Category: Actors (Page 163 of 343)

Weekend Box Office: “Up” Surprises; “Drag Me to Hell” in Limbo

Everyone expected a big weekend for the latest from the seemingly unstoppable Pixar/Disney creative team, but who knew that an elderly human could outperform an immature robot?

Yes, despite apparently being a bit intense for the very small ones, “Up” benefited from its widely noted ability to make adults cry and then laugh a lot as well — and perhaps more pointedly from being shown in what Nikki Finke reports is a record number (over 1,500) of 3-D digital screens. It raised $68.2 million, beating “WALL-E” by about $5 million, making it the third highest grosser in Pixar’s illustrious history. (Though, as always, one should remember that ticket prices keep getting higher.) But for those who think pristine visuals and high tech sound are the only attractions, I also have reason to believe it did well at the few remaining drive-in theaters as well…but more about that in a bit.

Overall, “Family” was apparently the watchword as “Night at the Museum: The Battle of the Smithsonian,” as Brandon Gray points out, dropped what is now considered a very respectable 53.5% to net $25.5 million smackers, buoyed by those premiums for IMAX theaters, both legit and “Liemax.”

Meanwhile, there was just a slight whiff of disappointment in horrorland as the ethically fascinating creepfest “Drag Me to Hell” netted a mere $16.6 million, but Sam Raimi’s presumably lowish budget flick is not quite in the movie toilet. Variety‘s Dave McNary cites a Universal bigwig thusly:

“It was a solid start,” [distribution chief Nikki] Rocco said, who asserted that “Drag Me to Hell” should benefit in coming weeks from a slew of positive reviews.

And, word of mouth of course. Like me, right here. As mentioned in my pre-weekend b.o. post, I really did head down to the Mission Tiki Drive-In in otherwise scenically challenged Montclair, CA. Alongside seeing hordes and hordes and hordes and hordes of families scrambling to see “Up” and meeting some very, very cool fellow cinenerds (some famed far and wide, relatively speaking), I can also say that “Drag Me to Hell” is a genuine hoot. You serious horror fans should be aware that, while it has laughs, they are mostly of the nervous and ironic variety, if that makes you feel any better. I mean, God forbid if a horror movie should actually be, you know, fun — and I don’t mean Dick Cheney’s idea of fun.

Meanwhile, “Terminator Salvation” did a lackluster $16.1 million in its second weekend, meaning that McG, Christian Bale and company likely feel like they’ve been dragged to the unhappy place themselves.

Torchwood – Children of Earth (and a new companion for the Doctor!)

It’s been two days of steady announcements for fans of both “Doctor Who” and “Torchwood.” Yesterday came the news that instead of Sci Fi airing the latest episodes of “Who,” BBC America would instead be premiering the final five David Tennant adventures beginning in June with “The Next Doctor,” and then July will see the premiere of “Planet of the Dead.” Granted, it’s a shame that BBC America isn’t in as many homes as Sci Fi, but isn’t BBCA really the proper place for the Doctor?

This morning the BBC issued a press release naming the newest companion to travel with the Time Lord. Her name is Karen Gillan, and she’s Scottish and all of 21 years old. She’ll be time travelling with new Doctor Matt Smith when Season Five gets under way in 2010.

Incoming head honcho Steven Moffat had this to say about Gillan: “We saw some amazing actresses for this part, but when Karen came through the door the game was up. Funny, and clever, and gorgeous, and sexy. Or Scottish, which is the quick way of saying it. A generation of little girls will want to be her. And a generation of little boys will want them to be her too.”

And last, but certainly not least, the latest trailer – clocking in at just over 2 minutes – for “Torchwood: Children of Earth” has been unveiled. It’s still so difficult to tell anything about this miniseries. Will it rock, or will it just roll? Will the ante be upped, or will it flail around on the ground? Chances are this thing’s going to be a solid five hours of entertainment, based simply on the quality of the first two seasons, and yet the whole “kid” thing seems like a huge gamble for this series. Fingers crossed! Take a gander for yourself:

Your Weekend Movie Choice: “Up” in the Heavens, Or Dragged to “Hell”

Yes, we’ve got a weekend of strong contrasts and a real rarity, two critically lauded films that each have a chance of doing some seriously good business.

Of course, the big movie this week is Disney/Pixar’s “Up” which is already, predictably enough, a huge hit not only with our own David Medsker, but with critics across the board, rating a mondo-boffo-socko 98% “fresh” rating at Rotten Tomatoes. As I write this, only two critics have seen fit to turn thumbs down — and one of those two is the increasingly mindless contrarian, Armond White, who, I gather, loathes us all. (See David Hudson at IFC for more review excerpts and a concise reaction to the ever-more self-parodying White.)

It seems logical to expect something like the money that past smashes from the studio have made (Variety is saying about $60 million for the weekend), but there is always the possibility of audiences turning contrarian themselves, mindlessly or otherwise. If people were concerned that a gourmet rat or a wordless robot might turn off audiences, then a crochety and rather uncute 78-year-old lead could bring out latent movie ageism. Though, as others have pointed out, it doesn’t seemed to have harmed Clint Eastwood much. In any case, the experts seem convinced that the Pixar name, and the fact that this is the very first 3-D production from the amazingly reliable studio, will ensure that the Emeryville studio’s unprecedented track record of critical and commercial success should continue for one more film. (For more on “Up” you are commended, if not commanded, to read Medsker’s interview with director Pete Doctor — at least until the place where David suggests that maybe you should stop.)

As if that weren’t enough, this weekend brings that rarest of all cinematic creatures: A PG-13 horror film that not only is not drawn from an Asian hit, but was actually shown to critics in advance, and got a Pixaresque 96% positive RT rating. I speak, of course, of Sam Raimi’s return to his humor-spiked pulp horror roots with “Drag Me to Hell.” Now, this seems to be less of a sure thing in that the conventional wisdom has been that audiences don’t trust the cinematic chocolate of comedy — even in relatively small doses — combined with the peanut butter of actual scary horror, but Raimi’s name and some credible frights will perhaps cause filmgoers to decide these are two great tastes that go great together. All in all, this could be a canny bit of counterprogramming for teens looking to avoid the wholesomeness of “Up” and the still potent “Night at the Museum” sequel. Besides, Bloody Disgusting gave it 4 and a half skulls.

Also, cinema-chicken though I be, emboldened by that PG-13 rating, I personally, as well as world famous, horror-lovin’ cinephile blogger Dennis Cozzalio of Sergio Leone and the Infield Fly Rule, and, I’m told, numerous friends and filmic potentates, will be pumping up the grosses of “Hell” in the place where, some say, pulpy horror movies may best be viewed. I speak of the Mission Tiki Drive-In in Montclair, California. If you’re in the area on Saturday, 5/30, there may be more hellish things to do, though if you stay for co-feature “Angels and Demons” all bets may be off.

Buffy, We’ll Hardly Know Ye (Updated)

A veritable geek storm has erupted over an item at the Hollywood Reporter reporting a Star Trek and Twilight inspired reboot, or something, of the Buffy, the Vampire Slayer franchise, only without Buffy creator Joss Whedon, sans Buffy’s erstwhile “scooby” friends (no Willow!!!! Aaaagh!!!!!!), and, if I read it right, without Buffy.

A bit of backstory: Fran Rubel Kuzui, director of the original, pleasantly mediocre, movie version of the franchise once upon a time fashioned a perfectly respectable, pleasantly lightweight autobiographical indie romantic comedy, Tokyo Pop (or that’s how I remember it…I haven’t seen it since it’s 1988 release, when I was but a highly precocious toddler). In typical Hollywood fashion, on her second (and, so far, final) feature as a director, most accounts hold that Rubel and company seriously refashioned Whedon’s original screenplay from a serio-comic actioner to an out and out teen comedy with random changes made to the screenplay from a number of sources, including, according to Whedon, co-star Donald Sutherland (who you will never see in any other Whedon project, it’s safe to say).

Since then, Rubel Kazui has held on to some of the rights, and fans of the Buffy TV show saw her name at the front of every episode…and heard nothing else from her, ever.  It’s safe to assume that she had zero input on the television show and received the credit as part of her compensation for the rights. Now, as most of you probably know, a major plot thread of the TV show was Buffy’s trouble-plagued romance with a (mostly) good guy vampire named Angel, setting the hearts of fans of Sarah Michelle Geller and David Boreanaz seriously aflutter. Hence, the Twilight connection — though lips that touched blood never touched those belonging to movie-Buffy Kristy Swanson.

So, with those Trek and Twilight grosses pointing the way, Kuzui and Vertigo Entertainment, which usually specializes in remaking Asian films for the American market, are trying to restart the franchise, apparently using a loophole from the original concept of there being a new slayer in every generation. As a fan of the show, trust me when I say this is nowhere near as clever as the loophole J.J. Abrams and company came up with to stay on (most) Trekkies’ good sides. Overall, this idea strikes me as if the Coca-Cola company had put out New Coke as a non-carbonated non-cola. Buffy without Buffy Summers, and the Whedonverse, without Whedon = box office gold?!? Nah.

Assuming it ever happens, of course. Whedon is an extremely savvy third-generation show biz writer who has already pulled off the unheard of feats of retrieving a lost screenplay concept and remaking it as his own TV show, and then turning another quickly-canceled television show into a major, if not immediately profitable, Hollywood film (Serenity). He is usually protective of his properties, to the extent that he has any control. I’m guessing that this one is almost certain to generate very interesting behind-the-scenes maneuvers.

As always, on Whedon-related matters Whedonesque is very much on top of the story.

UPDATE: Michael Ausiello has managed to elicit a four word response from Joss Whedon, whose currently working on his horror film collaboration with Drew Goddard, “The Cabin in the Woods.” Those four words are:

I hope it’s cool.

H/t Whedonesque.

“Fringe” star NOT fired

According to executive producer Jeff Pinkner…

“like all things on Fringe, there is more to this story than meets the eye.” In fact Pinkner not only confirms to TV Guide Magazine that Acevedo “was not fired,” he hints that we’ll see more Agent Francis in season 2. Literally.

“We have already seen two of him on the show,” teases Pinkner. “We have already met the second Charlie. He had a scar on his face.”

They did a wonderful job of casting “Fringe,” and it would be sad to see any of the regulars go. I could have lived without Agent Francis on the show, but I am happy to hear that he’ll be back next season.

But what was the deal with that Facebook update of his? Maybe the actor was fired from the show in a parallel universe…hmm…

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