Category: Actors (Page 86 of 343)

24 8.13: And if you don’t look now, then you’re gonna get Starbucked

Well, how about that: I get to use this title after all.

Some of you may recall that I wanted to use this title for an episode, any episode, and after Buffy iced Kevin and his psycho dirtbag friend in Hour 9, I figured that was my last chance, and Starbuck would go back to being the sniveling sissypants we’ve grown to loathe.

Fool.

I have to say, I did not see this coming. Of course, I feel like I should have, since her story line was beginning to run out of juice, but I never suspected that our small-time juvee felon would go so far over to the dark side. Let’s flash back to the moment where she’s tailed Kevin and dirtbag back to the lake. We thought she was unsure about what she wanted to do next. In retrospect, dirtbag is probably lucky that Buffy pulled the trigger.

What would be a neat touch is if we now caught a “Usual Suspects”-style glimpse of all of the strings she was pulling up to the moment where she strangled Jimmy James to death and stuffed him behind the paneling in Holding Room #2. (The stink will give her away eventually, yes?) Maybe there is security preventing people from entering the CTU tunnel, and Starbuck was the one that cleared Princess Jasmine’s entrance. Heck, maybe she remotely activated the EMP’s timer once the car came into range, since we’re still not sure of the weight-sensitive detonation theory espoused in last week’s comment section. Maybe she taught the snipers at the river how to jam the cell phone frequencies. But we’ll never see any of that, because of the show’s real-time format. Pity. We might learn all of those things – or none of them – but it won’t have that same punch as the ‘Verbal straightens out his foot’ shot. Damn it. (*takes drink, per “24” drinking game rules*)

I was about to say that CTU’s facial recognition software was going to play a part in identifying Starbuck as a terrorist sympathizer (if you can call them sympathetic), but something just hit me: ten bucks says she’s in that file of anti-IRK rebels that President Slumdog was supposed to hand over in the previous hour. We were led to believe CTU scanned through them all on the big screen, but perhaps not. We may not get our “Usual Suspects” moment, but there’s a good chance we’ll get our “No Way Out” moment, and soon. One thing’s for sure, and it is in stark contrast to my prediction of a noble death for poor Jenny: her story ends with Buffy pulling the trigger…but does she take out one of Bullz-Eye’s TV girlfriends (Chloe or Crazy Jackie) before she takes her last breath? You know my thoughts on Jackie’s life expectancy, so she’s the odds-on favorite. But there are times when I hate being right, and this is one of them.

24-Ep812_Sc1221_0202

“I’m sorry, maybe I wasn’t clear. When I said, ‘I’m really busy right now,’ I meant, ‘Bitch, I will cut you.'”

Lastly, I think we all owe Katee Sackhoff a formal apology for questioning her decision to take the role of Dana Walsh. She clearly knew something that we didn’t, and we should have given her the benefit of the doubt for making this her next role after “BSG.” In our defense, Ms. Sackhoff, you didn’t make it easy for us at first. Still, we said some things, and for that, we’re sorry.

Chloe, meanwhile, grows a pair so big she’ll need a wheelbarrow to carry them in, pulling a gun on an NSA engineer and telling him to step tha fuck off as she throws a Hail Mary in order to get coms up and save Jack. (Of course, Starbuck thought Chloe’s idea was a bad one, because she needed those servers down for as long as possible.) Bubba is now forever in her debt – her reply of “I’m not good with praise” would have produced a spit take, had I been drinking anything when she said it – which makes me wonder if Chloe is next in line to run CTU. She may still have that personality disorder, as Big Balls Bill Buchanan (RIP) once said, but she also has a good sense of right and wrong, and she knows that Jack is impervious to bullets…

…unless Fox cancels the show, a story that has been making the rounds lately due to the show’s increased budget and decreased ratings. Another rumor has the show relocating to NBC, and while they could use a show like “24,” I just don’t see a fit there. Maybe it’s a grudge fuck for Fox supposedly in talks to land Conan O’Brien. Either way, “24” will forever be a Fox show to me.

Speaking of Jack’s imperviousness, he and Buffy were in a shootout at the East River with a couple of red shirts that pulled a trick from Scott Smith’s book “The Ruins.” A character is on death’s door, but the vines leave him there to suffer, in order to force his girlfriend put him out of his misery. (Forget the movie – the book’s awesome. Brutal, but awesome.) Here, when one of the characters pulls what I call a Hudson (“Aliens” fans just nodded knowingly) and lies in the open, the snipers pull the brutally effective stunt of shooting Hudson repeatedly in order to flush their enemies out in an emotional rage. Both were exercises in mental torture, and both worked. Good thing that Jack and Buffy had a silent partner, one they didn’t even know about: Crazy Jackie, who comes out guns a-blazing in both the literal and euphemistic sense. Man, how did I not notice how, um, talented Jackie was last season? Damn things are just screaming at me now. And knowing that she will surely die before season’s end, I’m reminded of Cary Elwes’ great line in “The Princess Bride”: “‘Tis a shortage of perfect breasts in this world. It’d be a pity to damage yours.”

Can’t think of a better ‘out’ line than that. See you next week! Once again, I give you the song “Starbucked” by the UK band Bond. You want to know how forgotten this band is? Not even the last.fm page that’s hosting this track has the album title right. It’s Bang Out of Order, not Band Out of Order. And there are over 90 copies available for a mere penny on Amazon. Click here to buy!

Bond – Starbucked

Red Band Trailer Time: “Get Him to the Greek”

Not that there’s anything wrong with that, but the premise of this quasi-sequel to “Forgetting Sarah Marshall” from director Nicholas Stoller is a direct lift from the very funny 1982 period comedy hit, “My Favorite Year.” That film had a pre-“Perfect Strangers” Mark Linn-Baker as a schlubby, young not-Mel Brooks, circa mid-1950s, trying to ensure that Peter O’Toole as a middle-aged and almost perpetually drunk not-Errol Flynn shows up in front of live television cameras on time for a show which is not Sid Ceasar’s “Your Show of Your Shows.”

Now it’s 2010, and British comic Russell Brand’s perpetually stoned rock star, Aldous Snow, has gone downhill a bit since his Hawaiian vacation  of ’08 and needs some help in getting to a crucial live performance. This time, it’s coming from Jonah Hill as an ambitious music biz neophyte in way over his head.

This is fairly similar to an earlier trailer, which was an equal mix of funny to less-than-hilarious, but with far more penis references and all-around cursing.

Some of the gags could be sharper, but I’m still interested. Sean Combs is even funnier than his choice of nick-names. I’ve seen more than enough lame trailers for movies that turned out to be comedy gold, and vice-versa, that for all I know this could turn out as funny as the film it borrows its premise from.

“My Favorite Year” was no classic, but it featured a real performance-for-the-ages from O’Toole while Linn-Baker held his own, which was achievement enough. The interesting switch is that, this time,  Hill and Russell are fairly evenly matched talents and viewers of “Sarah Marshall” know the two have an unusual chemistry. I just wish they could have figured out a way to have Hill be reprising his character from the earlier movie the way Brand is. Why couldn’t Matthew the musically obsessed waiter become Matthew the budding A&R guy?

Via AICN and the Playlist.

“Alice” gets its three-peat, but it’s an upset at #2 for a “Wimpy Kid”

If anyone out there still doubts that family films are the surest path to box office glory, this weekend should be a stark reminder of that fact. The ongoing 3-D premium ticket price-boosted power of “Alice in Wonderland” once again nailed the #1 spot for Disney, and a very healthy estimate of $34.5 million in its third week.

That’s not all. Against some theoretically stiff, star-driven competition, our #2 film turns out to be a lowish budget, live-action version of a series of young adult comic books with no spectacular effects and no superstars — though young Chloe Moretz of “Kick-Ass” might be one fairly shortly. “Diary of Wimpy Kid” nailed an estimated $21.8 million for Fox on the strength of what appears to be a lot of kid-friendly low comedy.

It was perhaps a slightly humiliating result for the film that was supposed to be the #2 film this weekend. As we discussed last time, “The Bounty Hunter” benefits from two big stars and a strong ad campaign. Still, it’s terrible reviews appear to have been an indication of something other than a bunch of effete, “irrelevant” snobs who don’t know how to have fun or something. It’s just possible that “regular people” aren’t enjoying it much more than critics did.

Nevertheless, the action-oriented rom-com did hit the low end of expectations with an estimated $21 million. That’s close enough that it’s not impossible that the “actuals” could actually change the rankings when they come out. My hunch, however, is that, if they’re different, they’ll be different in the disfavor of “Bounty Hunter.” In any case, they can’t undo the reality that “Wimpy Kid” has already made an amount exceeding its budget ($15 million according to Box Office Mojo; $19 million according to Nikki Finke). At $40 million, “The Bounty Hunter” is not an expensive movie by Hollywood standards, but it took the very expensive marketing equivalent of carpet bombing to not beat the arguably under-promoted family film for the #3 spot.

Jude Law and Forest Whitaker face the abyssStill, if “The Bounty Hunter” was stung, the oddly topical “Repo Men” got its internal organs ripped out with an extremely poor fourth place estimate of about $6.15 million.  It’s yet another fiscal setback for Universal despite an instantly understandable premise and lots of advertising and marketing. My hunch here is that the action audience is not as hungry for straight-up gore as the horror audience. Also, its marketing seems muddled in terms of whether it was trying to sell it as a straight-up science fiction action film despite an inherently satirical premise. “Repo Men” seems to have pleased fairly few in the process but, by the numbers, its reviews were more than twice as good as for “The Bounty Hunter” for what that’s worth.

This week’s box office winner in terms of per-screen averages is the comedy-drama from Noah Baumbach, “Greenberg.” Though only playing on three screens, the film managed a terrific $120,000 for Focus Features. It benefits from an unusually big star for a limited release in Ben Stiller, not to mention sexy/likable possible-superstar-to-be Greta Gerwig in the female lead, and a writer-director who is a known quantity to the indie-audience thanks to his success with “The Squid and the Whale” and his association with Wes Anderson. Considering the plugged-in nature of the audience in New York and Los Angeles that tends to goes to indie films on opening weekends, it’s also tempting to wonder if the controversy, which I’ve been personally guilty of promoting, around critic Armond White’s beyond-over-the-top personal hatred for Noah Baumbach and, more to the point, for Baumbach’s ex-film critic mother, might have boosted interest just a touch. We’ll see what happens when “Greenberg” goes wider next week.

greenberg-trailer-header

Health care movie moment #1: “I think that’s their technical name.”

Now, while I’ve certainly never made a secret of my politics here, I don’t generally use this particular locale to vent on strictly political matters. And so, it is not in the spirit of persuading anyone to, say, call wavering congressmembers (especially if you live in their district, or even close by) to encourage them to vote for the president’s health reform package tomorrow. No, it is strictly a coincidence that I will be presenting movie moments relating to importance of health care this weekend. I’ll start with this scene, possibly NSFW for some words blurted by Helen Hunt, especially if you work in health insurance.

Of course, HMOs aren’t inherently evil. (I like mine, Kaiser, a non-profit, but even that has its considerable issues.) The problem is the stranglehold of enormous, for-profit bureaucracies. In saner systems, I’m sure not all doctors are as cool as Harold Ramis is in “As Good as it Gets,” but in many of those places they really do still make house calls. This scene, however, which depicts nothing more special than a competent and conscientious professional doing his job in the best way he knows how, remains a complete fantasy for the vast majority of us and will for some time. But you’ve got to start somewhere.

A movie news midnight ramble.

It’s a bit late for a Friday night news dump –and most all of  you will be reading this on Saturday morning — but here’s the news…

* Chris Evans has been offered the part of Captain America, but will he accept?

* Christopher Nolan’s multi-star Philip Dick-esque new movie is generating interesting, of course.

* That word about Tim Burton doing an stop-motion version of “The Addams Family” going back to the characters’ cartoon roots struck me as a perfectly reasonable idea. Charles Addams brilliant cartoons have never really be transferred to the screen in quite the fashion they deserve, so why not take another whack, says me. I any case, the whole story appears to be premature.

adams2* Demi Moore and Nia Vardalos: Twitter heroines.

* Friday’s over now. Is Leo the Lion closer to having a new tamer?

* Speaking of lion tamers, Carl Icahn is at the Lion’s gate. (Sorry.)

* Wow, Jeff Bridges was really a lock for the Oscar. George Clooney did his classy Cary Grant thing again and voted for him. Weirdly enough, much as I just about worship Bridges, I actually think Clooney was better in his nominated role than Bridges in his.

* Christoph Waltz wowed the world as Col. Landa, but what he really wants to do, aside from being America’s new go-to bad guy, is direct, at least once. Good for him for striking while the iron is hot, and it’s very hot for him.

* Woody Allen is having second thoughts, it appears, about casting France’s first lady, Carla Bruni-Sarkozy, in his new movie.

Carla-Bruni-Nicolas-1

* The ultra-hawkish rightwing’s answer to having more successful political thrillers is apparently the same as their longstanding and unchanging prescription for foreign policy: more mindless brutality, please. On the other hand, I might pay to see Gene Simmons’ head explode in a ball of flame, though I’m not advocating it.

* Which is not to say there aren’t some conservatives who don’t have something to teach us liberals. The subtly and thoughtfully right-leaning cinephile Bill Ryan, via Dennis the C,  takes apart the latest highly irritaining controversy involving the always irritaining Armond White.

* I can’t say I actually know the man really at all, but film distributor turned filmmaker turned back to film distributor Jeff Lipsky and I have a bit of history (discussed in my interview with him from 2007). His thoughts on returning to the biz are some interesting inside baseball and most of them seem to make a fair amount of sense.  His movie love is sincere, even as his tastes are quite different than mine. And it’s interesting and hopeful to see an Indie guy still excited about theatrical filmgoing. But why on earth does he feel the need to single out the aforementioned Armond White for praise? I could go on…

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑