Category: Actors (Page 171 of 343)

“Bruno” scenes screened at SXSW

A few hundred movie fans got a sneak peek at 22 minutes the upcoming Sacha Baron Cohen comedy “Bruno” at the South by Southwest film festival. Baron Cohen’s Bruno character is a “flamboyantly gay Austrian fashion correspondent hoping to make it big in Hollywood,” and he’s just as crazy and provocative as his now-famous Borat character.

In the first bit of footage, Bruno has decided to achieve celebrity by adopting a black baby, and wants to feature the child in an avant-garde performance art project. (“Ich bin pushing the limits,” he explains in broken German.) He interviews several mothers and fathers to determine whether their children would be suitable to play guest stars, and his questions grow increasingly absurd: Are they afraid of stuffed animals? Reptiles? Hornets? Would they be OK with being dropped off a four-story building, or willing to have liposuction? Regardless of the request, the parents categorically say “yes.”

Part two, which was shot just north of Dallas, finds Bruno appearing on a Jerry Springer-style talk show in leather pants, looking for Mr. Right. Members of the predominantly black studio audience are appalled by his in-your-face homosexuality, and they get even angrier when he brings out his adopted baby and shows them a self-consciously artsy photograph of the child posing as Jesus on a cross. Although it appears there are a few plants in the crowd to ask the right questions, the majority of them seem genuinely disgusted as they storm out.

Finally, Bruno decides to reinvent himself by going hetero and changing his name to “Straight Dave.” Dressed like Ted Nugent in camouflage, long hair and a scruffy beard, he stages a mixed-martial arts contest, which was shot last summer in Arkansas. When Bruno’s ex-boyfriend crawls into the ring and the two start making out, stripping and rubbing all over each other, spectators in the conservative crowd holler, make anti-gay slurs and throw plastic cups of beer at them. They end up storming out, too.

I think he has another smash hit on his hands.

Greetings to the New Show: “Kings”

Mark my words: you need to tune in for the premiere of “Kings” tonight. It’s an epic drama with the kind of scope that you rarely see on television in series form – executive producers Michael Green, Francis Lawrence, and Erwin Stoff have literally created a new world, one which provides them with the opportunity to offer tales of war and love without offending any existing countries – and it needs to be a hit right out of the box, lest it be canceled without ever having a chance to build on its concept.

If you’ve seen the commercials for the series (and if you’ve watched NBC for more than about fifteen minutes at any point in the last few months, you surely must’ve caught at least one), then it’s probable that at least one familiar face has leapt out at you: Ian McShane, late of HBO’s “Deadwood.” McShane plays King Silas Benjamin, leader of a land known as Gilboa, which, despite being an obvious monarchy, looks suspiciously like America. When “Kings” opens, Silas is preparing to address his subjects, and when he embarks upon his speech, we’re introduced to some of those who are watching it at home, including a young man named David Shepherd (Chris Egan). Unfortunately, despite the optimism within Silas’s speech, we soon fast-forward to two years later, when David and many other men of Gilboa are in the midst of fighting in Gilboa’s war against the neighboring nation of Gath.

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Catching Up With… “Lie To Me”

I enjoyed the pilot episode of Fox’s “Lie To Me,” but I’ve been struggling with this season’s plethora of scheduling annoyances – seriously, has there ever been a year when this many good shows were being pitted against each other? – and haven’t been able to catch it since then. I’m pleased, then, that the network has decided to provide the series with a new timeslot on Wednesdays at 8 PM, where I can actually watch it once in awhile. (I can wait on “The New Adventures of Old Christine” and “Gary Unmarried” ’til they get a DVD release, I can just read Mike’s recaps of “The Chopping Block,” right?)

According to Fox’s blurb on tonight’s episode…

“Lightman (Tim Roth) and Foster (Kelli Williams) investigate the disappearance of an 11-year-old girl who may have been murdered. Meanwhile, Loker (Brendan Hines) and Torres (Monica Raymund) must determine whether a famous peace activist is who she claims to be and if her bestselling memoir is true, but Loker’s attraction to the socially conscious woman may be clouding his assessment of her.”

Having already seen the episode, I can tell you a few other things as well:

* Lightman makes the girl’s parents cry before the opening credits roll.

* When handed a huge roomful of people who claim to have tips on where the girl is, he proceeds to narrow down the population to a far more manageable level with two quick statements.

* By episode’s end, we have learned a great deal more about Foster’s personal history, along with why she feels so strongly about this case.

* Loker attempts to offer up a compliment to the aforementioned peace activist. When he feels the need to explain to her how he means it, you will laugh and cringe simultaneously…and you will feel the same effect later in the episode, when he attempts to get his copy of the woman’s book signed.

* Alison LaPlaca guest stars as the woman questioning the veracity of the activist. You may remember her as one of Rachel’s bosses on “Friends” (Joanna, the one who utilized a pair of handcuffs on Chandler), but when I saw her, it just made me realize that “The John Larroquette Show,” where she served as the female foil, really needs to come out on DVD.

* Despite Loker’s initially poor abilities of flirtation, you will probably feel rather sympathetic for him by the time the end credits roll.

Yep, “Lie To Me” is as imminently watchable as I remembered it…possibly even more so, given that the producers seem to be doing a really solid job of spreading the wealth amongst the characters rather than turning it into “Tim Roth and Friends.” Be sure to tune in at 8 PM…yes, that’s 8 PM…so you can enjoy it as much as I did.

Simon & Simon: Season Two

It’s been so long since the first season of “Simon & Simon” hit stores – we’ve passed the two-year mark and we’re heading for three – that fans of the series may have feared that they’d never see any more of the adventures of private detectives Rick and A.J. Simon (Gerald McRaney and Jameson Parker) released onto DVD. Fortunately, Shout! Factory has picked up the torch that Universal dropped. While it’s unfortunate that there aren’t any special features on the set, the packaging reminds us that it is indeed a bonus that Shout opted to spend the coin to include the “Magnum, PI” crossover episode that kicked off the second season of “Simon & Simon.” As far as the show itself goes, it’s relatively pedestrian as detective shows go, but it does manage to rise above its one-liner concept – “They’re detectives and they’re brothers!” – thanks to the performances of McRaney and Parker as well as Mary Carver, who plays the boys’ mother, Cecilia Simon. Guest stars this season include Ray Walton (“My Favorite Martian”), Eddie Albert (“Green Acres”), Richard Anderson (“The Six Million Dollar Man”), Dean Stockwell (“Quantum Leap”), and Richard Kiel, a.k.a. Jaws in the Bond flicks, but don’t go looking for Downtown Brown to rear his head. Alas, Tim Reid didn’t become a regular cast member ’til Season 3…and as it stands right now, there’s no word on whether Shout has plans to release that or not.

Click to buy “Simon and Simon: Season Two”

Robert Benton on “Kramer vs. Kramer,” 30 Years Later

Robert Benton has seen more than one cinematic revolution in his time. He and his late screenwriting partner, David Newman, were major players in two films that forever changed movies: 1967’s “Bonnie and Clyde,” which brought European New Wave aesthetics into mainstream American cinema and permanently altered the portrayal of violence in American pop-culture, and 1978’s “Superman,” which created the big-budget superhero flick and convinced the world Christopher Reeve could fly. But as the writer and director of a little movie without violence, groundbreaking special effects, or even a whole lot of controversy, Robert Benton actually helped change real life with 1979’s “Kramer vs. Kramer,” about a careerist father (Dustin Hoffman) raising his son alone after being left suddenly by his wife.

Drawn from a novel by Avery Corman, the film was an immediate critical and box-office success, ultimately making over $100 million. It proved to be a star-making role for the twenty-something Meryl Streep, who won a Best Supporting Actress Oscar as Hoffman’s ex-wife, who endures a change of heart and sparks a painful custody battle. Moreover, it racked up a historic Oscar nomination for seven-year-old Justin Henry in the crucial role of Billy Kramer, and garnered both a Best Picture award and a Best Directing Oscar for Benton against an exceptionally strong group of nominated films that included “All That Jazz” and “Apocalypse Now.” Still, lots of movies have received acclaim, Oscars, and a tidy profit. “Kramer vs. Kramer” is a different story.

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