preston Biggs, a former small town sheriff turned town drunk. When several mail order brides start to exhibit signs of pretend-insanity – incessantly quoting Bible verses, miming playing the piano, and generally exhibiting signs of really bad acting – the woman are assumed to have fallen to a sort of female hysteria apparently brought on by living on a pretend-Western hamlet, i.e., “prairie fever.” The cure, such as it is, is to have Biggs take the women, and a tidy sum of money, to the nearest train station hundreds of miles away. Along the way, our not-so-anti-hero encounters the feisty and beautiful Abigail (Dominique Swain), who is on the run from an occasionally villainous gambler (Lance Henrickson). While this set-up initially appears lamely misogynist, rest assured that it is actually lamely feminist. These women are suffering from old West PTSD caused by frontier cruelty, but in true old school TV style, they will all fully recover within less than 81 minutes.

Written and directed by a triumvirate of TV veterans, “Prairie Fever” effectively evokes the bad television of yore. For all the attempts at characterization, it’s often possible to recite the dialogue in advance of the characters. Moreover, action sequences are badly muffed, though the three stars are, for the most part, able to keep their heads above water. The less said about the supporting cast, however, the better.

Click to buy “Prairie Fever”

TCA Press Tour, Day 1: BBC America

When the BBC America panels began, we were pleasantly surprised to be blessed with a heretofore-unmentioned appearance by Ted Koppel, who has joined the BBC World News America team. Granted, Koppel’s appearance was via satellite, and it only lasted for a few minutes (he had to get back to other activities which were, we can reasonably presume, far more important than talking to a bunch of lousy TV critics), but let it be said that the man left an impression one simple exchange…

Reporter: How did all this come about for you? How did you get involved with these guys?
Ted Koppel: Well, I was off in a sleazy back alley, buying pornographic magazines…

And here I thought I couldn’t respect a newsman more than Brian Williams, who was heard to say during last year’s tour how such-and-such “really made my sphincter tighten.” But I think I’ve gotta give the title to Koppel now. (The reporter who asked the question thanked him for that quote, by the way…as well she should have.)

But, really, you have to like a guy like Koppel, anyway, if only because he’s not afraid to speak his mind, an opportunity he was given on a silver platter when he was asked why American viewers were being denied the kind of news coverage being provided by BBC America.

“Well, as you all very well know, that’s the subject of a very long discussion,” he admitted, “but the simple answer is economics. As there have been more and more outlets and the competition has become greater and the audiences have
become smaller and the amount of money that news divisions are making still has to remain high, there’s been a tendency to focus more on that demographic that brings in the largest amount of advertising dollars, and that’s the young demographic…and for reasons I never quite understood, the assumption is that young people don’t care about overseas news. And the other half of the answer is that the bean counters decided that one way to save money for the news divisions was to close down these very expensive foreign bureaus which are not necessarily on the air every day. And so, where in my heyday as a foreign correspondent, ABC, for example, may have had 30 or 35 correspondents, now they’ve got maybe five or six. And that’s the same with NBC and the same at CBS. There are just far fewer correspondents, far fewer bureaus, and that’s the one area in which the BBC remains preeminent.”

Preach it, Ted. Oh, and if you’re wondering, Koppel still considers the Discovery Channel to be his primary employer these days…but given how enthusiastic he sounds about working for BBC America, I’m left wondering how long that will prove to be the case.

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Secret Diary of a Call Girl: Season One, Ep. 4

“Call Girl’s” fourth episode was easily its best yet. An odd mixture of S & M and tests of friendship and trust, it delivered a tight story over its typically brief running time. It begins with Belle (Billie Piper) in bed with her accountant (Simon Kunz), who apparently trades his services for hers. They appear to have a friendly, relaxed relationship, but it seems the accountant (who I believe went unnamed in the story) wants something a little different. He has thoughts and fantasies that fall outside her typical business dealings. Yes, the guy wants to delve into the arena of sadomasochism, which is hardly Belle’s specialty.

So she visits her manager, Stephanie (Cheri Lunghi) for some advice, and the woman clearly doesn’t have any, but she knows someone who does. During an outing with Ben (Iddo Goldberg), Hannah finds a new source of frustration that rivals her inability to be honest with him: He reveals that he’s marrying Vanessa, and that the engagement was made at least six weeks ago when he was on holiday. Hannah’s enraged. Why is this the first she’s heard of it? Ben explains that much of it has to do with her own secretive life.

Back at Belle’s flat, Mistress Sirona (Sally Dexter) arrives, with a slave (Darren Clarke) in hand (so to speak). She’s there to give Belle tips on how to be an effective mistress. As soon as they enter, she orders the slave to undress, as he’s not allowed clothes indoors. Belle offers them something to drink, and Sirona gives the slave permission to answer. He says that yes he would like something to drink, and Sirona tells him he’s welcome to drink from Belle’s toilet, but Belle instead gives him a dish to drink from. At this point, the scene is funny, sad, or erotic (I suppose) depending on your tastes and prejudices. I’ve never quite understood the whole S & M scene myself, but this episode did a really good job of explaining its quirks and why it’s at all appealing to anyone. Sirona shows Belle all the various places where a slave can be safely whipped, as well as pointing out the many areas that should be avoided – after all, this is fantasy role play; nobody’s in it to actually get hurt. Afterwards, as the slave cowers beneath the dining room table licking his mistress’ boots, and the two women converse, Sirona unveils her S & M wisdom. For a slave, it’s the release from power that’s the turn on. It’s not he who is doing all these filthy, degrading acts, it’s his mistress who’s making him do it. Belle gets it and is ready to give it a spin.

She goes about redecorating her living room into a makeshift dungeon and purchases a variety of whips and paddles as well as kinky leather mistress outfit. When the accountant arrives, she orders him to undress just as Sirona did her slave, and gives him only a thong to wear. The pair go through many of the same motions that Sirona used, although Belle admits to us that she has no idea whether or not he’s even enjoying it, or when the session is over. Since there’s no sex involved, and therefore no orgasm, how is she to know when he’s satisfied? In the midst of her boredom, she calls Ben, has a conversation which infuriates her, and she ends up taking it out on the accountant through a series of beatings that become just a tad too intense for the poor guy, and he ends up yelping the agreed upon safe word, “Red.” Both people seem embarrassed and humiliated, and the session clearly didn’t work out the way it was meant to.

As the episode draws to a close, Hannah again visits Ben, and her secrecy is still the hot topic. As she leaves, she texts him the information to her website, giving up her secret life and finally sharing it with someone. We don’t see Ben’s reaction; we can only assume that he’s now in the know.

For an episode that could have been played for laughs, the goings-on here seemed to be treated with an awful lot of respect, which is a good thing. The scene with Belle beating the accountant over her frustrations with Ben was in particular very strong, and kudos to Simon Kunz for being brave enough to convincingly play this complex man. Mostly though, the episode really kicked into a higher gear the relationship between Hannah and Ben, which is the area of the series that continues to be the reason for tuning in. Where are these people going together, and is it somewhere we’ll also want to visit?

TCA Press Tour, Day 1: HDNet

If you’re not familiar with HDNet, it’s time for you to get informed. Mark Cuban, chairman of HDNet (not to mention owner of the Dallas Mavericks), came out and gave the assembled audience a brief summary of the network’s “Sneak Preview” program and Ultra Video On Demand program, which provides a unique opportunity for indie films to be seen both theatrically and on cable simultaneously.

“We’re particularly proud of this not only because of the great movies that we’re showing and the opportunity to really take on independent film and create a home for them when the market for independent film is so bad,” said Cuban, “but more importantly because it’s unique. We also own Magnolia Pictures Distribution and Landmark Theatres, (which) puts us in a very unique position. We’re the only organization that can do this, and the reason is that the big movie chains, AMC and Regal, will not play a movie once it’s appeared on TV or once it’s appeared on a cable channel of any sort. So despite the fact that people want to be able to see movies where they want them, when they want them, how they want them, the big chains aren’t going along with it, but Landmark Theatres and Magnolia and HDNet Movies are.”

HDNET’s big-ticket flick at the moment is “Humboldt County,” co-directed by Darren Grodsky and Danny Jacobs and starring Fairuza Balk, Brad Dourif, Madison Davenport, Francis Conroy, and – perhaps most awesomely – Peter Bogdanovich as Professor Hadley. IMDb’s description of the film reads thusly: “A disillusioned medical student is stranded for a summer in a remote community of counterculture pot farmers, the last place in the world he imagined he would discover himself.”

Said Grodsky, “Danny and I have long been influenced by our favorite era of filmmaking, which is Hollywood filmmaking from the ’70s, so for us to be able to work with Peter, whose films we have long admired was, A) sort of a dream come true, and B), a great link for us to have to the era of filmmaking and the era that we really tried to emulate in terms of tone of making a film.”

“And,” added Bogdanovich, “they paid us in pot. I have no memory of the entire thing.” He was probably just kidding…but I’m pretty sure I saw him wink when he said it.

Well, with that being the case, let’s jump back to Cuban, who’s clearly quite happy about the way HDNet’s plans have been working out, based on the fact that their film “Flawless,” which starred Michael Caine and Demi Moore, did more than a million at the box office but actually did more than that via Ultra VOD. Nowadays, an Ultra VOD film has the potential to pull even bigger numbers.

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