Category: Actors (Page 79 of 343)

24 8.18: What price paradise

Nickname change: President Buck Buck Brawwwwwwwwk will now be referred to by his original nickname of President I.M. Weasel. Because holy fuck, man, he is the sleaziest character this show has ever seen.

The thing is, I actually loved his scene with Novakovich, where he put the ambassador over a barrel and said, “Get back to the table, or you’re done.” It was vintage Charles Logan, done with a nod and that greasy half-smile of his. However, now that Jack Bauer nearly blew the lid off of everything using good old-fashioned detective work – with no small amount of intimidation – we learn that Logan’s plan, in full, was as follows:

1) Blackmail the Russian government into accepting the treaty
2) Tell President Taylor nothing about how he persuaded them to change their minds
3) Hope that his secret never gets out

Huh. I’m not sure he thought this through.

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“So can you actually feel the weasel rays I give off when I’m this close?” “I’m sorry, I couldn’t hear you over the sound of my soul screaming.”

He didn’t consider that Dalia might find out on her own who killed Slumdog. He didn’t consider the fact that the Russians may sign this peace accord but they’ll never honor it, and eventually the truth about its bloody origin will spill. Lastly, he didn’t consider the one-man wrecking crew that is Jack Bauer, who was able to spoil his plan as soon as he hatched it. And since Logan kinda has a thing about Jack, what with Jack destroying his Presidency and all, he completely lost his objectivity when it came to silencing him. You’d think that Madame President would have noticed Logan foaming at the mouth like a rabid dog whenever he said Bauer’s name, since she has a much different relationship with Jack than Logan does – on account of being a good, honest person – and yet, she didn’t. And worse, she’s acquiescing to Logan’s suggestion that they continue with the treaty, even though Dalia Hassan will soon be sitting across the table from the people who killed her husband.

I call shenanigans. Allison Taylor would never, ever do that.

The nanosecond I.M. Weasel mentioned the Russian government’s involvement, the regular Allison Taylor, the one we saw every other week – the one who sent her own daughter to prison – would have sent Logan out on his ass. He says he recently became aware of their involvement, but who knows if that’s true? He wants to get back in the political game, and since his first step in achieving that goal was to blackmail the Russian ambassador to the UN (!), it’s clear that he cannot be trusted. That he’s trying to muzzle the best damn agent CTU has ever had should have been the smoking gun that he’s up to no good. And yet, Madame President went along with it. The one with the straightest moral compass of anyone on the show bought what Charles Logan, Charles fucking Logan, was selling. You have to think that Cherry Jones saw the script that day and said, “Oh, fuck me. I’m getting a lobotomy.”

And then Keifer Sutherland calmed her down by saying, “It’s all right, I’m getting one, too. I hijack a helicopter at the end of the hour.”

Look, I know that when Jack is all out of bubble gum, there is little stopping him. (“They Live,” holler.) But hijacking a helicopter? Do you know how easy it will be to spin that story to the public after they shoot him down? “Longtime dedicated Federal Agent, stricken with grief over the death of his Agent girlfriend, decided the Russians were responsible for her untimely demise. Film at 11.” No one will ask questions. His funeral party will consist of Kim and Chloe. Everyone else who ever cared about him is dead. Survived by daughter Kim, granddaughter Teri, and illegitimate son Jack-Jack.

At least they didn’t insist that Chloe lose her mind along with Jack. She warned him that she’d have to call in an air strike, and call in an air strike she did. Jack, wisely, flew straight to Manhattan, knowing that they wouldn’t dare risk shooting him down over New York. Still, there had to be a better way to get him back in play. Ooh, here’s an idea: how about keeping him in play? There are six hours left. It’s a sliver of time in the show’s history, but it’s an awfully long time for people to act completely out of character in order to service a bad plot idea. I don’t want to see “24” limp to the finish line again. Not on its final time around the track.

Tonight’s blog title comes courtesy of another mid-’80s English wuss rock band. What Price Paradise was the 1986 album by China Crisis, and is in tribute to Madame President selling her integrity down the river for disgraced former President I.M. Weasel. (I was thinking of using the Pretenders song “How Much Did You Get for Your Soul,” but my wife hates Chrissie Hynde.) She knew about the ‘disgraced’ part, right? Of course she did. So why did she go along with it, again? In the real world, both he and his weasel assistant receive a polite ‘no’ in response to their offer of assistance, and then their houses are burned to the ground while they sleep. Here’s hoping she gets a chance to right this wrong. Until then, I will refer to her not by the customary Madame President but by her first name, in order to show my contempt for the decisions she made this hour. As a bonus, I’ve included a link to the best fight scene in movie history, one so awesome that Trey Parker and Matt Stone re-created it shot for shot with two cripples. Enjoy!

It’s weekend box office time: “Kick-Ass” will kick..nah, forget about it

Easily the most ‘net hyped movie of the year not based on a Marvel superhero or collection thereof comes out this weekend, and while a monster hit isn’t expected, there will be some very long faces at Lionsgate if the comic-book adaptation “Kick-Ass” doesn’t collect at least about $20 million. I think they’ll be okay.

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Indeed, if I were to bet, I’d expect the film to exceed expectations, if not this weekend, then later on in the run as the word of mouth among younger filmgoers gets out. True, as Jolly Carl DiOrio points out, it’s R-rating is a bit of a deterrent to the younger teens who’d no doubt love to see it but will have to come up with some clever maneuvers to check out this ultra-violent action non-super-powered superhero comedy any time too soon.

Of course, there’s more than a hint of controversy around “Kick-Ass.” It raised some hackles on its earlier British release and while getting mostly solid reviews, did so again stateside with a somewhat surprising one-star review from Roger Ebert. He seemed genuinely saddened and not amused by the spectacle of ultra-violence being meted out by, and later visited upon, the character of Hit Girl played by young superstar to be Chloe Moretz. Kenneth Turan, who’s often in the running for the title of the nation’s second most respected/well-known critic, admitted to being just a touch disturbed, but liked it and even declared it a pop-culture phenom. The interesting part is that Tarantino-negative Turan, who cites “Kill Bill” in his review, was utterly horrified by the violence in that film (the piece, or pieces, he wrote about it seem to have disappeared off the ‘net), while Ebert was beyond thoroughly amused.

It’s tempting for me to engage in a long speculation about other movies they’ve reviewed — a long time ago Ebert was somewhat similarly moved to anger by the finale of “The Dirty Dozen” but, much more recently, he defended, in amused but guarded fashion, “The Devils Rejects.”  But all there really is to say that what disturbs us, or doesn’t, and whether it does so in a good or bad way, is a highly individual and idiosyncratic matter and it behooves all of us critical types to remember that. Anyhow, whatever controversy there is will no doubt only feed the beast and expectations are for it to go from anywhere between $20 to $30 milliion this weekend and almost certainly taking the top  spot.

Death at a FuneralThe other major new release this week is Sony’s “Death at the Funeral,” a Neil Labute-directed remake of an identically-titled Frank Oz-directed British comedy from just a couple of years back with a primarily, but not exclusively, African-American cast. (Or, as Carl DiOrio would put it, the cast “skews to urban demos.”) Since the African-Americans in question are Chris Rock, Martin Lawrence, Tracy Morgan, and Danny Glover while Dominican-American Zoe Saldana, white dude James Marsden and little person Peter Dinklage make for a bit of added diversity, this R-rated comedy should play well with a reasonably broad audience.

Jolly Carl says “a debut in the high-teen millions seems doable.” Still, with possible strong showings for holdovers like “Date Night” and “How to Train Your Dragon,” the box office results could be close on Sunday. While the reviews are not at all particularly good, the original did better with reviewers but didn’t exactly make critics do handstands.

In limited release, we have actually too many interesting small movies to mention this week including the amusingly titled “Rosencrantz and Guildenstern are Undead.” (Shame the trailer isn’t as amusing.) However, “Exit Through the Gift Shop,” looks to be one of the bigger documentaries likely to come out for a while, while the social satire “The Joneses” with David Duchovny and Demi Moore is dividing critics in general, much as it divided our own David Medsker in particular. According to Box Office Mojo, it’s getting a relatively large first week for this kind of film with 192 screens.

The Joneses

Midweek movie news

It’s quite late, or quite early, here on the west coast, so this edition will be swift.

* Captain America has got his girlfriend, and I’ve never heard of her! However, those of you who keep up with your TV may know Hayley Atwell, who’ll be playing Peggy Carter, Cap’s WWII era love interest. Among other shows, she was featured on the not-so well received AMC redo of “The Prisoner.”

* The folks over at Dreamworks have been busy beavers. First, they began the roll out of their “Kung Fu Panda” “virtual theme park” — basically a collection of Panda-based games for kids. Also, their gearing up for the May release “Shrek Forever After.” Today, CEO Jeffrey Katzenberg spoke at the National Association of Broadcasters (NAB) confab about, naturally, 3-D conversions on the first three “Shrek” productions and how they won’t suck like certain live-action 3-D conversions.

Still, there was a fly in the family-friendly ointment, and that was a photo spread that’s coming out in the glossy Vman Magazine that apparently caused some unhappiness at Dreamworks Animation. I could explain why, and you may definitely read the Paul Bond’s THR article about it. On the other hand, I don’t have to tell you how many words a picture is worth.

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Joss Whedon is (probably) the Avengers’ master now

I personally won’t be utterly sure it’s real until the man himself writes about it over at Whedonesque, but news today came via both Mike Fleming and (unlinkable/unreadable w/o subscription) Variety that mega-culty writer-producer-director Joss Whedon will be directing “The Avengers” as well as reworking the screenplay already written by Zak Penn.

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It’s important to note that no one’s saying it’s yet a 100% done deal, just that Whedon and Marvel Studios are in “final negotiations.” I imagine that could mean anything from lawyerly due diligence, to the movieland equivalent of leaving a real estate transaction in escrow, to quibbling over whether craft services on the film will provide marshmallows along with the hot chocolate. Still, there is certainly some truth to the story, and not only because Fleming and Variety are highly reliable sources, but also that, if there were not, Whedon himself would almost certainly have piped up about it by now. He’s known for staying in touch with his fans and has quickly squelched many a baseless, “squee!”-generating rumor.

As a confessed Whedonite, I’m sure I’m biased, but I love this idea. When I first got seriously hooked on Whedon’s “Buffy, the Vampire Slayer” TV series, it was because I felt something of the same sense of involvement in the characters and backstory I had when I had become involved in the often soapy plot complications of Silver Age Marvel comics. When Whedon cites Charles Dickens and Stan Lee as his two favorite authors, it makes perfect sense to me.

More objectively, I’m not really that surprised that Marvel choose him and I think he’s a shrewd pick from their point of view. Some commenters have argued that Whedon is not an experienced action film-maker. I don’t think they’ve been paying attention. He’s supervised four action-heavy television series (“Buffy,” “Angel,” “Firefly,” and “Dollhouse“) and has directed one very strong action-packed movie space opera (“Serenity“) complete with space-car chases, martial arts, and even a bit of sword play mixed with down-and-dirty street fighting. I think he’s got that ground covered.

Joss WhedonMoreover, he brought the film in with what is, by current standards, an impossibly tiny budget for a movie with copious effects and action ($40 million) and, in my book at least, he did so with plenty of cinematic style. That has to please the notoriously tight-fisted Marvel Studio heads and probably puts them somewhat in mind of their other “risky” choice of “Iron Man” director Jon Favreau, who prior to making “Zathura” had pretty much no experience with action or effects. More or less like “Serenity,” that film garnered good reviews but did kind of badly at the box office.  At $65 million, it was a somewhat higher budgeted box office disappointment, however.

“Serenity” fared poorly because it was a based on a TV show (“Firefly”) that most people had never seen, and was cursed with a premise and background that was very difficult to explain. Moreover, the title reminded people of very non-action-movie things like meditation, spas, and adult diapers. Worse, Universal was not really prepared to risk extra money on a months-long publicity campaign to try and bring the audience up to speed on what Whedon’s “verse” was all about. “”The Avengers” will not have that problem. It’s about a group of superheros doing superheroic stuff together. People will get it.

As a fan, I do have one concern — well, not a concern, but more a point of curiosity. Whedon has had, for the most part, rather fabulous luck with acting ensembles comprised mostly of unknowns, and I’m really looking forward to seeing what he can do with actual superstars like Robert Downey, Jr. and Samuel L. Jackson. This is, however, also the first time he’s not chosen his own cast but been given a ready-made ensemble, and it’s not like he can really make any major changes if he’s not happy with the way things are jelling. It’s just one of many aspects of this production that should be interesting to follow.

It’s late night/early morning trailer time: “The Other Guys”

Jay Fernandez doesn’t appear to be entirely wowed by this trailer. He admit it’s funny but feels it lacks enough of a plot description and “character delineation.” I say, that’s what movies are supposed to be for.

In any case, I guess have a soft spot for the species of dumb/smart comedy practiced by Will Ferrell and his comedy life-partner Adam McKay. This time, the rather clever idea for yet another buddy cop spoof features Samuel L. Jackson and Dwayne Johnson as a pair of super-competent supercops and Ferrell and Mark Wahlberg as, yes, vastly less competent and less super cops. Not every joke lands, but hang on for the bad cop/bad cop scene with Steve Coogan and the explosion at the end.

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